From Library Journal
Learned, critical, and insightful, Young (English, Mount Holyoke Coll.) analyzes women's writings about the American Civil War from the 1860s to the present and their impact on the political and literary culture of the war. The author focuses on the works of six individuals, including the fiction of well-known figures Harriet Beecher Stowe, Louisa May Alcott, Frances Ellen Watkins Harper, and Margaret Mitchell and the memoirs of the virtually unknown Loreta Velazquez, who masqueraded as Lt. Harry T. Buford in the Confederate Army, and Elizabeth Keckley, fashion designer and confidante of Abraham and Mary Todd Lincoln. Within the context of these and other personalities and writings, Young presents a study concerning conflicts of race, gender, sexuality, region, and nation within the development of American identities and of contemporary American culture. In her first book, a telling, thought-provoking work of literary scholarship, Young provides new perspectives on the Civil War and women's writing. Recommended for academic libraries.AJeris Cassel, Rutgers Univ. Libs., New Brunswick, NJ
Copyright 1999 Reed Business Information, Inc.
Kurzbeschreibung
In this study of Civil War literature, Elizabeth Young shows that American women writers have been profoundly influenced by the Civil War and that, in turn, their works have contributed to conceptions of the war and its aftermath. Offering reassessments of works by white writers such as Harriet Beecher Stowe, Louisa May Alcott and Margaret Mitchell, and African-American writers including Elizabeth Keckley, Frances Harper and Margaret Walker, Young also highlights lesser-known texts such as the memoirs of women who masqueraded as soldiers. In each case she explores the interdependence of gender with issues of race, sexuality, region and nation. Combining literary analysis, cultural history and feminist theory, this book argues that the Civil War functioned in women's writings to connect female bodies with the body politic. Women writers used the idea of "civil war" as a metaphor to represent struggles between and within women - including struggles against the cultural prescriptions of "civility". At the same time, these writers also reimagined the nation itself, foregrounding women in their visions of America at war and in peace. In a substantial afterword, Young shows how contemporary black and white women - including those who crossdress in Civil War re-enactments - continue to reshape the meanings of the war in ways startlingly similar to their 19th-century counterparts.
