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Elegy for Kosovo: Stories [Gebundene Ausgabe]

Ismail Kadare
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Produktinformation

  • Gebundene Ausgabe: 128 Seiten
  • Verlag: Arcade Publishing; Auflage: English. (10. Mai 2000)
  • Sprache: Englisch
  • ISBN-10: 1559705280
  • ISBN-13: 978-1559705288
  • Größe und/oder Gewicht: 19,3 x 13,2 x 1,5 cm
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (1 Kundenrezension)
  • Amazon Bestseller-Rang: Nr. 683.654 in Englische Bücher (Siehe Top 100 in Englische Bücher)
  • Komplettes Inhaltsverzeichnis ansehen

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Produktbeschreibungen

From Publishers Weekly

In 1389, a battle was fought against the Ottoman Turks at Kosovo, ending in a momentous standoff that amounted to a defeat for the Balkan defenders. According to Serb tradition, in a nationalist legend inflamed and exploited by Slobodan Milosevic, the Serbs stood virtually alone against the Turks in a battle that defined Serbian identity. Kadare, an Albanian national, here takes up the Battle of Kosovo in three brief elegiac narratives from a critical perspective. He is sympathetic to the suffering on all sides, but also eager to correct the Serb view: it was a coalition of Albanians, Rumanians, Serbs and other Balkan peoples that clashed with the forces of Sultan Murad I on the Field of Blackbirds. Kadare's point is important and well taken, but this small book is a disappointment. These epic events demand a much fuller and deeper exploration than he offers. Moreover, one hopes that the often lame English--awkwardly pitched in a sort of faux-epic idiom--does not fairly reflect the Albanian original. For Kadare is certainly a novelist of importance. Now in his mid-60s, he remains Albania's foremost intellectual. Though originally trained in Moscow at the Gorky Institute to be a purveyor of the party line, Kadare became a dissident in his homeland and eventually found it necessary to flee. He has lived in Paris since 1990, and is a powerful presence on the French intellectual scene, but his Elegy for Kosovo, however right-minded, is not likely to attract new readers to the fine novels (The Three-Arched Bridge, The Palace of Dreams, etc.) he currently has in print here. (May)
Copyright 2000 Reed Business Information, Inc.

From Booklist

This is a retelling of the legendary battle in which a combined force of Serbs, Bosnians, Romanians, and Christian Albanians was defeated by the superior military of the Ottoman Empire on June 28, 1389. The battle took place on the plains of Kosovo. Kadare's purpose, of course, is to show how violence repeats itself in Balkan history. Yet what makes this story even more interesting is not just the fact that ancient enemies came together in a common cause, but also that even as allies they could not forget their enmity toward one another. The story itself, told in a kind of mini-epic style, abounds with many voices detailing their points of view regarding the battle and its aftermath. It concludes in a magic realist way as the shade of Sultan Murad I, who died in the battle, recounts the whisperings of renewed violence he has heard over the centuries, particularly in the late twentieth century. Frank Caso
Copyright © American Library Association. All rights reserved

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5.0 von 5 Sternen The cloth unravels at the edges, 22. Juni 2000
Von Ein Kunde
Rezension bezieht sich auf: Elegy for Kosovo: Stories (Gebundene Ausgabe)
Kosovo unraveled before our eyes in the ending years of the twentieth century. In ELEGY FOR KOSOVO, Ismail Kadare takes us back to the Field of the Blackbirds in 1389 to explain when, as the Russian proverb goes, the cloth began unraveling at the edges. There, Albanians, Bosnians, Romanians and Serbs loosely unite under Serbian Prince Lazar to fight the invading Ottoman Emperor, Murad I.

The author presents peninsular residents as quarrelsome types. Things get out of hand only when the newest kid on the block makes the fight ugly. Such happens, from the Albanian perspective, with the invading Slavs in the 5th to 7th centuries and the conquering Muslims in the 14th century.

Known for hospitality to guests, invited or otherwise, the peninsular fighters let the Ottomans get to the battlefield first. The peninsular battle campers then throw a loud party with much drinking and musical bickering while the Ottomans get a good night's sleep. The next day, the peninsular troops lose, and their leaders either hightail it home or become slaughtered captives.

The peninsular history draws on an old oral epic tradition, so minstrels are among the battle's surviving witnesses. They wander north, where only a Great Lady recognizes that the Greek-credited civilization cradling Europe is still among the peninsular fugitives. Accompanying them part of the way, a runaway Turk aspires to three faiths, and just as the three religions fertilize the peninsular killing fields, he too loses his life.

The diverse peninsular peoples never agree to one name for their homeland until the Ottomans call them Balkans. This is the apple of discord left by the Ottomans, along with the buried blood and intestines of their sultan. Kadare suggests that the blood feud can only stop by everyone starting anew. This echoes his autobiographical ALBANIAN SPRING, at the end of which he quotes the first known Albanian language published poem, the 16th century DIRGE, by Lek Matrenga, who asks for mercy since wrongs are everywhere.

Norman Maclean suggests in A RIVER RUNS THROUGH IT that we can be so personally involved in facts that we need fiction for perspective. Thus, all of Kadare's novels make the Albanian mysteries familiar. ELEGY FOR KOSOVO in particular prepares readers to go tackle the non-fiction works, available through Amazon Books, which help to understand Balkan turmoil.

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