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Unlike its portrayal in the movies, which involves an assistant (Igor), various trips to the cemetery for body parts, and a lightning-filled climax in a laboratory, creation of Frankenstein's monster is anti-climactic. Shelley dispatches the entire incident in about three paragraphs. Just as quickly, Frankenstein is repulsed by his creation. The creature opens his eyes, Frankenstein sees its ugliness, and flees - all in the space of two or three sentences. Thus begins a slippery slope of disbelief.
Readers are expected to believe that the creature could evolve into a perfect example of cultured, Enlightened, rational thinking simply by observing a simple family and reading a handful of books. The monster's inner being is too perfect. It is inconceivable that his rhetoric, designed to make the reader sympathetic, cannot also appeal to Frankenstein. And Frankenstein himself is too blind. Once he is finally rebuked, the monster vows to avenge himself upon Frankenstein. He systematically murders members of Frankenstein's family and friends. The entire object of the murders is to make Frankenstein suffer as the monster has suffered. Thus, it is impossible that when the monster promises to be with Frankenstein on his wedding night, that Frankenstein takes extreme measures to protect himself while not even for a moment looking to his wife's safety. It's simply too much to believe.
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