Dry [Englisch] [Taschenbuch]

The book often skewers the mental health system, replete with therapy-speak, AA meetings, and self-help lingo, However, Burroughs adopts a fairly benign, almost affectionate, tone toward mental health workers. Ultimately, DRY is filled with the kind of wit and attitude you've come to expect from Burroughs. I laughed out loud quite a few times, and I felt some real suspense reading to see whether he'd relapse.

Burroughs is quickly establishing himself as a quirky and talented writer. Although he may be pegged by some as a "gay author," his work is pretty universal and likely to appeal to many different audiences. I most highly recommend this book, and I look forward to reading more of his work.

A book about alcoholism, or rather about any kind of addiction (crack cocaine, alcohol, sex, heroine, etc), is not the expected basis for a comedic book. But Burroughs takes us through blitzkrieg drunkeness, living at the bottom of the toilet, commiting to rehab, then the whole process of AA meetings and therapy and manages to make us laugh uncontrollably. His cast of characters includes his co-workers in his successful career in advertising, his pre-rehab friends, his acquaintances from his gay rehab group, his assorted roommates and quasilovers, and his real devotion to Pighead, a would-be lover now dying of AIDS. Doesn't sound funny, does it? But life has its own way of offering perspectives in bizarre focal fields and Burroughs knows just how to make it all work. His life is a fantasy trip, and a dangerous one at that, but through all his highs and lows he keeps us on his side, and we willingly laugh and cry right along with him. This is a superb second book. Read them both - and then take a little time for introspection about how we all interact, knee deep in our foibles.

With sobriety, Burroughs must not only come to terms with his friendship with HIV positive Pighead, he must also make painful choices about new friends and lovers. Sober living is, of course, not without its temptations and Burroughs is honest that not all of his post-rehab decisions were good ones. But honesty is a key component in DRY; it is never lacking in this memoir. Powered by lots of coffee and fresh insight, Burroughs is just as hilarious in describing his navigation of a life clean and sober as he is in describing his drunken escapades. The supporting cast is full of similarly neurotic figures, which just goes to show you that everyone has an interesting story to tell. Burroughs, however, concentrates on his own and the book reads like a cross between a great tale told to close friends, a stand-up routine and, most often, a therapeutic catharsis.

DRY is simply wonderful. It is a frightening look at an awful situation and a difficult triumph told in Burroughs's unique and hysterically funny voice. Comparisons with the work of David Sedaris are obvious, but Burroughs has a much darker and grittier side and his observances are most often pointed inward, resulting in a bittersweet and heartbreaking tale told with sarcasm, wit and laugh-out-loud moments. Augusten Burroughs is a natural storyteller and his best stories are about himself. DRY is not always comfortable, but it is never predictable and is thoroughly rewarding.

From happy hours lasting until the next day with his mortician friend, to the silly and sad rituals of rehab and recovery, from bad news boyfriends to the bedside of the ever-patient Pighead, DRY is an easy read but a hard emotional journey. It is a hip and eccentric addition to a genre that is often dull, sappy or whitewashed. For those wondering what happened to the little boy in RUNNING WITH SCISSORS, and for those meeting Burroughs for the first time in DRY, you are sure to be challenged, appalled, inspired and enchanted.

--- Reviewed by Sarah Rachel Egelman