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Kurzbeschreibung
Drawing extensively upon the poet's unpublished manuscripts - poems, journals, essays, and letters - as well as all his published works, Marjorie Perloff presents Frank O'Hara as one of the central poets of the postwar period and an important critic of the visual arts. Perloff traces the poet's development through his early years at Harvard and his interest in French Dadaism and Surrealism to his later poems that fuse literary influence with elements from Abstract Expressionist painting, atonal music, and contemporary film. This edition contains a new introduction addressing O'Hara's homosexuality, his attitudes toward racism, and changes in the poetic climate in recent years.
Synopsis
Drawing extensively upon the poet's unpublished manuscripts - poems, journals, essays, and letters - as well as all his published works, Marjorie Perloff presents Frank O'Hara as one of the central poets of the postwar period and an important critic of the visual arts. Perloff traces the poet's development through his early years at Harvard and his interest in French Dadaism and Surrealism to his later poems that fuse literary influence with elements from Abstract Expressionist painting, atonal music, and contemporary film. This edition contains a new introduction addressing O'Hara's homosexuality, his attitudes toward racism, and changes in the poetic climate in recent years.
In diesem Buch
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Einleitungssatz
moving memorial essays by John Ashbery or Kenneth Koch nor in the many critiques, from Francis Hope's dismissal of the "puppyish charm of [O'Hara's] occasional good impromptus," to Marius Bewley's bemused characterization of the poet's "long invertebrate verse lines" as so many "streamers of crepe paper fluttering before an electric fan," is direct reference made to the poet's homosexuality. When, for example, Thomas Byrom reviewed my book, along with O'Hara's Early Writing and Poems Retrieved, in the Times Literary Supplement, he characterized O'Hara as follows: His aesthetics are from a catalogue of late Victorian camp, a matter of excellent personal taste. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
moving memorial essays by John Ashbery or Kenneth Koch nor in the many critiques, from Francis Hope's dismissal of the "puppyish charm of [O'Hara's] occasional good impromptus," to Marius Bewley's bemused characterization of the poet's "long invertebrate verse lines" as so many "streamers of crepe paper fluttering before an electric fan," is direct reference made to the poet's homosexuality. When, for example, Thomas Byrom reviewed my book, along with O'Hara's Early Writing and Poems Retrieved, in the Times Literary Supplement, he characterized O'Hara as follows: His aesthetics are from a catalogue of late Victorian camp, a matter of excellent personal taste. Lesen Sie die erste Seite
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Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
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8 von 11 Kunden fanden die folgende Rezension hilfreich
This book has withstood test of time
20. November 2002
Format:Taschenbuch
This book, first published over twenty years ago, has certainly held up well. There are other books on O'Hara, but this remains the gold standard.
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