Edward Weston, more than any other photographer that I admire and have studied, succeeded in creating photography as art. His abstract and voluptuous landscapes of the human form, his photographic sculptures of organic matter, his special vision that captured unnoticed works of art in nature, bring extraordinary passion and life to black and white photography. His exploration of "the universality of basic form" has provided us with masterpieces of photographic art. Much of Weston's best work is featured in this large and exquisite book. Published in London in association with the Huntington Library, printed and bound in Italy, and issued on fine paper approaching photographic print quality, this book is certainly a wonderful legacy of Edward Weston and his work.
In 1937 and 1938, the Guggenheim Foundation paid Weston to take a two-year photographic trip though California and the West - he was the first photographer to be awarded a Guggenheim fellowship - the images he made during that trip - more than 500, were presented to the Huntington Library. "What it all comes to is this," Weston wrote the Guggenheim Foundation in 1939, "I want very much to have a collection in the Huntington Library and will do anything I can to make it possible." "Edward Weston: A Legacy" organizes much of this material - extensive commentary, notes, biographical information and career-long examples of Weston's photographs. It is a truly stunning compilation.
Weston's work evokes warmth, sensuality, the erotic. There is passion behind his photographs of animals, like the fleet fox, his portraits, and in his strange visions of antique statuary. His nudes, especially the extraordinary work he does with Charis Wilson, take the viewer beyond the erotic to a discovery of eternal forms.
This is a magnificent book containing a master's work - a real treasure!
JANA