- Taschenbuch: 248 Seiten
- Verlag: Thames & Hudson; Auflage: Reprint (29. August 1978)
- Sprache: Englisch
- ISBN-10: 0500200394
- ISBN-13: 978-0500200391
- Größe und/oder Gewicht: 21 x 15,2 x 2 cm
- Durchschnittliche Kundenbewertung: 4.5 von 5 Sternen Alle Rezensionen anzeigen (2 Kundenrezensionen)
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Amazon Bestseller-Rang:
Nr. 1.385.198 in Bücher (Siehe Top 100 in Bücher)
- Nr. 67 in Bücher > Fachbücher > Kunstwissenschaft > Malerei > Dadaismus
- Nr. 71 in Bücher > Fachbücher > Germanistik > Epochen > Weimarer Republik > Dada
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Produktbeschreibungen
Kurzbeschreibung
Hans Richter, the artist and filmmaker who helped start this radical movement, records Dada's history, from its beginnings in wartime Zurich, to its collapse in Paris in the 1920s, to its reappearance in the 1960s in movements such as Pop Art. Dada led on from Expressionism, Cubism, and Futurism, and in turn prepared the way for Surrealism. It was enlivened by extravagant and complex personalities--notably Tzara, Picabia, Arp, Schwitters, Duchamp, Ernst, and Man Ray--whose contributions are fully discussed and illustrated in this definitive work. 179 illus., 8 in color.
Synopsis
In this first-hand account, the author, closely associated with the radical and transforming movement from its earliest days, records and traces Dada's history from its inception around 1916, in wartime Zurich, to its collapse in the Paris of the 1920s.
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Kundenrezensionen
Die hilfreichsten Kundenrezensionen
Format:Taschenbuch
I bought this book in Flordia because I had to go to a wedding, and there wasn't much to do that I enjoyed. The photo plates are extra good because I had never seen the paintings that had to do with the men and women of Dada. There are many good photographs of the Dada people too. The events in the book are inscribed well, and the excitement is carried over into your very home and arms.
Format:Taschenbuch
I personally found this text fascinating. Historical memoir by Hans Richter with great photos. Has personality and, of course, bias; but Richter shows restraint and moderation in his commentary. Is part of a wonderful series on art, with many plates of pictures, journal covers, poems, and photos. Probably not too terribly interesting if you are not intruiged by Dada, its "philosophy", its members, and its movement; but its definately readable if you need to do some research. Highly recommended.
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
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9 Rezensionen
17 von 17 Kunden fanden die folgende Rezension hilfreich
Memoir by a member of the Zurich Dada movement on Dada
10. März 1999
Format:Taschenbuch
I personally found this text fascinating. Historical memoir by Hans Richter with great photos. Has personality and, of course, bias; but Richter shows restraint and moderation in his commentary. Is part of a wonderful series on art, with many plates of pictures, journal covers, poems, and photos. Probably not too terribly interesting if you are not intruiged by Dada, its "philosophy", its members, and its movement; but its definately readable if you need to do some research. Highly recommended.
14 von 15 Kunden fanden die folgende Rezension hilfreich
You Are There
28. August 2001
Format:Taschenbuch
Hans Richter lived on the fringes of Zurich's Dada movement, and here offers a personal narrative of the Dada movement and its eventual successor, Surrealism. This was the first book I'd ever read on Dada and I found it quite sufficient -- all the personalities are introduced, and their motivations and how they came together are revealed. Richter is best in the earliest sections, while discussing the birth of the influential Cabaret Voltaire and how the First World War helped amplify Dada's influence in Europe. The book peters out a bit in later chapters, but is still a detailed look at the subject. If you are simply seeking an understanding of the movement, this book is a fast and entertaining read.
9 von 12 Kunden fanden die folgende Rezension hilfreich
dada, where art thou?
27. März 2001
Format:Taschenbuch
In the interest of re-appropriating dada, read this book on the origins of the movement in Zurich at the Cabaret Voltaire. The Hanover period is less than compelling except for the brilliant Kurt Schwitters. His attempt to gatecrash the Club in Zurich led to marginal friendships with the progenitors - he was perceived as too bourgeois - and Schwitters went on to non-fame in exile in Britain, snubbed by the international art intelligentsia, which still denigrates his late work. Most interesting role? Hugo Ball, the impresario of the Cabaret Voltaire who championed the idea of the gesamtkunstwerk (total work of art) then dropped out to live in the Ticino in Tolstoi-esque self-induced poverty. Greatest sub-narrative? The battle for the ownership of dada by the hangers-on.
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