- Taschenbuch: 584 Seiten
- Verlag: Univ of Massachusetts Pr; Auflage: W/A New Intro. (März 1996)
- Sprache: Englisch
- ISBN-10: 1558490175
- ISBN-13: 978-1558490178
- Größe und/oder Gewicht: 23,7 x 15,7 x 3,8 cm
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His mother, who could maybe spell the word "No," married the paramour.
The paramour adopted the boy. He went from being John Allyn Smith to John Berryman. The kid had his identity taken away before he was in his teens. "John Berryman" was one of the great literary fictions of the 20th century. There WAS no John Berryman--there was someone using that name and forever in search of an identity born in pain and betrayal.
It led him to womanizing...not at all curious given his stepfather's and his mother's histories...to an hysterical disposition...and ultimately--or really for years--into incipient and then full-blown alcoholism.
Berryman jumped off that bridge on January 7, 1972, but he died of drinking. He'd been through detoxes and rehabs but he could never figure out how to stay sober. The compulsion was too strong. Ultimately, I suspect, it was his weapon of choice in a lifelong suicide attempt. The bridge simply ended the quest.
Mariani's book isn't just worth having, it's indispensible to understanding Berryman's work: unless you're one of those New Critical purists (are there any left?) who exclude biography from the study of literary production. There isn't much to say about it except it never bores the reader. Alcoholics are notoriously boring and dull people who repeat the same asininities over and over, but Mariani draws us into Berryman's inner life and shows us as well the effect he had on the people around him. It was not always negative...but when it was, it was appalling.
He also, by the way, shows us a great and difficult poet, not just a horse's ass with a gift for getting into trouble. Mariani's description of how Berryman composed "Homage to Mistress Bradstreet" is worth the price of the ticket.
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