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Produktbeschreibungen
Pressestimmen
..."bound to become a key text in its field...."
-Popular Music
..."Timothy Taylor opens up many new perspectives...in this excellent study. ...this is a valuable addition to a growing literature."
-"RPM
""Global Pob has much to offer readers interested in the evolution of the world-music market and raises important questions about ethnographic method."
-"Notes, September 1998
"Finally, an easily digestible yet academically sound tome that gathers up and explains this sprawling popular phenomenon called world music. Timothy D. Taylor. . . takes the right approach from the get-go."
-"Dirty Linen Magazine, November 1998
"[An] erudite exploration of the philosophies behind the fastest growing music market."
-"Shift, August 1998
-Popular Music
..."Timothy Taylor opens up many new perspectives...in this excellent study. ...this is a valuable addition to a growing literature."
-"RPM
""Global Pob has much to offer readers interested in the evolution of the world-music market and raises important questions about ethnographic method."
-"Notes, September 1998
"Finally, an easily digestible yet academically sound tome that gathers up and explains this sprawling popular phenomenon called world music. Timothy D. Taylor. . . takes the right approach from the get-go."
-"Dirty Linen Magazine, November 1998
"[An] erudite exploration of the philosophies behind the fastest growing music market."
-"Shift, August 1998
Kurzbeschreibung
From the Tibetan Buddhist and Native American influences in the music of Pauline Oliveros to the arresting blend of Jamaican dancehall, rap, and bhangra of Apache Indian, this groundbreaking work examines the rise of 'world music' and 'world beat.' Musicologist Timothy Taylor draws on a wide variety of sources, from popular culture, interviews, liner notes, the Internet and the music itself, charting a path through the issues surrounding contemporary world music. Included in this volume are detailed discussions of such musicians as the Kronos Quartet, Ladysmith Black Mambazo, Youssou N'Dour, Peter Gabriel, Johnny Clegg, Angelique Kidjo, Sheila Chandra, Apache Indian, Zap Mama and a host of others. Exloring the dynamics behind such collaborations as Paul Simon and Ladysmith Black Mambazo, Taylor addresses the effects that these collaborations have on the music itself with particular emphasis on musical authenticity and the expectations around it. In addition to looking at the ways western pop/rock appropriates music from other cultures, he also demonstrates how cross-cultural collaborations bring music and musicians from other cultures to a much wider audience. Global Pop offers a fascinating and timely survey of popular music and its impact on contemporary culture along with our ways of looking at and living in the world.
In diesem Buch
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Einleitungssatz
One of the most notable trends in the music industry since the 1980s has been the rise in popularity of new music genres: world music, world beat, world fusion; in Germany, Weltbeat and Weltmusik2; in other parts of the world, ethnopop, Afropop, Afrobeat. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
One of the most notable trends in the music industry since the 1980s has been the rise in popularity of new music genres: world music, world beat, world fusion; in Germany, Weltbeat and Weltmusik2; in other parts of the world, ethnopop, Afropop, Afrobeat. Lesen Sie die erste Seite
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Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
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Kundenrezensionen
Die hilfreichsten Kundenrezensionen
Format:Taschenbuch
The book is full of insight into "world music," which is mainly a marketing concept but also encompasses most of the world's popular music! This is an academic work that is also enjoyable to read and complements well those studies that focus on the artists and music, such as "World Music: The Rough Guide" and "The Brazilian Sound."
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
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2 Rezensionen
4 von 6 Kunden fanden die folgende Rezension hilfreich
Unique Perspective On World Music Phenomenon
21. April 1999
Format:Taschenbuch
The book is full of insight into "world music," which is mainly a marketing concept but also encompasses most of the world's popular music! This is an academic work that is also enjoyable to read and complements well those studies that focus on the artists and music, such as "World Music: The Rough Guide" and "The Brazilian Sound."
Not that great.
26. Juli 2011
Format:Taschenbuch|Von Amazon bestätigter Kauf
8 Chapters each explaining the different musicians of different countries, their styles their tastes how they do it, etc. Relates to world globalization, politics, music, emotions, etc. I needed it for my mus class and well its pretty boring is what I would leave it at.
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