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Crime Novels: American Noir of the 1950s: American Noir of the 1950s Vol 2 (Library of America)
 
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Crime Novels: American Noir of the 1950s: American Noir of the 1950s Vol 2 (Library of America) [Englisch] [Gebundene Ausgabe]

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Crime Novels: American Noir of the 1950s: American Noir of the 1950s Vol 2 (Library of America) + Crime Novels: American Noir of the 1930s and 40s: American Noir of the 1930s and 40s Vol 1 (Library of America) + Chandler: Later Novels and Other Writings: The Lady in the Lake / TheLittle Sister / The Long Goodbye / Playback / Double Indemnity /Selected Essays (Library of America)
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Produktinformation

  • Gebundene Ausgabe: 892 Seiten
  • Verlag: Library of America (1. September 1997)
  • Sprache: Englisch
  • ISBN-10: 1883011493
  • ISBN-13: 978-1883011499
  • Größe und/oder Gewicht: 20,8 x 13,4 x 3,1 cm
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (1 Kundenrezension)
  • Amazon Bestseller-Rang: Nr. 91.713 in Englische Bücher (Siehe Top 100 in Englische Bücher)
  • Komplettes Inhaltsverzeichnis ansehen

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Produktbeschreibungen

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The best American crime novels deserve their place in the pantheon of American literature, but they hold special interest for cinema enthusiasts, who can both compare them to the movies they became and can roll imaginary films of the stories in their minds. Crime Novels: American Noir of the 1950s is the second of Library of America's two-volume anthology of underground U.S. fiction. The first anthology featured works from the 1930s and '40s that had been made into classic films noir. This volume focuses on fiction written after the crime genre had acquired conventions that younger writers toyed with and sometimes broke. The movies made from such stories were equally radical.

Patricia Highsmith's The Talented Mr. Ripley is the source for René Clément's bristling Purple Noon, a movie that features Alain Delon's quintessential performance. David Goodis's Down There inspired François Truffaut's neo-noir masterpiece Shoot the Piano Player. Jim Thompson, the brilliant author who scripted The Killing and Paths of Glory for Stanley Kubrick, wrote several novels that have been turned into movies, including The Grifters and The Getaway. He is represented here by one of his most uncompromising works, The Killer Inside Me, which was filmed by Burt Kennedy in 1976. Charles Willeford's Pick-Up and Chester Himes's The Real Cool Killers have not yet been made into movies, but the blistering prose and nihilistic worlds of these authors, and of all the writers represented in this volume, is astonishingly cinematic. This lovely hardcover edition contains biographical, textual, and explanatory notes.

From Library Journal

The Library of America gave a tremendous boost to the reputation of hard-boiled detective fiction with the inclusion of Raymond Chandler among its illustrious ranks (Classic Returns, LJ 9/15/95). This new two-volume set is another giant step in the direction of legitimacy for the pulp mystery genre. This duo collect 11 of the best crime novels in which the criminal rather than the sleuth is the central character. Included here are such gems as James M. Cain's The Postman Always Rings Twice, Cornell Woolrich's I Married a Dead Man, Jim Thompson's The Killer Inside Me, Patricia Highsmith's The Talented Mr. Ripley, and Chester Himes's The Real Cool Killers. These tales of murder and mayhem belong in all fiction collections.
Copyright 1997 Reed Business Information, Inc.


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Format:Gebundene Ausgabe
Excellent compilation of crime novels from the 50's. The authors don't just follow the formula they exploit it. Can only buy individual books in paperback so the hardcover binding is nice. If you have the books in paperback already get for the pretty package. I did. Includes arguably the quintessential Jim Thompson novel, a chilling first person narrative of a psychopathic cop, The Killer Inside Me, The Talented Mr. Ripley which is great but not as good as the sequels Ripley Under Ground and Ripley's Game, Pick up, a story narrated by a depressed, cynical loser who's given up on life and decides to take the woman he picks up with him. You'll never guess the great twist at the end as well The Real Cool Killers and Down There which was made into Truffaut's Shoot the Piano player. Sure, the authors' literary devices and cheap tricks might rub the literary critic in you the wrong way but I guarantee you won't be able to put it down. Don't think twice- get it.
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49 von 52 Kunden fanden die folgende Rezension hilfreich
More Noir 15. Januar 2002
Von Jeffrey Leach - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
This book is the second volume in the Library of America set on American crime noir. I enjoyed the first volume so much that I decided to read the second one during Christmas break. Once again, the LOA has done a nice job of collecting a fine series of stories. These stories were written during the 1950's and 1960's. The book is nice to look at too; it's covered in red cloth with a cloth bookmark.

The first story is from the demented mind of Jim Thompson. This story, called The Killer Inside Me, is much better than The Grifters, a book by Thompson that I read some time ago. The Grifters seemed to be pretty one-dimensional with respect to its characters. This story is the exact opposite. A deputy sheriff in a Texas city has a terrible secret. He plays dumb on the outside, but inside he is a cunning sociopath. A long simmering resentment leads to a terrible revenge. Bodies quickly stack up as a result. This seems to be the story that Thompson is best known for and it's no surprise why. This is a dark, twisted tale with a grim ending.

Patricia Highsmith wrote a whole series of stories concerning Tom Ripley. The one included here is The Talented Mr. Ripley, probably better known due to the recent film with Matt Damon. This tale isn't as noir as I would have liked, but it still has enough twists and turns to keep anybody in suspense. Ripley is a low class conniver who ingratiates himself into a wealthy family who wants him to go to Italy and bring back their son. Ripley sees the potential for bucks and meets up with the kid and his lady friend. Of course, things take a turn for the worse and the bodies start stacking up. This story was probably my least favorite out of the entire collection.

The next story, Pick-Up, by Charles Willeford, is a depressing tale about two alcoholics who go bump in the night. The story follows the adventures of this alcoholic couple as they attempt suicide, check themselves into a mental hospital, and drink themselves into a stupor. After the female half of the couple dies in another suicide pact, the story switches to a prison tale. The end is somewhat of a twist, but really doesn't impact the story that much, in my opinion. Again, not really noir as noir can be, but still a fine story that can stand by itself.

Down There, by David Goodis, is a wild ride of a tale. Full of suspense and death, this is a great story that deserves to be included here. A family of ne'er-do-wells drags their talented piano-playing brother into their personal problems. The background information on Eddie, the piano player, is phenomenal. The tragedy that has struck him once is bound to repeat itself again. This story has great bit characters that really liven up the background.

The final story, by Chester Himes, is The Real Cool Killers. This is noir on acid: pornographic violence, massive doses of grim reality, and characters you're glad to see get killed. The story is set in Harlem and involves two tough cops named Grave Digger Jones and Coffin Ed Johnson. Someone kills a white guy in Harlem and the cops try and track them down. This story contains one of the funniest descriptions of a person falling off a balcony that I've ever read (and I've read a few, disturbingly enough). The writing has enough similes and metaphors to give Raymond Chandler an apoplectic fit. A cool story that certainly deserves a place in this book.

If you like noir, read these two LOA novels. They are long (together they're almost 2000 pages) but it is definitely worth the effort. These kinds of stories are just a great way to while away some free time and relieve stress.

22 von 23 Kunden fanden die folgende Rezension hilfreich
Indispensable for crime and noir fans 7. Dezember 1999
Von "leper2000" - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Excellent compilation of crime novels from the 50's. The authors don't just follow the formula they exploit it. Can only buy individual books in paperback so the hardcover binding is nice. If you have the books in paperback already get for the pretty package. I did. Includes arguably the quintessential Jim Thompson novel, a chilling first person narrative of a psychopathic cop, The Killer Inside Me, The Talented Mr. Ripley which is great but not as good as the sequels Ripley Under Ground and Ripley's Game, Pick up, a story narrated by a depressed, cynical loser who's given up on life and decides to take the woman he picks up with him. You'll never guess the great twist at the end as well The Real Cool Killers and Down There which was made into Truffaut's Shoot the Piano player. Sure, the authors' literary devices and cheap tricks might rub the literary critic in you the wrong way but I guarantee you won't be able to put it down. Don't think twice- get it.
11 von 11 Kunden fanden die folgende Rezension hilfreich
Great Collection, Attractively Packaged 8. Juli 2000
Von Jim McKenna - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
This is a fine collection of crime novels in a durable, easy to read format. It starts off great with "The Killer Inside Me", the all time best trip through a killer's mind. The selections by Highsmith and Goodis, while not as intense as "Killer", are just as good in their own quieter ways. The only novel I would have left out is "Pickup"; while I like Willeford I think this is one of his more leaden performances. I also have a quibble with the volume's title, as the word "noir" has been beaten to death and doesn't tell us much about most of these books. "The Talented Mr. Ripley" owes more to Henry James than to Raymond Chandler, and "Killer" doesn't feature any dark city streets. Quibbles aside, however, the book is well worth buying.
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