Spanning the entire globe and covering over 1000 years of human history, James C. Scott's Domination and the Arts of Resistance is an intellectual odyssey into the relatively new field of subaltern studies. It is also an intellectual oasis for historians and general readers of history who have become disillusioned with the traditional historiography of power relations and resistance among dominate groups and subordinate groups. Indeed, Scott's use of folklore, speeches, ballads, literary theory,linguistics, and public ceremonies, e.g., parades and political rallies, greatly adds to the works of other innovative historians of culture, domination, and resistance, e.g., Scott gives the works of Michel Focault, Hayden White, Dominick LaCapra, and Natalie Zemon Davis, to name a few, new perspectives for cultural analysis. Perhaps of greater importance is Scott's examination of what he describes as "public" and "private" transcripts,i.e., dialogue among and between the dominate and subordinate groups. Furthermore, Scott puts great emphasis on the "infrastructure" of power relationships among the respective inner "communities" of theweak and the strong. In short, what goes on behind the scenes, away from the public eye, reveals the true nature of what Scott labels as "masks of power", which are, in effect, merely public performances designed to placate both dominate and subordinate groups. This absorbing work will certainly be influential for future generations of historians, anthroplogists, political scientists, and sociologists.