Handsomely produced, elegantly assembled, and consistently engrossing: these actors read the stories with appropriate sensitivity, wit, pathos, and distance. The detachment of Joyce in his "voice" on the page is re-created well. When I have taught students "Araby" or "The Boarding House," the chance to hear the language repeated as its author would have meant it to be rendered makes these stories come alive for a classroom six thousand miles and a century away from early 20c Dublin.
Although all of the stories succeed, those in the center of the book emerged when conveyed aloud most enlighteningly. Clay, A Mother, A Painful Case, and most of all Two Gallants, After the Race, and Counterparts all hit my ear with more force than they had when I had only read them. These stories are often overlooked compared to the others, but the skill that the actors brought to these more prosaic, less lively, and more nuanced examples of Joyce's careful craft deserve special acclaim. The packaging keeps the CDs securely in place, is itself compact and well-designed, fitting its outwardly austere & Edwardian yet subtly decorated and inviting contents.
Students, the curious newcomer, the experienced teacher, and those who read the book out of delight and not duty: all will benefit from the music on the page that by a technology Joyce himself spoke into at its early gramaphone stages is now digitally preserved so that those of us all over the world and a vastly changed world later can be entertained and instructed. I think JJ might have been pleased at this version of his pioneering, eloquent, yet accessible and moving, accounts of his imagined neighbors and municipal counterparts.