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Ted Greene -- Jazz Guitar Single Note Soloing, Vol 1 [Englisch] [Taschenbuch]

Ted Greene

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Amazon.com: 4.9 von 5 Sternen  16 Rezensionen
26 von 26 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen An unassuming but important book. 3. August 2006
Von BJG - Veröffentlicht auf Amazon.com
Ted Greene's marvelous books have become staples in guitar instruction, starting with the famous "Chord Chemistry" (Ted frequently referred to the book as "Chord Catastrophe").

"Single Note Soloing, Volume 1" is the perfect book for those that are interested in jazz and have experience playing the guitar, but want to learn the ins and outs of jazz phrasing. The musical examples in this book (all in notation, no TAB here) are great and Ted's comments include a wealth of information about left and right hand tips, phrasing ideas, and how to use the examples. A pleasant "side effect" of going through this book is your sight-reading will noticably improve, especially in the higher positions (such as the 7th, 8th, and 9th). And for those who might already know the theory involved, it makes a for a great warmup and provides a refresher course in important fundamentals. Even though I knew most of the theory in the book when I first went through it, it was a great learning experience because it filled up the holes in my knowledge, some that I didn't even know were there. That is part of the greatness of Ted Greene. Never does the book have a pretentious or snobby air to it, and his thoughts are always encouraging and inspiring when you read them. Many guitar books create more holes than fill them, because the authors themselves do not have the needed grasp of the fundamentals. There's no need to worry about that here, as Ted was a master at learning (and therefore, teaching) things the right way.

Overall this has to be one of the best books on the subject that I've gone through, especially for a book that is guitar-specific. If you could only choose one book on jazz scales for guitar, choose this one.
36 von 41 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen The best teacher ever 19. März 2006
Von Mark F. Bird - Veröffentlicht auf Amazon.com
I studied with Ted Greene in the early 70's at the age of eighteen. At the time I was also taking lessons with George Van Eps and shared my lesson materials with Ted while he worked on Chord Chemistry, the first of his books which was originally published in the 70's and revised later. Any electric guitarist should have all of his books period! These are not fancy riffs or solos but the most creative and best organized series of works on jazz guitar ever written. Most think of Ted as a finger style jazz player. However, when I jammed with him there was no one faster or smoother with a single note flat pick. He simply didn't go in for flash. Also, he could outplay anyone in any style, rock, folk, country, and yes classical music. In fact, when I knew him he always carried a copy of the Bach Chorales around which he studied to perfect his chord voicing system. If you are serious about the guitar and play at the intermediate or better level you have to learn this material.
14 von 14 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen A scale for every chord 26. Dezember 2006
Von Flowerbug - Veröffentlicht auf Amazon.com
There are several scales patterns per chord pattern or chord strummed. Actually, you only need to learn one scale pattern. Ted Greene provides you with at least one scale per chord to solo over. What's interesting is learning how to combine four or five scale patterns so you can play up and down the neck (over one chord). This book will provide you with all the elements needed to solo over most chords. I already had an idea of what to play, but I didn't have information on the many arpeggios you could play over each chord. Ted gives you sample arpeggios to play over each chord through several scale patterns. What I like about this book is knowing you can link four patterns together (over one chord) and play up and down the neck. If you're having problems with your solos, buy this book.
4 von 5 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Thorough and useful, if applied immediately 18. Januar 2013
Von Eric Prinzing - Veröffentlicht auf Amazon.com
Format:Taschenbuch|Verifizierter Kauf
As a teacher, Ted Greene favors a very thorough approach. While this is good, it can also be very overwhelming. In fact, at first I had a very difficult time retaining information from this book, but it is now one of the most useful books I have. This shift required a change in approach on my part. I am going to detail precisely how I got this book to work for me.

This book essentially acquaints the reader with four different sounds: major, minor, dominant and altered dominant. It gives a set of ideas or licks for each sound, in each position. While this is a reasonable structure, it is nearly impossible to remember long strings of isolated licks. So my advice to you is this: use these sounds on real tunes as you learn them (basic jazz standards are a great place to try these licks). That way, the sounds you like will stick with you much better, and you can hear how they sound over the chords.

If you are new to jazz, you can try to systematically open up the whole fretboard to your fingers and ears, by playing through this book front to back. If you have been playing for a while, this book also serves as an excellent reference guide. For example, let's say that you are rehearsing a tune and you feel limited over a certain change. Just open this book to the corresponding scale and position, and a wealth of ideas are there to help you get out of your creative rut.

Helpfully structured, thorough and practical. It does require a good deal of patience and dedication, but if you are serious about this art form, you already have those qualities. Highly recommended.
2 von 2 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen For the serious student 30. August 2013
Von richard henry - Veröffentlicht auf Amazon.com
Format:Taschenbuch|Verifizierter Kauf
This is the place to start once you've learned to read music and have listened to so much jazz that, like me, you've fallen in love with it.
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