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Gods and Legions: A Novel of the Roman Empire [Englisch] [Gebundene Ausgabe]

Michael Curtis Ford


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Gebundene Ausgabe, 21. November 2002 --  
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Michael Curtis Ford
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Turning his attention from the ancient Greece of The Ten Thousand (2001) to ancient Rome, Ford has crafted another magnificent piece of historical fiction. Summoned to Rome by his uncle, the emperor Constantine, Julian, a naive student of philosophy, is hastily proclaimed Caesar and dispatched to Gaul to reclaim Roman territory from the barbaric Germans. Astounding everyone, including himself, Julian triumphs on the battlefield, becoming an astute tactician and inspiring an unusually zealous loyalty among his troops. His unanticipated military success sets the stage for a long-distance power struggle between him and Constantine. When he becomes emperor in C.E. 361, he drives another wedge into the already foundering Roman empire by converting to paganism, earning himself both the title of Julian the Apostate and the enmity of devout Christians. Narrated by Caesarius, his close friend and personal physician, this fictional chronicle details the swift rise and fall of one of history's most unlikely leaders. Margaret Flanagan
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

From Library Journal

A close relative of Constantine, the first Roman emperor to embrace Christianity openly, but himself a pagan, Julian the Apostate was a man of many contradictions. In this powerful and passionate second novel by Ford (The Ten Thousand), readers come to understand his dimensions in intimate detail. The story opens with Julian as a young, sheltered philosophy student and pacifist in Athens. Not long into his education, however, he must take up arms and save the Roman Empire from corrupt leaders and hostile neighbors. He does so ingeniously, becoming the first emperor since Julius Caesar to conquer the tribes of Gaul. Though Ford's descriptions of warfare in the fourth century C.E. are dramatically gruesome, the moments of humor and personal valor make this a truly compelling story-one not just of gods and legions but of men. Julian lived as simply as an aesthetic in the heart of one of the most decadent cities history has ever known. Although he never set foot in Rome, he dedicated his life to the expansion of the Roman Empire. Highly recommended for most fiction collections.
Jane Baird, Anchorage Municipal Libs., AK
Copyright 2002 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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29 von 31 Kunden fanden die folgende Rezension hilfreich
Good Fiction, Questionable History 12. Juni 2003
Von Niko - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Emperor Julian is one of the most controversial figures of the late Roman / early Christian period. He stands alone in that he tried to reverse the Empire's adoption of Christianity as a state religion. For this he is loathed by the Church (which named him the Apostate) and worshiped by the most romantic admirers of the Classical Period.

Michael Curtis Ford has attempted to unravel Julian's complex personality and interpret his actions by delving deep into his early childhood and experiences as the military leader of the armies of Gaul. He then follows him through his ascention to the throne and his agressive slide into increasingly erratic and controversial behaviour towards the end of his life.

The journey is very enjoyable. Ford writes the political intrigue, the fight to defend Gaul and the young commander's development very well indeed. The Empire's progressive stagnation can be felt, the conflicts between the old and new ideals are quickly outlined. So, the first two thirds of the book, or so, are really quite good.

Unfortunatelly, towards the end, where the novel reaches the most controversial aspects of the story, Ford seems to run out of steam. Or perhaps, he is reluctant to offend mainstream sensibilities. The narrative becomes rather one-sided, using mostly the viewpoints of Christian clerics to describe Julian's actions and interpret his motives. He quite innexplicably turns from a tolerant, cultured "philosopher king" to a bloodthirsty pagan ruler, bent on continuous sacrifices, and fanatical worshiping of forgotten deities, under the influence of a malicious dwarf!

In this the book fails to convince. For example, a bit of background on the religious upheaval and continuous state-sponsored prosecutions of the preceding 50 years or so would have shed some light on the situation and help the reader understand Julian's transformation - yet none is given. Instead, the Emperor's behaviour is simply attributed to a deseased mind, poisoned from having harboured feelings of vengeanace for years (his family was murdered) and the story quickly rushes to an end.

If your interest lies in Julian and his story, this novel is going to dissapoint you. However, if you are simply a fan of the period and love reading about Rome and the Romans, you will certainly enjoy it.

17 von 21 Kunden fanden die folgende Rezension hilfreich
Where Are The Politics? 2. Dezember 2002
Von Carl Malmstrom - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
The mid-Fourth Century Emperor Julian is definitely one of the more fascinating characters in the later Roman Empire. In a time of growing Christianity and crumbling power, Julian was a strong leader and a devout Hellenistic Pagan. He brought decisive victories against the barbarians invading Gaul (modern-day France) and the Persians - the eternal thorn in the side of Rome, but died in a catastrophic overshooting of his resources in the midst of attacking the Persians at the heart of their Empire.

Ford's treatment of Julian and the times in which he lived is both strong and disappointing at the same time. The sense of military tension and the increasing Orientalism of the Imperial Court come through strongly, and Julian's campaigns in Gaul and Persia are well-researched. Nonetheless, there's a very "Middle Ages" sense to the Christian church of timelessness and doctrine - when it should be in the midst of faction purges and self-definition - as well as a close-knit feel of Roman politics that never existed.

Admittedly, there's little reason to make "Gods and Legions" another "I, Claudius", but the political life of the novel is boiled down to half a dozen or so memorable characters. To write a novel about the Roman Empire that glosses over politics is like writing a novel of Eighteenth Century America that glosses over the British.

It's obvious from his postscript that Ford has done his research - he's thoroughly combed the best sources of the times including Julian's own writings for the sense of power and contradiction that the man's legacy carries even today. However, the contradictions he focuses on loan themselves more to Julian's character than his history. He uses Ammianus Marcellinus (a fourth-century solider who wrote a great deal about Julian from a first-hand perspective) very hazardously, practically quoting directly at some points and totally ignoring him when he wants to give Julian a more mystical, fantastic presence (which can be somewhat odd considering that Ammianus was one of his chief supporters in the historical record).

In all, Ford's book makes for a decent novel and a decent military grounding in Julian's accomplishments, but fails in numerous accounts to give as accurate an impression of the time as Ford would have you believe. If you have a casual interest in Roman history, it's a decent way to kill a plane ride, but I'd caution the serious student to take this book with a grain of salt.

8 von 9 Kunden fanden die folgende Rezension hilfreich
Why Put Forth the Effort? 24. Juli 2006
Von Deborah Jesser - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Gore Vidal's "Julian" is one of my favorite all-time books, so I thought I might enjoy another on the subject. All-in-all I was disappointed and only managed to make it about 3/4 of the way through with much effort. Though the author's writing style is quite readable, writing a story from the viewpoint of someone who diliked Julian and is supposed to be his friend just didn't cut it with me. The self-righteous Christian got old real fast. And the secondary characters like Oribasius and Maximus were so vividly done by Vidal as to make them a jarring, discordant note in this work. The only way it was in any way better than Vidal's work is the battle descriptions, which are well done.

To me it was like someone trying to re-write Gone With the Wind, To Kill a Mockingbird or A Confederacy of Dunces. It can't be improved upon, so why put forth the effort?

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