A collection of attractive Fair Isle designs that remind me of the best contemporary knitting designs from Norway, as seen in Norsk Strikkedesign: A Collection from Norway's Foremost Knitting Designers and Poetry in Stitches: Clothes You Can Knit (both available now only from third-party sellers). The talented Kathleen Taylor's approach to Fair Isle knitting is to use patterned bands with geometric or nature-inspired motifs, stacked harmoniously, to create the fabric for a variety of largely unisex Fair Isle garments.
The "Fair Isle Basics" chapter has a wonderful discussion of steek finishing techniques that is illustrated with photographs showing crocheted, hand-sewn, and machine-sewn steeks both before and after cutting. The chapter also discusses a couple of intriguing technical innovations: (1) knitting Fair Isle sleeves two-at-a-time and sewing them in (instead of picking up the sleeve stitches around the armholes in the traditional fashion); and (2) shaping curved necklines after the knitting is off the needles by folding back a facing.
Unfortunately, the "Fair Isle Basics" chapter seems inadequate for novice Fair Isle knitters. For example, the discussion of placement of yarn balls--one color on the chair arm and one color on the lap--doesn't really communicate the need to knit the yarn colors (and floats) with one color always above the other color. The advice for beginners to knit one color at a time, as the easiest Fair Isle method, fails to mention that the knitter must skip the stitches to be knit in the other color when knitting the first color, and says nothing about spreading the unknit stitches or otherwise controlling the tension along the "twice-knit" row. Also, the chapter doesn't really explain how steeks relate to the rest of the knitting (the fact that extra stitches are cast on at an opening, which will be cut open later).
There are a couple of chapters that I really liked for their technical presentation. "Geometric Dazzle" includes three designs that use the same chart with different colorways, and clearly illustrates how dramatically color choices can change the total look. "Stripes, Checks, and Curliques" explains how to use self-striping and gradual-color-changing yarns to knit from charts and get a Fair Isle look from only two yarns, so that most weaving in of ends is eliminated. The book cover design is a two-yarn design.
Be sure to check the "Look Inside This Book" feature, to see whether there is a pattern included that you would like to knit. My personal favorite, the "Nordic Snowflake Dress" with a Fair Isle yoke, is not shown, but its close relative, the man's "Nordic Snowflake Pullover", is included. Another favorite of mine, also not included in the preview, is the Christmas stocking with reindeer, tree, star, and Santa-hat motifs.
I rate this book at 4.5 stars, rounded up to 5 stars, because of the author's excellent ideas for "fearless" (somewhat simplified) Fair Isle knitting. Although brand-new Fair Isle knitters probably will not be able to knit the designs in the book by relying solely on the "Fair Isle Basics" chapter, they can get the additional information they need from online videos, or from either of the classic Fair Isle reference books, Alice Starmore's Book of Fair Isle Knitting or Ann Feitelson's The Art of Fair Isle Knitting: History, Technique, Color & Patterns.