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Drawing on the Right Side of the Brain: The Definitive, 4th Edition [Englisch] [Taschenbuch]

Betty Edwards
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Kurzbeschreibung

26. April 2012

A revised edition of the classic drawing book that has sold more than 1.7 million copies in the United States alone.

Translated into more than seventeen languages, Drawing on the Right Side of the Brain is the world's most widely used drawing instruction book. Whether you are drawing as a professional artist, as an artist in training, or as a hobby, this book will give you greater confidence in your ability and deepen your artistic perception, as well as foster a new appreciation of the world around you. This revised/updated fourth edition includes:

  • a new preface and introduction;
  • crucial updates based on recent research on the brain's plasticity and the enormous value of learning new skills/ utilizing the right hemisphere of the brain;
  • new focus on how the ability to draw on the strengths of the right hemisphere can serve as an antidote to the increasing left-brain emphasis in American life-the worship of all that is linear, analytic, digital, etc.;
  • an informative section that addresses recent research linking early childhood "scribbling" to later language development and the importance of parental encouragement of this activity;
  • and new reproductions of master drawings throughout

    A life-changing book, this fully revised and updated edition of Drawing on the Right Side of the Brain is destined to inspire generations of readers to come.


Wird oft zusammen gekauft

Drawing on the Right Side of the Brain: The Definitive, 4th Edition + Drawing on the Right Side of the Brain Workbook: The Definitive, Updated 2nd Edition + Drawing on the Artist Within: An Inspirational and Practical Guide to Increasing Your Creative Powers
Preis für alle drei: EUR 42,10

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Produktinformation

  • Taschenbuch: 320 Seiten
  • Verlag: Tarcher; Auflage: Definitive, Exp. (26. April 2012)
  • Sprache: Englisch
  • ISBN-10: 1585429201
  • ISBN-13: 978-1585429202
  • Vom Hersteller empfohlenes Alter: Ab 18 Jahren
  • Größe und/oder Gewicht: 22,6 x 18,5 x 2 cm
  • Durchschnittliche Kundenbewertung: 4.7 von 5 Sternen  Alle Rezensionen anzeigen (3 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 7.555 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

Produktbeschreibungen

Pressestimmen

2013 Nautilus Books for a Better World Silver winner as Best Creative Process Book

Über den Autor und weitere Mitwirkende

Betty Edwards speaks regularly at universities, art schools, and companies. Now retired from her position as professor emeritus of art at California State University in Long Beach, Edwards received her doctorate from UCLA in art, education, and the psychology of perception. Dr. Edwards has been profiled on the Today show and in Time, among other magazines and newspapers. She lives in California.

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In diesem Buch (Mehr dazu)
Ausgewählte Seiten ansehen
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis
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4.0 von 5 Sternen Wonderfull! 26. August 2014
Format:Taschenbuch|Verifizierter Kauf
Simply works, however, by forcing your left brain to be quiet and letting the right one take over, you become a quiet artist. I can kinda draw now, lot better then before, but, i can't talk while i do it. No idea how to fix it, since talking basicly sets your skills back to grade school level.
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0 von 13 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Gutes Buch 18. Dezember 2013
Format:Taschenbuch|Verifizierter Kauf
Hier muss ich sagen, dass ich noch nicht das gesamte Busch gelesen habe. Jedoch habe ich viel recherchiert und das Buch ist sehr populär und bekannt und es wird von vielen Zeichenlehrer empfohlen. Es ist auch rechtzeitig und in perfekte Zustand angekommen.
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0 von 17 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Das was ich mir Wünschte 26. Dezember 2012
Format:Taschenbuch|Verifizierter Kauf
Spitze , Super, Schnell. Alles Bestens- Danke gerne wieder. Ich binn Sehr Zufrieden mit der Wahre und kann es nur Empfehlen.
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Amazon.com: 4.7 von 5 Sternen  354 Rezensionen
173 von 180 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Unlocking your creative abilities. 11. Februar 2005
Von L. Power - Veröffentlicht auf Amazon.com
Format:Taschenbuch
I bought this book years ago, and it taught me how to dramatically improve my drawing skills.

I believe people who are blocked from drawing well will get the most from this book. More accomplished artists may benefit as well by understanding better how the process works.

It shows you how to look at things differently, and uses different techniques to enable you to bypass your left (logical) brain, and access your right brain, (your subconscious mind), hence the title.

Instead of using left brain- right brain theory to describe this, in my view the more correct description would be to learn to access your subconscious mind which functions at a deeper level, while reducing the way in which your conscious mind interferes with the creative process.

Your brain has four levels of consciousness, beta which is normal waking state, alpha which is a relaxed meditative state such as when you are about to go to sleep, theta which is a deeper state associated with creativity and light sleep, and delta which is deep sleep.

Normally, your brain shows shows some activity at all these levels. Artists and other creative people are able to access the creative mental state more easily.

Here is an example of how the process works.

If you try to draw a chair you may have a definite idea in your logical mind of how a chair should be, so when you draw you are thinking 4 legs, a seat and a back. You know all the legs are the same length, and therefore you may draw that way.

This can interfere with you doing a good drawing, because each leg from an artistic viewpoint is longer or shorter depending on the distance from your eye, so you have to learn how to use your vision to see it differently.

This can interfere with you doing a good drawing, because each leg from an artistic viewpoint is longer or shorter depending on the distance from your eye, so you have to learn how to use your imagination instead.

In this book there is a picture of something such as a chair or a person's face, and you may draw it as it is. You can also use a picture from a newspaper or magazine. This represents your current skill level.

Now, turn the picture upside down and draw the picture upside down. As you do this drawing, you may notice that you are producing a more accurate copy of the picture. This is because you are now using different skills. I was amazed at the results. This is so simple to do. Try it yourself and discover how easy it is.

There are other examples and illustrations to show you how to see pictures differently, and use space, light and shade, optical illusions and so forth.

As you become more experienced you will learn how to use your new skills automatically. I particularly enjoyed using pictures of movie stars, turning them upside down, copying them, and then doing it again right side up.

I have referred several people who would love to draw well to this book. If you are not as artistic as you would like to be, and were to follow the exercises in this book there is no reason your skill level should not improve dramatically. Naturally, the more you practice, the more you improve. If it worked for me, it can work for you. This is pretty easy.

Imagine drawing anything you want to draw completely accurately, and with incredible detail, subtlety and nuance just like a professional artist. This potential is just a few clicks away. If it worked for me, it can work for you, as my natural drawing was ability not good.
73 von 78 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen This book will improve your drawing immensely! 16. Juni 2004
Von J. Danielson - Veröffentlicht auf Amazon.com
Format:Taschenbuch
I read this book, and later took a course based on this book. In fact, the book was really all I needed. For anyone who thinks drawing is a talent you have to be born with-check out the drawings by Van Gogh included in this book. It seems Vincent was in despair and was going to give up art, until he read a book on drawing (but not this one!). The author gives a before and after example of Van Gogh drawings. The difference was amazing, and clearly shows that drawing is a skill you can learn, no matter how inept your drawing is at first. Do the tasks in this book, and while you may not draw as well as Vincent (or you may), you will be pleased with the improvement you make.
42 von 45 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Amazing! 27. Juli 2004
Von Cori - Veröffentlicht auf Amazon.com
Format:Taschenbuch
I have always considered myself to be an artist who couldn't draw. I work as a graphic and multimedia designer and I am an avid watercolourist - but to pick up a pencil and sketch would terrify me. This book sat on my shelf for years before I summoned the courage to crack it open and start to learn to draw. My motivation was to be able to draw the scenes I would experience on my summer vacation to the Maritimes....I merely wanted to be able to draw realistic buildings and figured that the human form was beyond me...well, let me tell you --I never thought it could be so simple! Now I am drawing realistic hands and objects, full of depth and realism. I feel like an artist who can draw (and draw well) and it took me only a bit over a week (in the evenings) and some practice. I love how easy Edwards makes it seem and I am so glad to have had the chance to read this book and apply its principles. I highly recommend it to anyone who is too scared to pick up a drawing pencil and bring some life to a plain sheet of paper!
28 von 29 Kunden fanden die folgende Rezension hilfreich
2.0 von 5 Sternen This 4th edition is a disappointment. 14. Februar 2013
Von Alyce Humphrey - Veröffentlicht auf Amazon.com
Format:Taschenbuch|Verifizierter Kauf
The '89 edition is far superior to the 4th. In the 4th, the paper is thin enough to see through. Many of the drawing instructions are reproduced far too light and hard to see, much less to study. The chapter on color is GONE. Most of the interesting and informative margin notes are gone (though the space is still there), and the few that are there are in print so tiny it's not easy to read. In chapter 6, the student is advised to lift lights to create shadows, but this is not really taught until chapter 10 on lights and shadows. Why is this thrust on the student in chapter 6 when they haven't been taught it yet and may end up doing it in an incorrect way? And last, the index is incomplete, and I had to go through many pages in order to find things, since all the pages for a subject were not listed. The '89 edition is excellent.
116 von 136 Kunden fanden die folgende Rezension hilfreich
3.0 von 5 Sternen Lo, how the mighty have fallen 2. Mai 2012
Von G. Jefford - Veröffentlicht auf Amazon.com
Format:Taschenbuch|Verifizierter Kauf
I have had at least two previous editions of this book. They were printed on good stock. The hardback version of the current edition has paper that is thin enough to see the illustration on the next page. That's annoying. The reproductions of the drawings in earlier editions were of good quality and large enough to easily appreciate the differences pre and post-instruction. The reproductions in this edition are muddy-looking compared those in earlier editions. In the earlier versions, there were many examples of pre and post-instruction drawings, especially by kids. Those are all gone. Perhaps someone thought the date of their composition was too old to include them in this "newer" edition. That was a BIG mistake. The pre and post-instruction portraits in this edition are confined to tiny examples on two pages and are badly reproduced. It also looks as though the talent of her students has markedly decreased over the years since the previous editions. This is a big disappointment. I'm sorry I ordered this rather than the earlier one for my young friend. Now I'll have to send him the earlier version and an apology as well. Anyway, Betty Edwards, sue your publisher. Defenestrate your editor, too, if that editor was responsible for removing those great pre and post-instruction drawings contained in the earlier versions. I regret having spent the money on this edition, having talked it up on Facebook, and having waited so eagerly to receive it.
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