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Drawing Shortcuts
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Produktbeschreibungen
Pressestimmen
"Given the impact that technology has had to face with design, the second edition of this fascinating book focuses on the implementation of the illustrations of the urban landscape all the while blending the traditional hand drawing with the more contemporary digital techniques." (Tango Reporter, August 2010) "Architect, Urban Planner, and professional illustrator Jim Leggitt brings the information he teaches in his drawing workshops to the pages of this colorful text. A second edition of a 2002 book, this version has been revised to integrate "today's technology," specifically in the form of Google Sketchup, presenting a drawing approach that merges hand-drawing techniques with digital technology." (Landscape Architecture, July 2010) "Drawing Shortcuts, Second Edition, is a timely reference tool at a time when technology - for all its advantages - has contributed to an increased atrophy of freehand drawing skills among design students and professionals." (ChicagoArchitectureToday.com, June 2010) "Written for students and professionals in the building and landscaping arts, Drawing Shortcuts has numerous tips that will help today's busy professional speed up the drawing process without sacrificing creativity. Author Jim Leggit's processes combine computer technology with the more emotion-based, traditional, hand techniques to produce work worthy for presentations. Rather than take years to learn the shortcuts, this book allows readers to quickly stimulate spaces that tell a story." (San Francisco Book Review, March 28, 2010)
Kurzbeschreibung
A fresh, integrated approach to traditional and digital drawing<P>This highly visual guide brings together the best of traditional and digital drawing techniques to help architects and designers generate sketches and presentation drawings quickly and effectively. It shows how to harness today’ s digital power– using wire-frame perspectives, photographic underlays, digital cameras, copiers, and other computer tools– to speed up the drawing process and improve design communication. What’ s more, it offers ample coverage of the basics such as composition, shading, and perspective, as well as step-by-step instructions for drawing people, trees, and cars. Full-color throughout, Drawing Shortcuts includes more than 300 illustrations and is filled with information to help readers make strategic decisions about drawing format, style, and more.
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Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
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57 von 61 Kunden fanden die folgende Rezension hilfreich
Better than chocolate!
27. August 2002
Format:Gebundene Ausgabe
The only way Jim Leggitt could make this book better would be to package it with a quarter pound of really good chocolates. I've chosen to overlook that omission since this book is exactly what I wanted to use in my rendering classes at the Savannah College of Art & Design. This is a twenty-first century handbook for rendering in color.
Thirty-one students (two classes) proved to me this summer that Drawing Shortcuts works for learning how to make and render drawings in color quickly, effectively and relatively economically. The final projects reflect ten weeks of increasingly stronger skills and confidence in drawing/rendering abilities. Both graduate and undergraduate students with varied levels of computer expertise found value in the Drawing Shortcuts approach of "Let Technology Do Your Dirty Work".
Bottom line: a relaxed learning atmosphere in studio, fearless renderers willing to experiment with color media and striking final projects. The studio professors are commenting on the improvement in rendered drawings in their classes, too. Leggitt's methods are weaning students from a dependence on computer-generated images. The enhanced freehand drawing skills complement the computer drawing skills. Students now have many options for graphic expression which reflect their individual needs and desires.
I teach rendering classes for interior design students in the School of Building Arts at SCAD. We'll be using this book every quarter. Thanks, Jim Leggitt. But think about the chocolates with the second edition of the book!
27 von 27 Kunden fanden die folgende Rezension hilfreich
Every Architect and Student Must Have This Book !
5. April 2002
Format:Gebundene Ausgabe
This book is an instant classic, that every architect and architectural student must get. Many of us grew up using the techniques taught by Michael Doyle in his book "Color Drawing". Jim Leggitt's techniques are even more geared toward the pace of productivity we all face. Using all the advantages of current technologies, including cameras, copiers, and printers he shows you exactly how to improve or gain the skills it takes to produce fast and effective visualizations. Some of the techniques are so insightful and helpful, as to immediately payback the cost of the book. Great color photographs help guide you step by step. This book is packed full. No one interested in drawing technigues should miss this book.
31 von 32 Kunden fanden die folgende Rezension hilfreich
Great Book
24. November 2002
Format:Gebundene Ausgabe
I am an architecture student. The content of this book isn't by any means revolutionary, but it is smart. Basically the whole argument revolves around tracing as a basis for developing drawings, a concept I kind of thought of as cheating before reading this book. That sounds simple enough, but it is worth buying the book to find out all of the interesting ways he is able to develop a traced framework - ways I would never have thought of. He could have gotten everything he wanted to get across in half the pages, but then the book wouldn't look very serious.
Buy this book: the quality of your drawings may or may not increase from reading it, but you'll be able to produce twice as many in the same time.
Buy this book: the quality of your drawings may or may not increase from reading it, but you'll be able to produce twice as many in the same time.
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