Erotic Cinema (Midi) [Taschenbuch]

"Sexuality is limited by taboos and the domain of eroticism is that of the transgression of these taboos." Georges Bataille"

Auf Zelluloid wurde der erste Kuss bereits 1896 festgehalten. Seit dem hat die körperliche und sexuelle Freizügigkeit im Film eine Entwicklung vollzogen, die immer schneller Tabus bricht und gesellschaftlich festgelegte Grenzen überschreitet. Im Zentrum bleibt letztendlich nur noch die Frage nach dem "Wie wird ES gezeigt?" Extremes aus der Soft- bzw. auch Hardcore-Pornoindustrie kommt in diesem Band aus unserer Filmreihe genauso zum Zuge wie der Seitenblick auf die schwule/lesbische Film-Szene.

Since the first kiss recorded on film in 1896, erotic moving images have stimulated viewers and outraged public bodies. This book explores the meaning of eroticism and gives an overview of sex on the big screen by exploring different forms of sexual behavior or taboo-breaking in film. Included are intimate looks at ten of the most erotic movies ever made: including Last Tango in Paris, Betty Blue, In the Realm of the Senses, Romance, Law of Desire, Kids, Basic Instinct, Crash, The Night Porter and Y Tu Mama Tambien. Coverage includes erotic films from the silent era, pre-Code Hollywood, film noir, cheesecake and beefcake, the international art cinema, softcore and hardcore X-rated films, gay, lesbian, and New Queer Cinema, and the latest trend toward real sex in independent and art films. Readers will be able to relive some of their favourite erotic movie moments, and discover new ones as well.

Douglas Keesey was educated at U.C. Berkeley (B.A.) and Princeton (Ph.D.). He has published books on Don DeLillo (Twayne), along with essays on Thomas Pynchon, James Dickey, Stephen King and Peter Weir. He is a professor of film and literature at California Polytechnic State University. Keesey is also the author of TASCHEN's Paul Verhoeven.