- Taschenbuch: 158 Seiten
- Verlag: Harvest Books; Auflage: Harvest. (5. September 2006)
- Sprache: Englisch
- ISBN-10: 0156030322
- ISBN-13: 978-0156030328
- Größe und/oder Gewicht: 20,4 x 13,4 x 1,2 cm
- Durchschnittliche Kundenbewertung: 4.0 von 5 Sternen Alle Rezensionen anzeigen (1 Kundenrezension)
- Amazon Bestseller-Rang: Nr. 195.800 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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From Booklist
*Starred Review* Sallis has a bloodhound's nose for noir. Whether in the celebrated Lew Griffin novels or in his several stand-alones, his characters are always trapped--trapped by their inability to effect change in a malign world, trapped by their own character flaws, trapped by the wrong girl, trapped by walking into the wrong place at the wrong time. Sometimes they know they're trapped, and sometimes they are the last ones to know, but Sallis always knows; he can smell it in their pores, and he makes us smell it, too. So it is with Driver, the antihero of this quintessential noir novella about a loner with a passion for driving fast cars. He's a Hollywood stunt driver by day and a getaway car driver by night, but he has no interest in either movies or crime: he just wants to drive. Life won't let him, of course, and eventually he figures that out, as he sits in a Motel 6 near Phoenix, "watching the pool of blood lap toward him." Sallis shows us how he got there in one crisply written, spot-on scene after another. At one point, near the end of the book, Driver reflects that we neither choose our lives nor have them thrust at us. Instead, "they're forever seeping up under our feet." You won't find a better definition of the noir worldview than that, and you won't find a more textbook example of how to express that view in fiction than in this hypnotic little story about driving circles around your life. Bill Ott
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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Einleitungssatz
Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Lesen Sie die erste Seite
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Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Lesen Sie die erste Seite
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4 von 4 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
According to the somewhat euphoric welcoming that this novel received in Germany (Best Crime Book of the Year), it should be one of the most important books of recent Criminal Writing history.
This it is not IMO, but it is a very nicely written book that captures the spirit of the 'Noir' stories and manages to keep that from beginning to end. However, the story is rather simple and also quite short (few pages and large print) - you can read this book in a few hours.
What I did not like so much about the book was the depiction of the hero as underdog-that-is-however-an-invincible-superhero - just a small getaway driver with limited criminal energy, but if needed, he simply uses his masterful martial arts skills to defeat a number of expert mafia hitmen with his little finger. This depiction usually leaves little room for complexity of character, and so this book - while a nice read - also stays rather one-dimensional.
This it is not IMO, but it is a very nicely written book that captures the spirit of the 'Noir' stories and manages to keep that from beginning to end. However, the story is rather simple and also quite short (few pages and large print) - you can read this book in a few hours.
What I did not like so much about the book was the depiction of the hero as underdog-that-is-however-an-invincible-superhero - just a small getaway driver with limited criminal energy, but if needed, he simply uses his masterful martial arts skills to defeat a number of expert mafia hitmen with his little finger. This depiction usually leaves little room for complexity of character, and so this book - while a nice read - also stays rather one-dimensional.
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12 von 14 Kunden fanden die folgende Rezension hilfreich
Every word counts
28. Februar 2006
Format:Gebundene Ausgabe
Every word counts in this "sunshine noir" by noted mystery writer James Sallis. Drive is that rare thing, the proverbial novel you cannot put down. Yet, Sallis never cheats by loading up on worn plot devices. Instead, this slim volume pares the story down to its barest essestials, just plot and character, stripped of artifice. And drive. Yes, the story hurtles along, moving fast, but always under control. Do you think you have seen it all with noir? If you think so, then you owe it to yourself to pick up Drive. Sallis uses some familiar devices, but the story he tells and the character he tells it through, the "Driver," are new. Drive will keep you hanging until the last sentence. That's drive enough for anyone.
10 von 12 Kunden fanden die folgende Rezension hilfreich
a marvelously dark read!
10. September 2005
Format:Gebundene Ausgabe
Readers who delight in noir have a treat in store.
This short novel moves back and forth in both time and place, following a few weeks in the life of Driver - a character who provides no other name. He has a double career - first as a stunt driver for the LA film industry, self trained and among the best in the highly skilled group of specialists. And in the evenings and between film jobs he drives for thieves and con men. But that is all he does - drive. No burglary, no guns, no other participation.
A moonlighting venture goes wrong and sends Driver in search of those who double crossed him. In spare prose, important people in Driver's past and present life are clearly drawn and believable, some presented only as traces from Driver's memory. Although fragmentary, these brief references provide perfect motivation for Driver's actions as he moves toward his moments of revenge. He is a man not always on the right side of the law, or even of a just society, yet in Sallis' hands he becomes a man worthy of respect.
This short novel moves back and forth in both time and place, following a few weeks in the life of Driver - a character who provides no other name. He has a double career - first as a stunt driver for the LA film industry, self trained and among the best in the highly skilled group of specialists. And in the evenings and between film jobs he drives for thieves and con men. But that is all he does - drive. No burglary, no guns, no other participation.
A moonlighting venture goes wrong and sends Driver in search of those who double crossed him. In spare prose, important people in Driver's past and present life are clearly drawn and believable, some presented only as traces from Driver's memory. Although fragmentary, these brief references provide perfect motivation for Driver's actions as he moves toward his moments of revenge. He is a man not always on the right side of the law, or even of a just society, yet in Sallis' hands he becomes a man worthy of respect.
14 von 19 Kunden fanden die folgende Rezension hilfreich
excellent hardboiled crime thriller
17. September 2005
Format:Gebundene Ausgabe
Los Angeles based Drive lives up to his name day and night. During the day he works in films as an action drive while at night he drives the getaway car in criminal activities. His current evening job has Drive working a heist just north of Phoenix. As he sits in the vehicle waiting for his teammates, The New Guy who cooked up the job and hired Drive, Dave Strong who aptly provides muscle, and Blanche, who offers the sexy distraction, he notices another car sitting in the nearby alley, mirroring what Drive is doing.
Shots are fired; Blanche races into Drive's car with the money; urging him to take off. Drive leaves with the other vehicle on his back; he gets rid of the tail by cleverly using the police to stop the other car. However that night at the motel, the thugs from the other car arrive shooting at Drive and Blanche leaving her and the two adversaries dead; Drive has a ton of money, but first must clean up the double cross if he is to use it without someone trying to murder him.
DRIVE is a throwback tale to the Noirs of the late 1940s and 1950s starring a tough individual who steps over the legal line, but only so far until the double-cross and attempts on his life turn him into a retaliatory machine. The story line is action-packed with a strong support cast that provides a look at the support Hollywood role of a driver as well as a first class criminal tale. Fans will want to hitch a ride with James Sallis as he provides an excellent hardboiled crime thriller.
Harriet Klausner
Shots are fired; Blanche races into Drive's car with the money; urging him to take off. Drive leaves with the other vehicle on his back; he gets rid of the tail by cleverly using the police to stop the other car. However that night at the motel, the thugs from the other car arrive shooting at Drive and Blanche leaving her and the two adversaries dead; Drive has a ton of money, but first must clean up the double cross if he is to use it without someone trying to murder him.
DRIVE is a throwback tale to the Noirs of the late 1940s and 1950s starring a tough individual who steps over the legal line, but only so far until the double-cross and attempts on his life turn him into a retaliatory machine. The story line is action-packed with a strong support cast that provides a look at the support Hollywood role of a driver as well as a first class criminal tale. Fans will want to hitch a ride with James Sallis as he provides an excellent hardboiled crime thriller.
Harriet Klausner
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