- Gebundene Ausgabe: 504 Seiten
- Verlag: Susquehanna Univ Pr; Auflage: Bilingual. (März 2004)
- Sprache: Englisch
- ISBN-10: 1575910748
- ISBN-13: 978-1575910741
- Größe und/oder Gewicht: 24 x 16 x 3,4 cm
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Synopsis
This is the first translation into English of the complete Diary, written by Nobel Laureate Juan Ramon Jimenez. The translation strives at all times for accuracy and fidelity to the original text, while seeking a graceful idiom in English, expressive of the subtle nuances and rhythms of both the poetic prose and free verse. The text itself is well annotated, attentive particularly to the special needs for explanation or clarification for a non-specialist in Spanish literature. The introduction provides the reader with essential information on the life and works of the poet, his indebtedness to the Romantic and Symbolist heritage in modern European poetry, and his contact with and evaluation of North American poetry. The introduction also provides an analysis and interpretation of the central theme and key recurring patterns of imagery and symbolism that result in a dramatic and profound revelation of the human psyche. Michael P. Predmore is Professor of Modern Peninsular Spanish Literature at Stanford University. Hugh A. Carter was director of the Instituto Internacional in Madrid.
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The Missing Link
27. April 2005
Format:Gebundene Ausgabe
Like almost everyone else in the US, I think of Jimenez as the author of those charming children's stories, Platero y yo. So, when the translator, Hugh Harter, gave me a copy of his new book, my mind immediately went to what a skilled children's author could make from the situation described in the title. I was very wrong.
I have discovered something truly wonderful in Jimenez. At the risk of overstating, I saw three different rivers come together in this work: the German Romantics, the French symbolists, and the America of Whitman (the three-themed unity of "When Lilacs Last in the Dooryard Bloom'd") and the Dickinson of the sparkling shards of thoughts and phrases (each of which he read in the original -- ah! for the days of a good old fashioned education!). And I saw the scene set for the surrealists. Suddenly, the lineage made perfect sense and the 'missing link' was this Spanish poet I'd written off, thanks to some skilled misrepresentation on the part of my high school Spanish teachers.
The book itself is exceptionally beautiful. The facing-page translations allow for grazing right and left, well laid out with plenty of negative space. I could never let myself buy a $60 book for myelf; but I'd certainly buy it for special friends. And this book is definitely special enough to qualify.
I have discovered something truly wonderful in Jimenez. At the risk of overstating, I saw three different rivers come together in this work: the German Romantics, the French symbolists, and the America of Whitman (the three-themed unity of "When Lilacs Last in the Dooryard Bloom'd") and the Dickinson of the sparkling shards of thoughts and phrases (each of which he read in the original -- ah! for the days of a good old fashioned education!). And I saw the scene set for the surrealists. Suddenly, the lineage made perfect sense and the 'missing link' was this Spanish poet I'd written off, thanks to some skilled misrepresentation on the part of my high school Spanish teachers.
The book itself is exceptionally beautiful. The facing-page translations allow for grazing right and left, well laid out with plenty of negative space. I could never let myself buy a $60 book for myelf; but I'd certainly buy it for special friends. And this book is definitely special enough to qualify.
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