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Ex Libris: Confessions of a Common Reader
 
 
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Ex Libris: Confessions of a Common Reader [Taschenbuch]

Anne Fadiman
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Ex Libris: Confessions of a Common Reader + At Large and at Small: Familiar Essays + Rereadings: Seventeen Writers Revisit Books They Love
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Produktinformation

  • Taschenbuch: 162 Seiten
  • Verlag: Farrar Straus & Giroux; Auflage: Reprint (Oktober 2000)
  • Sprache: Englisch
  • ISBN-10: 0374527229
  • ISBN-13: 978-0374527228
  • Größe und/oder Gewicht: 19,4 x 12,8 x 1,2 cm
  • Durchschnittliche Kundenbewertung: 4.7 von 5 Sternen  Alle Rezensionen anzeigen (44 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 162.144 in Englische Bücher (Siehe Top 100 in Englische Bücher)
  • Komplettes Inhaltsverzeichnis ansehen

Mehr über den Autor

Anne Fadiman
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Produktbeschreibungen

Amazon.co.uk

The subtitle of Anne Fadiman's slim collection of essays is Confessions of a Common Reader, but if there is one thing Fadiman is not, it's common. In her previous work of non-fiction, The Spirit Catches You and You Fall Down, she brought both skill and empathy to her balanced exploration of clashing cultures and medical tragedy. The subject matter here is lighter, but imbued with the same fine prose and big heart. Ex Libris is an extended love letter to language and to the wonders it performs. Fadiman is a woman who loves words; in "The Joy of Sesquipedalians" (very long words), she describes an entire family besotted with them:
When I was growing up, not only did my family walk around spouting sesquipedalians, but we viewed all forms of intellectual competition as a sacrament, a kind of holy water as it were, to be slathered on at every opportunity.
From very long words it's just a short jump to literature, and Fadiman speaks joyfully of books, book collecting and book ownership ("In my view, 19 pounds of old books are at least 19 times as delicious as one pound of fresh caviar"). In "Marrying Libraries" Fadiman describes the emotionally fraught task of merging her collection with her husband's:
After five years of marriage and a child, George and I finally resolved that we were ready for the more profound intimacy of library consolidation. It was unclear, however, how we were to find a meeting point between his English-garden approach and my French-garden one.
Perhaps some marriages could not have stood the strain of such an ordeal, but for this one, the merging of books becomes a metaphor for the solidity of their relationship. Over the course of 18 charming essays Fadiman ranges from the "odd shelf" ("a small, mysterious corpus of volumes whose subject matter is completely unrelated to the rest of the library, yet which, upon closer inspection reveals a good deal about its owner") to plagiarism ("the more I've read about plagiarism, the more I've come to think that literature is one big recycling bin") to the pleasures of reading aloud ("When you read silently, only the writer performs. When you read aloud, the performance is collaborative"). Fadiman delivers these essays with the expectation that her readers will love and appreciate good books and the power of language as much as she does. Indeed, reading Ex Libris is likely to bring up warm memories of old favourites and a powerful urge to revisit one's own "odd shelf" pronto. --Alix Wilber -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch .

Amazon.com

The subtitle of Anne Fadiman's slim collection of essays is Confessions of a Common Reader, but if there is one thing Fadiman is not, it's common. In her previous work of nonfiction, The Spirit Catches You and You Fall Down, she brought both skill and empathy to her balanced exploration of clashing cultures and medical tragedy. The subject matter here is lighter, but imbued with the same fine prose and big heart. Ex Libris is an extended love letter to language and to the wonders it performs. Fadiman is a woman who loves words; in "The Joy of Sesquipedalians" (very long words), she describes an entire family besotted with them: "When I was growing up, not only did my family walk around spouting sesquipedalians, but we viewed all forms of intellectual competition as a sacrament, a kind of holy water as it were, to be slathered on at every opportunity." From very long words it's just a short jump to literature, and Fadiman speaks joyfully of books, book collecting, and book ownership ("In my view, nineteen pounds of old books are at least nineteen times as delicious as one pound of fresh caviar"). In "Marrying Libraries" Fadiman describes the emotionally fraught task of merging her collection with her husband's: "After five years of marriage and a child, George and I finally resolved that we were ready for the more profound intimacy of library consolidation. It was unclear, however, how we were to find a meeting point between his English-garden approach and my French-garden one." Perhaps some marriages could not have stood the strain of such an ordeal, but for this one, the merging of books becomes a metaphor for the solidity of their relationship.

Over the course of 18 charming essays Fadiman ranges from the "odd shelf" ("a small, mysterious corpus of volumes whose subject matter is completely unrelated to the rest of the library, yet which, upon closer inspection reveals a good deal about its owner") to plagiarism ("the more I've read about plagiarism, the more I've come to think that literature is one big recycling bin") to the pleasures of reading aloud ("When you read silently, only the writer performs. When you read aloud, the performance is collaborative"). Fadiman delivers these essays with the expectation that her readers will love and appreciate good books and the power of language as much as she does. Indeed, reading Ex Libris is likely to bring up warm memories of old favorites and a powerful urge to revisit one's own "odd shelf" pronto. --Alix Wilber -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.


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A few months ago, my husband and I decided to mix our books together. Lesen Sie die erste Seite
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44 Rezensionen
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4 Sterne:
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3 Sterne:
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2 Sterne:
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1 Sterne:    (0)
 
 
 
 
 
Durchschnittliche Kundenbewertung
4.7 von 5 Sternen (44 Kundenrezensionen)
 
 
 
 
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1 von 1 Kunden fanden die folgende Rezension hilfreich:
4.0 von 5 Sternen a book about books, 1. Juli 2000
A book about books: what could be more appealing to people who live their lives with a book in their hand? Anne Fadiman, a talented essayist, decided to write about her love for books, and did so with great humour and sensitivity. I particularly liked the essay entitled "the odd shelf". All in all, an interesting and enjoyable book. My only complaint is that it was too short. I hope Anne Fadiman writes another book of essays soon.
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1 von 1 Kunden fanden die folgende Rezension hilfreich:
5.0 von 5 Sternen People love this book, 23. Juni 2000
Von Ein Kunde
I was reading this book on the top deck of a London bus today and someone came over to me to say how much they had enjoyed reading it. It is that sort of book. Perfect little essays that put me in mind of Chesterton. Very well done.
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1 von 1 Kunden fanden die folgende Rezension hilfreich:
5.0 von 5 Sternen These could be my words, 19. Juni 2000
Von Ein Kunde
This is a collection of essays about being a lover of books and reading. I particularly identified with the essay about compulsive proofreaders. I am too! Her entire family is obsessed. I love this line written after she and her family noted problems in a restaurant menu: "....we Fadimans would have mapped every corner of our deviant tribal identity, but apparently there was one pan-familial gene we has never before diagnosed: we were all complusive proofreaders."

Later she says, "There is no twelve-step program for us. We must learn to live with our affliction." she tells a story about a man with a tattoo with a missing letter t. He is suing the tattoo shop for $250,000. She writes, "I can imagine few worse fates than walking around for the rest of one's life wearing a typo."

There are several good essays, most of them in fact. I enjoyed the one about how long it took for she and her spouse to merge their libraries and get rid of duplicate copies. Whose were more important! The one with an inscription, notes in the margins, or one that falls open to the "good" spots? I have ALL of my own books. My library drastically overshadows that of my husband's. His consists mainly of engineering and math books that make my brain hurt, woodworking books, and an occasional science fiction novel. We did have similar angst combining our musical libraries though.

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