- Taschenbuch: 196 Seiten
- Verlag: University Press of Mississippi (Dezember 1994)
- Sprache: Englisch
- ISBN-10: 0878057250
- ISBN-13: 978-0878057252
- Größe und/oder Gewicht: 22,6 x 15,2 x 1,8 cm
- Durchschnittliche Kundenbewertung: 3.0 von 5 Sternen Alle Rezensionen anzeigen (1 Kundenrezension)
- Amazon Bestseller-Rang: Nr. 2.365.230 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Kurzbeschreibung
Before Groucho Marx and W.C. Fields, comedy was innocent. After they left their hilarious smudges on the genre, it was anything but. Groucho Marx the leering, wise-cracking, pseudo-intellectual (c.1890-1977) together with his brothers Chico, Harpo, Gummo, and Zeppo, first performed on Broadway in 1924 and took it by storm in The Coconuts (1925) and more memorably Animal Crackers (1928) which was filmed the following year. Moving to Hollywood with the advent of "talkies" for such classics as Monkey Business (1931), Duck Soup (1933) and A Night at the Opera (1935), Groucho developed his own hilarious brand of farce poking fun at convention and confronting audiences with a wealth of double-entendres. W.C. Fields "..never act with dogs or children!" (1879-1946) began his stage life as a juggler on the vaudeville circuit. By his early 20s he was already a top-billed star who performed alongside the renowned Ziegfield Follies on Broadway. His first film was Pool Sharks (1915) but it was his appearance in D.W. Griffith's Sally of the Sawdust (1925) which established him in Hollywood at the relatively late age of 46. This is a tribute to the pair and the art of filmflam comedy with both Groucho and Fields revealed as trail-blazers who dared depart from the paths laid down by the comedy of innocence.
Synopsis
Before Groucho Marx and W.C. Fields, comedy was innocent. After they left their hilarious smudges on the genre, it was anything but. Groucho Marx the leering, wise-cracking, pseudo-intellectual (c.1890-1977) together with his brothers Chico, Harpo, Gummo, and Zeppo, first performed on Broadway in 1924 and took it by storm in The Coconuts (1925) and more memorably Animal Crackers (1928) which was filmed the following year. Moving to Hollywood with the advent of "talkies" for such classics as Monkey Business (1931), Duck Soup (1933) and A Night at the Opera (1935), Groucho developed his own hilarious brand of farce poking fun at convention and confronting audiences with a wealth of double-entendres. W.C. Fields "..never act with dogs or children!" (1879-1946) began his stage life as a juggler on the vaudeville circuit. By his early 20s he was already a top-billed star who performed alongside the renowned Ziegfield Follies on Broadway. His first film was Pool Sharks (1915) but it was his appearance in D.W. Griffith's Sally of the Sawdust (1925) which established him in Hollywood at the relatively late age of 46.This is a tribute to the pair and the art of filmflam comedy with both Groucho and Fields revealed as trail-blazers who dared depart from the paths laid down by the comedy of innocence.
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Ausgewählte Seiten ansehen
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
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Format:Gebundene Ausgabe
Gehring's book is like a text book. Like a thesis. It's good on that level; but there's always the ultimate question: Why analyze comedy at all? Once you start to explain it on a serious, scientific level, you've drained it from all it's fun. This book will help understand W.C. Fields & Groucho's worth in the history of Comedy and Satire, but it won't win them new fans. I love Groucho & W.C. Fields; I think they were brilliant, geniuses and true artists. But this book with it's text book, scientific style, is drab and makes you wonder what is so funny about them. If you really want to know and enjoy W.C. Fields & Groucho, watch their films.
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
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6 von 6 Kunden fanden die folgende Rezension hilfreich
GOOD FOR DIE-HARD FANS & SCHOLARS, BUT NOT FOR GENERAL FANS
9. Juli 1999
Format:Gebundene Ausgabe
Gehring's book is like a text book. Like a thesis. It's good on that level; but there's always the ultimate question: Why analyze comedy at all? Once you start to explain it on a serious, scientific level, you've drained it from all it's fun. This book will help understand W.C. Fields & Groucho's worth in the history of Comedy and Satire, but it won't win them new fans. I love Groucho & W.C. Fields; I think they were brilliant, geniuses and true artists. But this book with it's text book, scientific style, is drab and makes you wonder what is so funny about them. If you really want to know and enjoy W.C. Fields & Groucho, watch their films.
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