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Freeing Shakespeare's Voice
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Produktbeschreibungen
Synopsis
Voice teacher, actor and director, Kristin Linklater, goes beyond the vocal techniques explored in her text "Freeing the Natural Voice", to apply her learning and experience to a guide to speaking the words of William Shakespeare. This book breaks through barriers of restraint and incomprehension when faced with Shakespeare's text to achieve a freer, more visceral relationship to language. Included is an analysis of Shakespeare's use of language to create character, story and meaning through figures of speech, iambic pentameter, rhyme, verse and prose.
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Einleitungssatz
My intention in this book is to offer a de-mystifying approach to speaking Shakespeare's text. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug
My intention in this book is to offer a de-mystifying approach to speaking Shakespeare's text. Lesen Sie die erste Seite
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Kundenrezensionen
Die hilfreichsten Kundenrezensionen
2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
This book has some good ideas but it is somewhat too cumbersome in it's technical language. It took several read overs to really understand what Kristin was trying invoke. This book is not a good source for new actors but may be more appropriate for those in upper college theater/drama class or master classes.
Format:Taschenbuch
The master teacher Kristin Linklater has written a user-friendly, brilliant book on her approach to Shakespeare's language. Anyone interested in reading or performing Shakespeare shouldn't be without it.
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
Amazon.com:
3 Rezensionen
16 von 18 Kunden fanden die folgende Rezension hilfreich
Absolute necessary for the Shakespearean Scholar
10. April 2000
Format:Taschenbuch
The master teacher Kristin Linklater has written a user-friendly, brilliant book on her approach to Shakespeare's language. Anyone interested in reading or performing Shakespeare shouldn't be without it.
15 von 17 Kunden fanden die folgende Rezension hilfreich
How to take your Shakespeare to the next level
18. Dezember 2005
Format:Taschenbuch
In one of the most eloquent handbooks
I've ever had the pleasure to peruse,
Kristin Linklater guides you through a rich
and expertly constructed path designed
to help you give your voice to Shakespeare's text.
For her, the body and the voice are one:
an instrument that needs each part to work.
To speak the speech, you start with how it sounds -
the open vowels and clear consonants
each bring a unique bodily sensation.
Then you progress to what it actually means -
the content, the "emotional", the life -
and later bring this to poetic form.
Ms.L insists you also understand
Th' Elizabethans and their take on life -
her explanations always held me rapt.
Her methods are direct; each chapter builds
upon the one that came before. However,
this shouldn't mean the structure is rigid:
there's lots of room for your experiments.
This book is one of my best purchases.
I've ever had the pleasure to peruse,
Kristin Linklater guides you through a rich
and expertly constructed path designed
to help you give your voice to Shakespeare's text.
For her, the body and the voice are one:
an instrument that needs each part to work.
To speak the speech, you start with how it sounds -
the open vowels and clear consonants
each bring a unique bodily sensation.
Then you progress to what it actually means -
the content, the "emotional", the life -
and later bring this to poetic form.
Ms.L insists you also understand
Th' Elizabethans and their take on life -
her explanations always held me rapt.
Her methods are direct; each chapter builds
upon the one that came before. However,
this shouldn't mean the structure is rigid:
there's lots of room for your experiments.
This book is one of my best purchases.
7 von 20 Kunden fanden die folgende Rezension hilfreich
All caught up in technical lingo
14. Juni 2000
Format:Taschenbuch
This book has some good ideas but it is somewhat too cumbersome in it's technical language. It took several read overs to really understand what Kristin was trying invoke. This book is not a good source for new actors but may be more appropriate for those in upper college theater/drama class or master classes.
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