- Gebundene Ausgabe: 144 Seiten
- Verlag: Hatje Cantz Verlag; Auflage: illustrated edition (1. November 1999)
- Sprache: Englisch
- ISBN-10: 3893228780
- ISBN-13: 978-3893228782
- Größe und/oder Gewicht: 23,3 x 23,3 x 1,7 cm
- Amazon Bestseller-Rang: Nr. 1.650.941 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Kurzbeschreibung
Donald Judd, the great American sculptor, architect and furniture designer, regarded color as one of the most important aspects of his art, on an equal level with material and space. He continually explored the creative possibilities of color in his works and in his theoretical writings. Especially from the mid- 1980s on, he integrated color intensively into his objects in a wide variety of different combinations. Up till now, the significance of color has largely been neglected in the reception of his oeuvre. This publication, lavishly illustrated with full-page color pictures, concentrates in detail for the first time on this crucial aspect of Donald Judd's work. With selected theoretical texts by the artist and impressive essays by art experts, it offers insight into the complexity of his artistic thought. (German edition available ISBN 3-89322-786- 5, French edition available ISBN 3-7757-9057-8)
The artist:
Donald Judd (Excelsior Springs, Missouri 1928-1994 New York). 1949-1953 studied art at the Art Students' League, New York. Studied at Columbia University, New York. Degree in philosophy. 1957-1962 studied art history at Columbia University, New York. 1959-1965 worked as an art critic. 1962-1964 taught at Brooklyn Institute of Arts and Sciences, New York. Numerous exhibitions, including participation in the documenta IV and VII and the 1976 Venice Biennale.
Synopsis
American sculptor, architect and furniture designer, Donald Judd, regarded colour as one of the most important aspects of his art, placing it on an equal level with material and space. He continually explored the creative possibilities of colour in his works and theoretical writings. From the mid-1980s on, he integrated intense colour into his objects in a variety of different combinations. This text concentrated in detail on this aspect of Judd's work. Illustrated with full-page reproductions of his work, selected theoretical texts by the artist and essays by experts in the field, this book offers insight into the complexity of his artistic thought.
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22 von 23 Kunden fanden die folgende Rezension hilfreich
review of Donald Judd Colorist
23. September 2000
Format:Gebundene Ausgabe
A book which offers an exploration of an often neglected aspect of Judd's oeuvre, this series of essays questions the long-standing acceptance of critical writing regarding Judd's work in particular and Minimalism in general. Expanding his role as more than a strict formalist, these writers portray Judd as a sensualist and illusionist. Pointing out Judd's beginnings as a painter, and Judd's own pronouncements that he considers himself to be a painter, the collection of essays denies the limited definition of Judd's work offered by most critical writing as strictly formal, anti-illusionist, geometric, repetitious, and industrial in manufacture and material. Instead, these writers note the highly reflective surfaces of brass or aluminum Judd employs to effectively dissolve the forms themselves through their multiple reflections of adjacent surfaces.
Judd's use of color is emphasized through comparisons with the late career pasted papers of Matisse. The concept is offered that when Judd cuts the colored plexiglass so often incorporated in his work, he is literally cutting color the way Matisse did his colored paper cut-outs. Many of Judd's box sculptures utilize reflected color from the translucent plexiglass that often gives the smooth metal surfaces the illusion of being painted.
Fittingly, Judd himself is given the final word. In his essay "Some aspects of color in general and red and black in particular" (1993), Judd discusses in introductory terms his obviously complex color theories, influenced by years of research into the writings of theorists and other artists. Interestingly enough, Judd spends a good deal of time discussing his use of space, which he claims as largely uncharted territory, except in his own work. This focus on the spatial aspect of Judd's work is somewhat at odds with the other essayist's insistence on color as a dominant feature of Judd's oeuvre.
Judd reveals his concept of red and black as a two-color monochrome, and other ideas of how colors and values may be thought of in pairs. Judd states that he had difficult decisions to make for his late polychrome objects, as he wanted the color combinations to be neither harmonious nor disharmonious, but rather have them all "present at once."
4 von 9 Kunden fanden die folgende Rezension hilfreich
judd rocks
3. Dezember 2000
Format:Gebundene Ausgabe
i bought this book cause i didnt really know anything about donald judds work. he had been mentioned to me at school, and after getting this book i am blown away by judds works. this book is filled with incredible pictures of his sculpture, if you ever get the chance, go see this stuff in real life, its even more amazing !
7 von 29 Kunden fanden die folgende Rezension hilfreich
If colour is the Question ?
27. Mai 2000
Format:Gebundene Ausgabe
Donald Judd has always showed colors in a different perspective, using canvas that you can almost smell, touch and fall in love with These book its a master piece that will make all your sences explode.
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