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Culture and Anarchy: Landmarks in the History of Education
 
 
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Culture and Anarchy: Landmarks in the History of Education [Englisch] [Taschenbuch]

Matthew Arnold , J. Dover Wilson
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Taschenbuch, 2. Januar 1932 EUR 24,60  

Produktinformation

  • Taschenbuch: 284 Seiten
  • Verlag: Cambridge University Press; Auflage: 1st Paperback Ed (2. Januar 1932)
  • Sprache: Englisch
  • ISBN-10: 0521091039
  • ISBN-13: 978-0521091039
  • Größe und/oder Gewicht: 2,1 x 1,6 x 0,2 cm
  • Durchschnittliche Kundenbewertung: 4.5 von 5 Sternen  Alle Rezensionen anzeigen (2 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 671.487 in Englische Bücher (Siehe Top 100 in Englische Bücher)
  • Komplettes Inhaltsverzeichnis ansehen

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Matthew Arnold
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Produktbeschreibungen

Kurzbeschreibung

Manifesting the special intelligence of a literary critic of original gifts, Culture and Anarchy is still a living classic. It is addressed to the flexible and the disinterested, to those who are not committed to the findings of their particular discipline, and it assumes in its reader a critical intelligence that will begin its work with the reader himself. Arnold employs a delicate and stringent irony in an examination of the society of his time: a rapidly expanding industrial society, just beginning to accustom itself to the changes in its institutions that the pace of its own development called for. Coming virtually at the end of the decade (1868) and immediately prior to W. E. Forster's Education Act, Culture and Anarchy phrases with a particular cogency the problems that find their centre in the questions: what kind of life do we think individuals in mass societies should be assisted to lead? How may we best ensure that the quality of their living is not impoverished? Arnold applies himself to the detail of his time: to the case of Mr Smith 'who feared he would come to poverty and be eternally lost', to the Reform agitation, to the commercial values that working people were encouraged to respect, and to the limitations of even the best Rationalist intelligence. The degree of local reference is therefore high, but John Dover Wilson's introduction and notes to this edition supply valuable assistance to a reader fresh to the period.

Synopsis

Without the challenging precedent of Culture and Anarchy, literary criticism and sociology in England and the United States would want both purpose and direction. Manifesting the special intelligence of a literary critic of original gifts, Culture and Anarchy is still a living classic. It is addressed to the flexible and the disinterested, to those who are not committed to the findings of their particular discipline, and it assumes in its reader a critical intelligence that will begin its work with the reader himself. Arnold employs a delicate and stringent irony in an examination of the society of his time: a rapidly expanding industrial society, just beginning to accustom itself to the changes in its institutions that the pace of its own development called for. Coming virtually at the end of the decade (1868) and immediately prior to W. E. Forster's Education Act, Culture and Anarchy phrases with a particular cogency the problems that find their centre in the questions: what kind of life do we think individuals in mass societies should be assisted to lead? How may we best ensure that the quality of their living is not impoverished?

Arnold applies himself to the detail of his time: to the case of Mr Smith 'who feared he would come to poverty and be eternally lost', to the Reform agitation, to the commercial values that working people were encouraged to respect, and to the limitations of even the best Rationalist intelligence. The degree of local reference is therefore high, but John Dover Wilson's introduction and notes to this edition supply valuable assistance to a reader fresh to the period.


In diesem Buch (Mehr dazu)
Einleitungssatz
MY foremost design in writing this Preface is to address a word of exhortation to the Society for Promoting Christian Knowledge. Lesen Sie die erste Seite
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Matthew Arnold, a British poet and critic, wrote on the importance of culture in this work. He defined culture, famously, as "sweetness and light" - implying that culture represented everything good, everything not barbaric. The work is most important for the way it forwards the notion of an "organic" society - that is, a society that evolves slowly, that grows into maturity, that does not strive for sudden "advances" led by experts working all at once to implement great change. For anyone wondering about the relationship between modern conservatism and classical Liberalism, this is a decent place to start. "I am a Liberal," Arnold writes in the introduction, "yet I am a Liberal tempered by experience, reflection, and renouncement, and I am, above all, a believer in culture." If you wish to take an intellectual journey from Burke to Bork, Arnold must make up one leg of your trip.
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A Breeze of Sanity 7. September 1999
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Format:Taschenbuch
So much of modern criticism has go so far afield, that the appellation has almost lost any sense to it. To recapture what criticism meant before the novel, but useless ideas of structuralism, post-structuralism, deconstruction, post-modernism, et alia, Matthew Arnold is about as good a place to begin. His "Function of Criticism" and "Anarchy and Crticism" have become classics, even if they've been hidden from sight by academicians' self-serving agendas to bring nothing to light. This isn't a "conservative" vs. "liberal" thing, but an "intelligible and meaningful" vs. "labyrinthine and cockamamie" thing. Arnold is like encountering hermeneutics by having first visited Thomas Aquinas, or having studied democracy by having first studied Hobbes. Arnold is a seminal thinker, crtic, and student of the arts and society. He belongs in criticism's lexicon well before de Saussure, Derrida, Lacan, at alia.
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For anyone hoping to grasp the roots of modern conservatism 2. Mai 1999
Von Ein Kunde - Veröffentlicht auf Amazon.com
Format:Taschenbuch
Matthew Arnold, a British poet and critic, wrote on the importance of culture in this work. He defined culture, famously, as "sweetness and light" - implying that culture represented everything good, everything not barbaric. The work is most important for the way it forwards the notion of an "organic" society - that is, a society that evolves slowly, that grows into maturity, that does not strive for sudden "advances" led by experts working all at once to implement great change. For anyone wondering about the relationship between modern conservatism and classical Liberalism, this is a decent place to start. "I am a Liberal," Arnold writes in the introduction, "yet I am a Liberal tempered by experience, reflection, and renouncement, and I am, above all, a believer in culture." If you wish to take an intellectual journey from Burke to Bork, Arnold must make up one leg of your trip.
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A Breeze of Sanity 7. September 1999
Von Ein Kunde - Veröffentlicht auf Amazon.com
Format:Taschenbuch
So much of modern criticism has go so far afield, that the appellation has almost lost any sense to it. To recapture what criticism meant before the novel, but useless ideas of structuralism, post-structuralism, deconstruction, post-modernism, et alia, Matthew Arnold is about as good a place to begin. His "Function of Criticism" and "Anarchy and Crticism" have become classics, even if they've been hidden from sight by academicians' self-serving agendas to bring nothing to light. This isn't a "conservative" vs. "liberal" thing, but an "intelligible and meaningful" vs. "labyrinthine and cockamamie" thing. Arnold is like encountering hermeneutics by having first visited Thomas Aquinas, or having studied democracy by having first studied Hobbes. Arnold is a seminal thinker, crtic, and student of the arts and society. He belongs in criticism's lexicon well before de Saussure, Derrida, Lacan, at alia.
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Note for the fashion con-science 2. Februar 2001
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This edition is preferable to the gimmicky version published by Yale, where the original text is lost beneath the imposition of leftist ideologues.
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