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Dialogues With Marcel Duchamp (Da Capo Paperback)
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Produktbeschreibungen
Kurzbeschreibung
Marcel Duchamp, one of this centurys pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art...In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. You dont mean to do it, he said. The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cagea Hilarious Picture. Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. In the end you lose interest, so I didnt feel the necessity to finish it. He declared that he wanted to kill art (for myself) but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a new thought for that object. The art community feels Duchamps presence and his absence. He has changed the condition of being here. -- Jasper Johns, from Marcel Duchamp: An Appreciation
Synopsis
Marcel Duchamp, one of this centurys pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art...In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. You dont mean to do it, he said. The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cagea Hilarious Picture. Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. In the end you lose interest, so I didnt feel the necessity to finish it.He declared that he wanted to kill art (for myself) but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a new thought for that object. The art community feels Duchamps presence and his absence. He has changed the condition of being here. -- Jasper Johns, from Marcel Duchamp: An Appreciation
In diesem Buch
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Einleitungssatz
Marcel Duchamp, it is now 1966: in a few months you'll be eighty years old. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
Marcel Duchamp, it is now 1966: in a few months you'll be eighty years old. Lesen Sie die erste Seite
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Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
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Kundenrezensionen
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Format:Taschenbuch
dies gespräche sind amüsant, intelligent und spannend. man sollte sie lesen bevor man die abhandlungen seiner schwärmer ließt! auch wenn man seine arbeiten nicht versteht, lösen die gespräche kritisches denken gegenüber all denjenigen aus, die einem vormachen wollen, daß kunst etwas "heiliges" sei, das nur eingeweihte verstehen.
Format:Taschenbuch
This interview with Marcel Duchamp by Pierre Cabanne provides clarity to the myth that surrounds Duchamp and his non art. Duchamp gave the interview about 2 years before his death. He answers directly and in context the meaning of his work and non work. Others books attempt to tell us not only what his production means but try to tell us what his words mean as well. This books makes clear that Duchamp did not like the art world (although he used it to his advantage), he did not like art that appealed to the eye, he did not make art, he amused himself making objects and he played games. Its an honest interview and needs no interpreters. You can understand the valve of this mans ideas and what they mean to current conceptual art. Or is it conceptual non art.
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32 von 35 Kunden fanden die folgende Rezension hilfreich
Marcel Duchamp interviewed late in life.
27. Oktober 1999
Format:Taschenbuch
This interview with Marcel Duchamp by Pierre Cabanne provides clarity to the myth that surrounds Duchamp and his non art. Duchamp gave the interview about 2 years before his death. He answers directly and in context the meaning of his work and non work. Others books attempt to tell us not only what his production means but try to tell us what his words mean as well. This books makes clear that Duchamp did not like the art world (although he used it to his advantage), he did not like art that appealed to the eye, he did not make art, he amused himself making objects and he played games. Its an honest interview and needs no interpreters. You can understand the valve of this mans ideas and what they mean to current conceptual art. Or is it conceptual non art.
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