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Fire in the City
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Produktbeschreibungen
Pressestimmen
"A rich and fascinating portrait of Girolamo Savonarola, the Dominican friar who ruled Florence after the fall of the Medicis. Enraged by church corruption, he led a Florentine council for 20 years--until his enemies burned him at the stake in 1498."--Los Angeles Times
"Impressive narrative power.... A thoroughly good read that is also reliable history, scrupulously documented yet with its pages uncluttered by footnotes.... As in every tragedy, the pace quickens as the atmosphere darkens around the protagonist; and when all occasions begin to conspire against him, the reader is caught up in the pity, the cruelty--and the inevitability--of his fate.... Savonarola's story...bears fresh retelling, and Lauro Martines does so with scholarly authority and an admirable combination of clarity and pace."--Sir Michael Levey, Wall Street Journal
"Martines is one of our most renowned historians of the Italian Renaissance and of Florence in particular. His new book is, in some ways, a successor to April Blood , his account of the 'Pazzi' conspiracy to assassinate Lorenzo de' Medici in 1478. Together the two volumes make up an engrossing study of society and politics during the Tuscan city's most illustrious half century."--Michael Dirda, Washington Post Book World
"Martines writes like an angel, and his judgments are nuanced and humane.... Makes a convincing case that history treated Savonarola unfairly: he was an eloquent preacher and a sagacious political advisor to the city.... This book will be read with profit by both professional scholars and general readers."--Library Journal (starred review)
"Martines's fast-paced study weaves a first-rate social history of Renaissance Florence with a deeply affecting and more complex portrait of Savonarola.... This absorbing account by Martines captures Savonarola's brilliance as well as the exciting and dangerous days of Renaissance Florence."--Publishers Weekly (starred review)
Kurzbeschreibung
A gripping and beautifully written narrative that reads like a novel, Fire in the City presents a compelling account of a key moment in the history of the Renaissance, illuminating the remarkable man who dominated the period, the charismatic Savonarola.
Lauro Martines, whose decades of scholarship have made him one of the most admired historians of Renaissance Italy, here provides a remarkably fresh perspective on Girolamo Savonarola, the preacher and agitator who flamed like a comet through late fifteenth-century Florence. The Dominican friar has long been portrayed as a dour, puritanical demagogue who urged his followers to burn their worldly goods in "the bonfire of the vanities." But as Martines shows, this is a caricature of the truth--the version propagated by the wealthy and powerful who feared the political reforms he represented. In fact, Savonarola emerges as a complex and subtle man: compassionate, wise, a poet and scholar, and even, at critical moments, a force for moderation. The friar, a mesmerizing preacher, set the city afire with his message of Christian charity wedded to republican ideals.
It is this reality--of Savonarola as both religious and civic leader--that Martines captures in all its complexity, showing how he inspired an outpouring of political debate in a city newly freed from the tyranny of the Medici. In the end, the volatile passions he unleashed--and the powerful families he threatened--sent the friar to his own fiery death. But the fusion of morality and politics that he represented would leave a lasting mark on Renaissance Florence.
For the many readers fascinated by histories of Renaissance Italy--such as Brunelleschi's Dome or Galileo's Daughter, and Martines's acclaimed April Blood--Fire in the City offers a vivid portrait of one of the most memorable characters from that dazzling era.
Lauro Martines, whose decades of scholarship have made him one of the most admired historians of Renaissance Italy, here provides a remarkably fresh perspective on Girolamo Savonarola, the preacher and agitator who flamed like a comet through late fifteenth-century Florence. The Dominican friar has long been portrayed as a dour, puritanical demagogue who urged his followers to burn their worldly goods in "the bonfire of the vanities." But as Martines shows, this is a caricature of the truth--the version propagated by the wealthy and powerful who feared the political reforms he represented. In fact, Savonarola emerges as a complex and subtle man: compassionate, wise, a poet and scholar, and even, at critical moments, a force for moderation. The friar, a mesmerizing preacher, set the city afire with his message of Christian charity wedded to republican ideals.
It is this reality--of Savonarola as both religious and civic leader--that Martines captures in all its complexity, showing how he inspired an outpouring of political debate in a city newly freed from the tyranny of the Medici. In the end, the volatile passions he unleashed--and the powerful families he threatened--sent the friar to his own fiery death. But the fusion of morality and politics that he represented would leave a lasting mark on Renaissance Florence.
For the many readers fascinated by histories of Renaissance Italy--such as Brunelleschi's Dome or Galileo's Daughter, and Martines's acclaimed April Blood--Fire in the City offers a vivid portrait of one of the most memorable characters from that dazzling era.
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Einleitungssatz
IN THE FINAL MONTHS of Savonarola's life - it was early 1498 - a plot was concocted to blow him up in the cathedral of Florence, as his great preacher's voice boomed forth from the pulpit to thousands of listeners. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis
IN THE FINAL MONTHS of Savonarola's life - it was early 1498 - a plot was concocted to blow him up in the cathedral of Florence, as his great preacher's voice boomed forth from the pulpit to thousands of listeners. Lesen Sie die erste Seite
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47 von 49 Kunden fanden die folgende Rezension hilfreich
A Fabulous Historical Biography
3. Mai 2006
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
I've been a Common Reader for over 40 years and have read literally hundreds of books including many histories and biographies. This is one of the best books I've ever read. Lauro Martines has created an artful, compelling, and illuminating biography of Savonarola that is strongly tied to the political and historical context of Florence, Italy at the close of the 14th century. By establishing the people, events, and issues of the time, Savonarola's life is made incredibly more interesting and compelling than a simple biography often portrays. If you simply think of Savonarola and the infamous bonfire of the vanities, you really need to read this book. Martines clearly demonstrates that this Catholic friar was not the intolerant moralist, but rather a defender of a much broader definition of democracy and a Church critic with more in common with Luther. This biography also illustrates the perils anyone may face when one combines a reformer's zeal with both religion and politics.
If you like history and biography, read this book. It is worth anyone's time and effort.
If you like history and biography, read this book. It is worth anyone's time and effort.
25 von 26 Kunden fanden die folgende Rezension hilfreich
A burning in Florence
8. Juni 2006
Format:Gebundene Ausgabe
This is an excellent, well-written book about Savonarola and the Medici era in Florence. It presents the Friar in a different light from the perception of him that I was taught in parochial school. Here we have a deeply religious reformer, who tried to change the government type of a city that had been under the thumb of the Medici family for many years. His sermons attracted huge crowds, but he also acquired many enemies, not only in Florence, but more importantly, in the Roman Curia. Eventually his enemies won out and he and two of his fellow monks were hanged and burned. This is definitely a sympathetic look at a man who, in some ways, foreshadowed Luther and his attempts at Church reform. It's a book well worth reading by everyone.
15 von 16 Kunden fanden die folgende Rezension hilfreich
Savonarola and Florence emerge into the light!
8. Januar 2007
Format:Gebundene Ausgabe
Fire in the City is another revealed hornet's nest from Martines that picks up the thread where his previous book April Blood left off. As the title suggests, this is not an exclusive biography on Savonarola, the author casts his net wider than that detailing, in a very readable fashion, the political and social settings that were bound in with Savonarola's actions.
With Lorenzo's death, Florence is at the mercy of his vain and incompetent son, Piero de Medici, whose diplomatic bungling with the invading King of France, Charles the VIII, gets him run out of town by the citizens of Florence, creating political alternatives to Medici rule. Into this anxious period of uncertainty, the searing personality of the reforming Dominican Friar, Savonarola, is catapulted.
Martines shows how Savonarola's political instinct was very much in line with the Christian ethos he espoused from the pulpit, preferring a broader based franchise through the Great Council, sustained by a Republic, instead of oligarchic rule by an elite. Salvation meant not just the deliverance by redemption from the power of sin, but also preservation from tyrannical harm. Yet Savonarola's motives were not as subversive or ego driven ('vainglorious') as his inquisitors and future Medici regimes led history to believe.
Martines also shows how Savonarola's prophecies, another contentious quality to his personality used against him by his enemies in Rome and elsewhere, were not far off the mark. The sack of Rome by Christian mercenaries in 1527, twenty-nine years after Savonarola's execution, seemed to vindicate much of Savonarola's visionary utterances. Was that, indeed, the scourge against the Church he claimed Charles the VIII capable of a generation earlier?
Emphasising the importance of this little Dominican Friar from Ferrara who was prepared to take on Pope Alexander VI over issues of simony and moral corruption, reminds us just how much of a precursor he was to Martin Luther. His insistence on a reformed Church was not merely rhetorical either, his own example proved otherwise.
No doubt Savonarola was a force to behold with his lightning bolts of apocalyptic doom. He profoundly affected Michelangelo and Botticelli who heard him speak, but Martines has stained orthodox whitewash with the blood of historical realism, showing us that Savonarola was more vital and complex and his contribution more positive, than that of just a preaching terrorist who infuriated Rome and encouraged the `bonfire of the vanities'.
After reading April Blood and Fire in the City, the enigma of Florence is much better understood. We patiently wait for his next publication, to read again where it will lead.
With Lorenzo's death, Florence is at the mercy of his vain and incompetent son, Piero de Medici, whose diplomatic bungling with the invading King of France, Charles the VIII, gets him run out of town by the citizens of Florence, creating political alternatives to Medici rule. Into this anxious period of uncertainty, the searing personality of the reforming Dominican Friar, Savonarola, is catapulted.
Martines shows how Savonarola's political instinct was very much in line with the Christian ethos he espoused from the pulpit, preferring a broader based franchise through the Great Council, sustained by a Republic, instead of oligarchic rule by an elite. Salvation meant not just the deliverance by redemption from the power of sin, but also preservation from tyrannical harm. Yet Savonarola's motives were not as subversive or ego driven ('vainglorious') as his inquisitors and future Medici regimes led history to believe.
Martines also shows how Savonarola's prophecies, another contentious quality to his personality used against him by his enemies in Rome and elsewhere, were not far off the mark. The sack of Rome by Christian mercenaries in 1527, twenty-nine years after Savonarola's execution, seemed to vindicate much of Savonarola's visionary utterances. Was that, indeed, the scourge against the Church he claimed Charles the VIII capable of a generation earlier?
Emphasising the importance of this little Dominican Friar from Ferrara who was prepared to take on Pope Alexander VI over issues of simony and moral corruption, reminds us just how much of a precursor he was to Martin Luther. His insistence on a reformed Church was not merely rhetorical either, his own example proved otherwise.
No doubt Savonarola was a force to behold with his lightning bolts of apocalyptic doom. He profoundly affected Michelangelo and Botticelli who heard him speak, but Martines has stained orthodox whitewash with the blood of historical realism, showing us that Savonarola was more vital and complex and his contribution more positive, than that of just a preaching terrorist who infuriated Rome and encouraged the `bonfire of the vanities'.
After reading April Blood and Fire in the City, the enigma of Florence is much better understood. We patiently wait for his next publication, to read again where it will lead.
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