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Despair (Vintage International)
 
 
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Despair (Vintage International) [Englisch] [Taschenbuch]

Vladimir Nabokov
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Produktinformation

  • Taschenbuch: 240 Seiten
  • Verlag: Vintage; Auflage: Vintage Intl. (14. Mai 1989)
  • Sprache: Englisch
  • ISBN-10: 0679723439
  • ISBN-13: 978-0679723431
  • Größe und/oder Gewicht: 13,1 x 1,6 x 20,3 cm
  • Durchschnittliche Kundenbewertung: 4.6 von 5 Sternen  Alle Rezensionen anzeigen (5 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 244.838 in Englische Bücher (Siehe Top 100 in Englische Bücher)

Mehr über den Autor

Vladimir V. Nabokov
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Produktbeschreibungen

Kurzbeschreibung

Extensively revised by Nabokov in 1965--thirty years after its original publication--Despair is the wickedly inventive and richly derisive story of Hermann, a man who undertakes the perfect crime--his own murder.

Über den Autor

Vladimir Vladimirovich Nabokov was born on April 23, 1899, in St. Petersburg, Russia. The Nabokovs were known for their high culture and commitment to public service, and the elder Nabokov was an outspoken opponent of antisemitism and one of the leaders of the opposition party, the Kadets. In 1919, following the Bolshevik revolution, he took his family into exile. Four years later he was shot and killed at a political rally in Berlin while trying to shield the speaker from right-wing assassins.

The Nabokov household was trilingual, and as a child Nabokov was already reading Wells, Poe, Browning, Keats, Flaubert, Verlaine, Rimbaud, Tolstoy, and Chekhov, alongside the popular entertainments of Sir Arthur Conan Doyle and Jules Verne. As a young man, he studied Slavic and romance languages at Trinity College, Cambridge, taking his honors degree in 1922. For the next eighteen years he lived in Berlin and Paris, writing prolifically in Russian under the pseudonym Sirin and supporting himself through translations, lessons in English and tennis, and by composing the first crossword puzzles in Russian. In 1925 he married Vera Slonim, with whom he had one child, a son, Dmitri.

Having already fled Russia and Germany, Nabokov became a refugee once more in 1940, when he was forced to leave France for the United States. There he taught at Wellesley, Harvard, and Cornell. He also gave up writing in Russian and began composing fiction in English. In his afterword to Lolita he claimed: "My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian tongue for a second-rate brand of English, devoid of any of those apparatuses--the baffling mirror, the black velvet backdrop, the implied associations and traditions--which the native illusionist, frac-tails flying, can magically use to transcend the heritage in his own way." [p. 317] Yet Nabokov's American period saw the creation of what are arguably his greatest works, Bend Sinister (1947), Lolita (1955), Pnin (1957), and Pale Fire (1962), as well as the translation of his earlier Russian novels into English. He also undertook English translations of works by Lermontov and Pushkin and wrote several books of criticism. Vladimir Nabokov died in Montreux, Switzerland, in 1977.

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Von Ein Kunde
Format:Taschenbuch
This book possesses something very rare: the ability to entertain as well as just about any Agathe Christie book along with a wildly rich variety of diction, intrigue, and (though the author denies it in his prologue) meaning. I have read it three times and each time I chuckle over some droll detail I missed on my last reading. Moreover, a great introduction to Nabokov: Ada and Pale Fire require much more cerebral work, and unlike Despair, don't lend themselves as easily to being happily re-read - something pretty much required if Nabokov can begin to be truly appreciated, as his stylings are difficult. A wild romp that will particularly be appreciated by worshippers of Dostoevsky and Pushkin, as critical extensions of some of their work are oddly offered (and strangely juxtaposed)as well. A solid, muscular masterpiece that makes much of Lolita look tame.
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Hermann's trouble. 20. September 1999
Von Ein Kunde
Format:Taschenbuch
It is a short novel with one main conceit; Hermann cannot recognize himself. It is a good point, succinctly and stylishy put.
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Von Ein Kunde
Format:Taschenbuch
With his earlier novels, such as King, Queen, Knave, and The Defense, Nabokov was unable to come up with stories that contained both the literary ripple of pleasure and the kind of plotting, page-turning stuff that makes people actually want to finish a book. Here the balance is more neatly struck; Hermann Hermann, a deluded precursor of Lolita's Humbert Humbert, is funny and engaging without being entirely sympathetic. He wants to fake his own death to escape from humdrum life, enlists the aid of his 'double', goes on to kill the double and dress him in his own (Hermann's) clothes. Problem is, the 'double' was Hermann's own creation, for the man he has killed does not resemble him in the least. Therein lies the crux of our tale: afterwards come police, pursuit, complications, etc. Now there is no one lovable here, but the fine net of perceptions, crystalized weaves of sense and sensation, are a pleasant counterpoint to the arch looniness of Hermann et al. The tone, above all, is one that will not be taken up again until Pnin, and and then followed hard upon by Lolita, Pale Fire, and Ada: arch and diabolically funny, the devil here being as usual in the details
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