At one point there was a rumor that Brad Pitt had agreed to play Captain America in a new movie, but the last I heard the project is not slatted until 2007 and no names other than Jack Kirby and Joe Simon, Cap's creators, are currently associated with the project. However, if anybody thinking about writing the script or any of Cap's fans want to check out the glory days of the character Volume 2 of the "Essential Captain America" would be a good place to start because it contains both the final issues of "Captain America" drawn by Jack Kirby, the definitive Captain America artist for many, and the three striking issues drawn by Jim Steranko. Ironically, while the names of Kirby and Steranko, along with writer Stan Lee, appear on the cover of the book, it is penciller Gene Colan who draws over half the issues (#103-126 of "Captain America") collected in Volume 2.
The three main storylines of note in this collection are the Lee-Kirby epic where Cap and Shield take on the Red Skull and his Nazi minions, the Steranko issues where Rick Jones becomes a temporary sidekick and Cap regains his secret identity, and the Lee-Colan storyline where the Red Skull swaps places with Cap courtesy of the Cosmic Cube and the strip introduces the Falcoln in an effort to make the comic more relevant. There is also a complete issues devoted by Lee & Kirby to the origin of Captain America and one in which Cap is captured while in Vietnam. Of course, in the years ahead the Falcoln would become Captain America's partner and his name would become part of the title for the comic book.
I prefer these issues of "Captain America" much more than the "Tales of Suspense" days when the stories were ten page installments that cut off the story just as it was getting interesting (i.e., "to be continued"). It is not surprising that the art work is more impressive than the stories, because Kirby was arguably at his peak at this point: most of his issues start with splash pages of Cap bigger than life and in action. Steranko experiments with the comic book form, having pages with over a dozen panels, panels with multiple images of the same characters, and page without panels that are clearly influenced by the art of Salvadore Dali. Why more would you want for 12 cents? No wonder the issue of "Captain America" #111 was appropriated for the cover of this trade paperback. Colan might only finishing the show position in this collection, but he brings the same sort of fluidity to his artwork that he did with "Daredevil" and "Tomb of Dracula." Three different styles each working to tell the story of Captain America, "Living Legend of World War II."