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But the detection - and the undertones of "espionage" - are superficial elements used to keep the narrative moving briskly along between action set pieces that pit the protagonist against impossible odds and, very often, against the severest imaginable environmental extremes. By these standards, "The Golden Rendezvous" is one of his better books.
It is an excellent blend of mystery, suspense, clever bluffs and double bluffs, self-deprecating wit, action, and our protagonist's determined efforts to overcome painful injuries and antagonistic environmental extremes.
A luxury cruise ship is hijacked at sea by a master criminal whose intention is not a simple ransoming of the wealthy hostages on board. Exactly what his goal is forms part of the mystery that is left for our hero - the injured First Officer of the ship, John Carter - to ferret out. And to undermine.
"The Golden Rendezvous" finds MacLean at near-top form. The book does not have quite the verve of "The Satan Bug", "The Dark Crusader", or "When Eight Bells Toll", but it comes close. Which - at the high level that MacLean delivers excitement and page-turning suspense - makes for outstanding adventure story reading.
"The Golden Rendezvous" is a classic ocean hijacking story, where the hero is the ship's First Officer (John Carter). The ship is a converted ocean liner, full of guests, some mysterious, and carrying some secret cargo. During the cruise, the ship gets hijacked by some violent but devious criminals. Some of the ship's officers are killed, and others, including Carter, are wounded. Still, Carter attempts to stop the hijackers. . . .
This is one of the best MacLean novels, written in the 1960s along with a stellar run that includes "The Satan Bug," "Where Eagles Dare," "Puppet on a Chain," and "The Guns of Navarone." Most of those were turned into movies, and in the 1970s, Hollywood adapted "The Golden Rendezvous" into a so-so Richard Harris movie titled "Nuclear Terror."
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