Farewell, My Lovely (Penguin Fiction)
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From Library Journal
Chandler is not only the best writer of hardboiled PI stories, he's one of the 20th century's top scribes, period. His full canon of novels and short stories is reprinted in trade paper featuring uniform covers in Black Lizard's signature style. A handsome set for a reasonable price.
Copyright 2002 Reed Business Information, Inc.
Copyright 2002 Reed Business Information, Inc.
Pressestimmen
"Raymond Chandler is a master." --The New York Times
“[Chandler] wrote as if pain hurt and life mattered.” --The New Yorker
“Chandler seems to have created the culminating American hero: wised up, hopeful, thoughtful, adventurous, sentimental, cynical and rebellious.” --Robert B. Parker, The New York Times Book Review
“Philip Marlowe remains the quintessential urban private eye.” --Los Angeles Times
“Nobody can write like Chandler on his home turf, not even Faulkner. . . . An original. . . . A great artist.” —The Boston Book Review
“Raymond Chandler was one of the finest prose writers of the twentieth century. . . . Age does not wither Chandler’s prose. . . . He wrote like an angel.” --Literary Review
“[T]he prose rises to heights of unselfconscious eloquence, and we realize with a jolt of excitement that we are in the presence of not a mere action tale teller, but a stylist, a writer with a vision.” --Joyce Carol Oates, The New York Review of Books
“Chandler wrote like a slumming angel and invested the sun-blinded streets of Los Angeles with a romantic presence.” —Ross Macdonald
“Raymond Chandler is a star of the first magnitude.” --Erle Stanley Gardner
“Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since.” --Paul Auster
“[Chandler]’s the perfect novelist for our times. He takes us into a different world, a world that’s like ours, but isn’t. ” --Carolyn See
“[Chandler] wrote as if pain hurt and life mattered.” --The New Yorker
“Chandler seems to have created the culminating American hero: wised up, hopeful, thoughtful, adventurous, sentimental, cynical and rebellious.” --Robert B. Parker, The New York Times Book Review
“Philip Marlowe remains the quintessential urban private eye.” --Los Angeles Times
“Nobody can write like Chandler on his home turf, not even Faulkner. . . . An original. . . . A great artist.” —The Boston Book Review
“Raymond Chandler was one of the finest prose writers of the twentieth century. . . . Age does not wither Chandler’s prose. . . . He wrote like an angel.” --Literary Review
“[T]he prose rises to heights of unselfconscious eloquence, and we realize with a jolt of excitement that we are in the presence of not a mere action tale teller, but a stylist, a writer with a vision.” --Joyce Carol Oates, The New York Review of Books
“Chandler wrote like a slumming angel and invested the sun-blinded streets of Los Angeles with a romantic presence.” —Ross Macdonald
“Raymond Chandler is a star of the first magnitude.” --Erle Stanley Gardner
“Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since.” --Paul Auster
“[Chandler]’s the perfect novelist for our times. He takes us into a different world, a world that’s like ours, but isn’t. ” --Carolyn See
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Almost Chandler's best book.,
Von Claude Avary "West Coast Reader" (Los Angeles, CA USA) - Alle meine Rezensionen ansehen
Rezension bezieht sich auf: Farewell, My Lovely (Vintage Crime/Black Lizard) (Taschenbuch)
Only THE LONG GOODBYE merits higher place in the shining canon of prose-poet Raymond Chandler. This violent, shabby, hilarious, and ultimately very moving novel rockets P.I. Phillips Marlowe through the darkest, seamiest side of Chandler's textured world Los Angeles. In no other novel does Chandler's razor sharp and witty prose slice so sharply, and his sense of tragic irony ("It isn't funny that a man should die, but it is funny that a man should die for so little") reaches its zenith. Hard to put down, impossible to forget.
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Blam! Chandler again!,
Von Ein Kunde
Rezension bezieht sich auf: Farewell, My Lovely (Vintage Crime/Black Lizard) (Taschenbuch)
Can YOU feel the pain from a right hook thrown in a darkened alleyway at 2:00 a.m. on a cold April Thursday, or the well-worn warmth of a ragged wool carpet runner tacked to the seventh floor of a well past acceptable rent-up in pre-war Los Angeles against the leather shoe sole, or perhaps your face? Read Chandler and you very well might be able to.
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The magic of Marlowe,
Von A.J. (Maryland) - Alle meine Rezensionen ansehen
Rezension bezieht sich auf: Farewell, My Lovely (Vintage Crime/Black Lizard) (Taschenbuch)
In "Farewell, My Lovely," Raymond Chandler's second Philip Marlowe novel, Marlowe reluctantly agrees to help a careworn police detective search for a nightclub girl named Velma, a former girlfriend of an ogreish ex-convict named Moose Malloy who is wanted for murder. Marlowe's first lead is the nightclub owner's widow, whom he plies with liquor, only to find out that Velma's whereabouts are being kept a guarded secret. Then, in what initially seems like an unrelated subplot, Marlowe is hired by a man who wants "backup" while he delivers money to some jewel thieves. The man ends up murdered, and Marlowe meets a mysterious girl at the scene of the crime. To think there's no connection between this event and Velma's disappearance would be to underestimate Chandler's genius at plot construction. Chandler cleverly plants false leads to twist the already unpredictable plot and subtle clues that make sense at the end. His colorful characters are masters of deceit; the reader imagines that these people must have great poker faces. They know a lot more than what they're telling Marlowe, and it's exciting to know that Marlowe will eventually be able to guess what they're leaving out. Like J.R.R. Tolkien's Gandalf, Marlowe is one of literature's greatest magicians; the fun of reading the book is waiting for him to pull the rabbit out of the hat at the end. Helfen Sie anderen Kunden bei der Suche nach den hilfreichsten Rezensionen
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