Orphaned, sick, or physically deeply damaged, the 10-12 year old girls of "Gunslinger Girl" are rescued by the Social Welfare Agency and turned into chemically and emotionally brainwashed, cyborg political assassins. They bond deeply with their older male handlers, and obey these men implicitly. And love them too - and therein lies the tense inner workings of these bitterly noir, nearly surreal stories. --- If you expect a shoot-`em-up with cute sexy little Lolita nymphets, forget it. The style is Italian film noir realism (the story is set in Italy) and everything centers on the *relationships* among the girls and between them and their handlers - quiet, withdrawn Henrietta and the genuinely loving Giuseppe, or Elsa de Sica, whose handler does *not* love her, as we find out in a grim two-part story. --- How do people fall in love? If we are all killers (one of the undertexts of "Gunslinger Girl"), then why do we even think that love is possible? These girls live in a Gulag created by nameless adults. Against the brainwashing, conditioning, chemicals, and loss of memory, how can anyone act with even a shred of humanity, let alone personality or rebellion? Against the radical and totalizing power of drugs, manipulations, and emotional pain, the girls simply don't give up. They're very proud of their abilities to assassinate terrorists and of the police services they provide. Dubious means; desirable end: and they become human, in poignant and very moving stories of endurance, resilience, and revenge. And if you say that *their* Gulag is not so different from *our* consensus reality, well, then you've got the point.