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EL CABALLERO DE OLMEDO
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Produktbeschreibungen
Kurzbeschreibung
This work includes a central text of the Golden Age by a key dramatist. It is presented with English glosses to unfamiliar words on the page, and helpful notes at the end of the book. It features up-to-date interpretation that sets the work within its Baroque context, and encourages students to read the Spanish text rather than a facing translation. This will be a key text in the highly successful "Hispanic Texts" series.
Synopsis
This work includes a central text of the Golden Age by a key dramatist. It is presented with English glosses to unfamiliar words on the page, and helpful notes at the end of the book. It features up-to-date interpretation that sets the work within its Baroque context, and encourages students to read the Spanish text rather than a facing translation. This will be a key text in the highly successful "Hispanic Texts" series.
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3 von 5 Kunden fanden die folgende Rezension hilfreich
in response to the last guy's review...
10. April 2002
Format:Taschenbuch
This play is not called a comedy because it is funny. Nor are any plays from Golden Age Spanish literature. They are called comedies simply because they are not allowed the name of Tragedies, which is reserved for plays written in Greek language and style. Spanish is a "vulgar" offshoot from Latin, and "tragedies" were not works for the vulgar (common) language. If you are looking for comedy in a Golden Age Spanish play it will be difficult. Most involve moral and religious issues. But you should still read this play because it is pretty [darn] good :)
4 von 8 Kunden fanden die folgende Rezension hilfreich
Humor is not suitable for time travel
1. August 2000
Format:Taschenbuch
This is one of those books that any contemporary reader shall not face alone. Even if your first language is Spanish, the archaic nature of some words and phrases, force you to read the relevant line more that three times to get a notion of the idea behind them. Afterwards, you must figure out why the work was considered as a comedy in the XVI Century. The infatuation between Don Alonso and Ines is not a joyful event on the contrary, both character are consumed by anguish and the rejected lover is only thinking about revenge. Only Fabia presents an element which lights up the gloomy nature of the play and that somehow is not predictable. Consider to read this book if you are interested in the evolution of Spanish Literature but do not expect much pleasure of laughter out of it.
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