Amazon.co.uk
Andrea Levy writes with wonderful immediacy and liveliness in this, her third novel about the experience of being black in Britain. It's the late 70's and Faith Jackson's in a hurry - to loosen the hold of her loving but strict parents, to "go her own sweet way". At her new job as a dresser at Television Centre Faith negotiates the trip-wires of being black in often slyly witty, seemingly throwaway asides. But her parents' announcement that they might go home to Jamaica and a vicious racist National Front attack on a local bookshop, propels Faith into crisis.
Urged by her parents--"Child, everyone should know where they come from"--she goes to Kingston to stay with garrulous Auntie Coral. For Faith, it was her aunt's and cousin's rich and lively sequence of conversational storytelling's that 'wrapped me in a family history and swaddled me tight in its stories' - then released her into a new sense of self.
Fruit of the Lemon is an affectionate and absorbing narrative that makes its points about racism's effacements and brutalities with unforced but striking resonance. It offers us a voice of pleasurable yet gritty substance and significance: millennial Britain needs more like this. --Ruth Petrie
From Publishers Weekly
Levy's follow-up to the Orange Prize– and Whitbread-winning Small Island explores how racism reveals itself to a young British-born woman of Jamaican descent, and how the pain can be healed by knowledge of one's roots. Faith Jackson is having a rough go after college: she's fired from her apprenticeship at a prestigious textile designer's and her parents are planning to move back to Jamaica. Though Faith has experienced racism throughout her life, she begins to fear her ethnicity will hobble her career. As she becomes more aware of subtle forms of racism at her entry level job in the BBC costume department and elsewhere, she witnesses a hate crime and, in its aftermath, is sent to Jamaica by her parents for a helpful holiday. It's there, in the second half of the book, that Faith learns a great deal about her extended family and understands why her parents may want to return. Unfortunately, the tone shifts, and what was effective through understatement becomes a rushed unfolding of her family history, complete with diagrams of who begot whom. The change in voice and the narrator's issues with island life (particularly her frustration with its culture) obscure the more poignant aspects of her newfound knowledge. (Feb.)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
