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In Tim O'Brien's novel Going After Cacciato the theater of war becomes the theater of the absurd as a private deserts his post in Vietnam, intent on walking 8,000 miles to Paris for the peace talks. The remaining members of his squad are sent after him, but what happens then is anybody's guess: "The facts were simple: They went after Cacciato, they chased him into the mountains, they tried hard. They cornered him on a small grassy hill. They surrounded the hill. They waited through the night. And at dawn they shot the sky full of flares and then they moved in.... That was the end of it. The last known fact. What remained were possibilities."
It is these possibilities that make O'Brien's National Book Award-winning novel so extraordinary. Told from the perspective of squad member Paul Berlin, the search for Cacciato soon enters the realm of the surreal as the men find themselves following an elusive trail of chocolate M&M's through the jungles of Indochina, across India, Iran, Greece, and Yugoslavia to the streets of Paris. The details of this hallucinatory journey alternate with feverish memories of the war--men maimed by landmines, killed in tunnels, engaged in casual acts of brutality that would be unthinkable anywhere else. Reminiscent of Joseph Heller's Catch-22, Going After Cacciato dishes up a brilliant mix of ferocious comedy and bleak horror that serves to illuminate both the complex psychology of men in battle and the overarching insanity of war. --Alix Wilber -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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What prevents the five star award is that I've read another Vietnam War book that is so far superior to this account, that I can't in good conscience award them equal status. Meditations in Green, by Stephen Wright is so superior in terms of scope and artistry that I have to reserve my full endorsement for that novel. O'Brien is a highly competent author. On the other hand, Wright just might make it to the highest rungs of the literary ladder, breathing the same air as Faulkner, Fitzgerald, and Hemingway as far as American mountaineers are concerned. O'Brien may have to be content with breathing the slightly thinner oxygen of Mailer and James Jones. Which might not be so bad, since most of us mere mortals are down here taking in corbon monoxide.
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