Produktinformation
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| 1. Firefly - Main Title | |||
| 2. Big Bar Fight | |||
| 3. Heart of Gold Montage | |||
| 4. Whitefall / Book | |||
| 5. Early Takes Serenity | |||
| 6. The Funeral | |||
| 7. River’s Perception / Saffron | |||
| 8. Mal Fights Niska / Back Home | |||
| 9. River Tricks Early | |||
| 10. River Understands Simon | |||
| 11. Leaving / Caper / Spaceball | |||
| 12. River’s Afraid / Niska / Torture | |||
| 13. In My Bunk / Jayne’s Statue / Boom | |||
| 14. Inara’s Suite | |||
| 15. Out Of Gas / Empty Derelict | |||
| 16. Book’s Hair / Ready For Battle | |||
| 17. Tears / River’s Eyes | |||
| 18. Cows / New Dress / My Crew | |||
| 19. Boarding The Serenity / Derelict | |||
| 20. Burgess Kills / Captain & Ship | |||
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See, the thing is, it hadnt really been done before. The idiom of the show, the East-meets-West, the cacophany of genres, the instrumentation that could never sound like TV (and that had to be done on a TV budget and a TV schedule)... I dont remember what it was about Gregs CD that made me want to meet him, or what I told him, or most of 1995 through 2003. What I remember is the light in Gregs eyes when we talked, when we mixed, when we discussed what instruments to use for River and Early... Greg Edmonson not only got the show, he loved it, and that love plays out like a sweet melody. Well, actually, literally. Like several sweet melodies. Each so seamlessly a part of the world of Firefly, yet so distinct and intriguing. When I think of the experience of making the show, the memory is always wrapped in Gregs music, even though much of it hadnt been written yet (the failing memory thing comes in handy occasionally). This soundtrack is long overdue. But like certain Big Damn Heroes, it has arrived, and its a glorious pleasure to spend some time in its company. Joss Whedon
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Passend zur Hintergrund Geschichte des Firefly 'verse ist im Groben eine Mischung aus Bluegrass und asiatischen Klängen.
Die Westernatmosphäre wird in Tracks wie "Whitefall", "Big Bar Fight", und "River's Dance" durch Gitarren- und Fiedelklänge wiedergegeben.
Der asiatische Teil - vor allem durch Inara vertreten - zum Beispiel in "Inara's Suite" und "Heart of Gold Montage"
Dazu noch wunderschöne, emotionale, aber westlich-klassiche Stücke wie "The Funeral", "Out of Gas/Empty Derelict" oder "Dying Ship/Naked Mal"
Leider fehlen ein paar gute Stücke wie "The Hero of Canton" und kurze Themes wie das der Alliance oder Persophone. Die Feiermusik aus "Our Mrs Reynolds" wäre auch für den Western Aspekt sehr schön gewesen.
Das schmälert aber nicht die Qualität der restlichen Tracks
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