- Gebundene Ausgabe: 564 Seiten
- Verlag: ISIS Large Print Books; Auflage: Lrg (Juni 1988)
- Sprache: Englisch
- ISBN-10: 1850892296
- ISBN-13: 978-1850892298
- Amazon Bestseller-Rang: Nr. 1.849.040 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Kurzbeschreibung
A controversial novel from the Canadian author - part-horror story, part meditation on the human soul - which features the Duke and Duchess of Windsor as fascist sympathisers during W.W.II.
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12 von 12 Kunden fanden die folgende Rezension hilfreich
One of the most important books in Canadian Literature
22. Juni 1996
Format:Gebundene Ausgabe
Crisply written, suspensfull, and with a cast from the pages of 20th centuary history,
"Famous Last Words" is a towering achievement in storytelling.
Set in World War II, the novel follows the exploits of writer Hugh Selwyn Mauberly, a character Findlay has drawn from the
poems of one of this novels secondary characters, Ezra Pound. Yes, That's right, I said secondary characters. The novel,
which examines the curious attraction of Germany to all symbols English spends much more time on the comings and goings of some other
pretty important folk, like German Foriegn Minister Von Ribbentrop, or the real murdered British diplomat Sir Harry Oakes.
Looming large throughout the novel, is the character of the Duchess of Windsor, known forever as Mrs. Simpson.
"Famous Last Words" tells of Mauberly's romantic obsession with Mrs. Simpson. It also proposes the shocking theory that the Nazi's
under Hitler had a unique and unhealthy obsession of its own involving Mrs Simpson and her brurned out hulk of a former king,
Edward VIII.
Along the way, Findlay masterfully weaves real history with gripping fiction making for a book that facsinates and teaches.
Withn "Famous Last Words" Findlay takes his place amoung the best of his countrymen, including fellow Canadians, Robertson Davis
and Margaret Atwood.
"Famous Last Words" is a towering achievement in storytelling.
Set in World War II, the novel follows the exploits of writer Hugh Selwyn Mauberly, a character Findlay has drawn from the
poems of one of this novels secondary characters, Ezra Pound. Yes, That's right, I said secondary characters. The novel,
which examines the curious attraction of Germany to all symbols English spends much more time on the comings and goings of some other
pretty important folk, like German Foriegn Minister Von Ribbentrop, or the real murdered British diplomat Sir Harry Oakes.
Looming large throughout the novel, is the character of the Duchess of Windsor, known forever as Mrs. Simpson.
"Famous Last Words" tells of Mauberly's romantic obsession with Mrs. Simpson. It also proposes the shocking theory that the Nazi's
under Hitler had a unique and unhealthy obsession of its own involving Mrs Simpson and her brurned out hulk of a former king,
Edward VIII.
Along the way, Findlay masterfully weaves real history with gripping fiction making for a book that facsinates and teaches.
Withn "Famous Last Words" Findlay takes his place amoung the best of his countrymen, including fellow Canadians, Robertson Davis
and Margaret Atwood.
7 von 7 Kunden fanden die folgende Rezension hilfreich
The Electric Moment
15. Mai 2003
Format:Gebundene Ausgabe
To begin with, every reader of this book should first read the poem "Hugh Selwyn Mauberly" by Ezra Pound, since this fictional persona of Pound's ends up being the central character of this fascinating book. The book works mainly on two levels: 1.) That of the intrigues, relationships and a certain "cabal" surrounding the rise of the Fascists and Nazis to power and their eventual defeat, all plausible (I did some research), and historically based, which makes the book the page-turner that it is. 2.) The embedded questionings of human motivations and actions and meditation-provoking sections futher calling into question what ultimately comprises history.
This second aspect is what makes the book more than just your average historical thriller. Findley has a fine manner of putting events into a poetic, philosophical cast. - But the book meanders a bit much, and somehow lacks a certain panache and poetic/philosophical heft that detracts from its effectiveness- Perhaps this is inevitable in a book that weaves in and out of so many different intrigues, betrayals and deceptions while at the same time employing a prose style that is downright contemplative at times. In other words, the two levels don't quite seem to mesh as they should.
Aside from a little muddlednesss, however, this is a very fine piece of literature. It will having you turning the pages in excited bewilderment while at the same time pondering the questions it provokes about mankind and history.
There is an intriguing passage in the middle of Mauberly's narrative where he imagines a future historian, a "dread academic, much too careful of his research" who will completely botch things in his account of these times "because he will not acknowledge that history is made in the electric moment, and its flowering is all in chance....There is more in history of impulse than we dare to know."---So, can a "true" history be written after all? Or does a fictional account, such as this book containing a narrative written by a fictional character, have the famous last words?
2 von 2 Kunden fanden die folgende Rezension hilfreich
A fantastic post-modern read
30. August 2005
Interesting that The Wars deals with the First World War and one man's personal transformation both before the war and during it. Famous Last Words, in a sense, picks up where the other novel left off. While the author's fictional protagonist/antagonist Mauberly is the inadvertent co-narrator of the story, the novel really focuses on varying characters and motives both during and after the Second World War.
The most intriguing part of this novel is the discovery of Mauberly's writings on the walls of a European hotel room and the impending decisions to be made about its historical importance. American soldiers have to decide whether to preserve the historical narrative written by a questionable character or destroy all memory--artistic or otherwise--of a gruesome war.
One gets the sense that Findley is making a post-modern comment on the myth of truth-telling and the conflict between art and politics. But also, the irony of Findlay as storyteller commenting on the subjectivity of storytelling is not lost.
All the Findlay elements are here in this novel: intrigue, mystery, psycho-analysis, and moral ambiguity. It does not have the power or punch of The Wars, but it is a confusingly fascinating read.
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