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From Library Journal
Copyright 2001 Reed Business Information, Inc.
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Ein toller Schmöker, den ich auf einer zweistündigen Zugfahrt gelesen und mich dabei sehr amüsiert habe!
Which is not to say that she doesn't screw up culturally, because she does-multiple times-but often the underlying problem is not her, but in the system around her. Nothomb uses these little catastrophes as windows to criticize Japanese business and social structures with scathing attacks, most notably a long discourse on the plight of the Japanese woman. Amélie is contrasted with her immediate boss, an immaculately put together beauty who is a lowly middle-manager, but still the highest level female in the company. Amélie has an odd, vaguely erotic, attraction to her which complicates everything. When the entire office witnesses (but tries not to ) this woman's verbally rape and humiliation at the hands of the boss, Amélie finds this emblematic of Japanese society's ostrich-like tendencies. While this may all sound deep and dark, the book is actually quite lively and humorous. That said, it's not a breathtaking book. It's certainly well written and ably translated, and definitely worth reading as commentary on cross-cultural communication (especially by those intending to work in Japan), yet it's hard to understand how it could have become such a phenomenon in France. In any event, I'll certainly be tracking down Nothomb's other works in English.
One footnote: why must publishers insist on branding books "A Novel" when they are so clearly not. If a book is printed in a smaller than standard format, with loads of space between the lines, and comes in at 132 pages, it's a novella, not a novel. Clearly they feel uneasy about asking us for almost [$$] for a book that'll take no more than two hours to read-but please don't insult our intelligence by trying to pass it off as a novel!



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