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More importantly, in his own playful and deadly way, he draws readers into a sinister dance, making us accomplices to the crime at the heart of the book. Among other things, if you're a reader of "real" biographies, you'll likely return to your nonfiction with a slightly different take on the genre.
Not that the following statement will win the books zillions of new readers, but, if you love (or at least admire) Nabokov's Pale Fire, be sure not to miss Edwin Mullhouse.
This juxtaposition of adult analysis with childish feelings, toys, and concerns makes a great new form of "fictional biography"
I also loved the "physicality" of words that exists in this work. Edwin, just learning to write, can't help seeing words as pictures. For example, "yellow" is a boat with a rudder and two smoke stacks and "bed" is two fat men looking at each other over a table. Edwin is fascinated with cartoons and comics and writes his masterpiece, "Cartoons" when he is just 11. This is basically a very detailed account of a cartoon. I LOVED IT! To "read" a cartoon and see it in your head as you read brings a new dimension to the printed page. The words become images and the images are words. Great reading, and highly recommended for any serious writer or anyone who wants to remember their childhood....(note: I picked up this book when I heard Charles Frazier was reading it; he wrote Cold Mountain---not only a great author, but a great book critic it seems ;)
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