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The book was compiled from Thomas H. Johnson's hard-to-find variorum from 1955. While some explanatory notes would have been helpful, it's a prodigious collection, showcasing Dickinson's intractable obsession with nature, including death. Poem 1732, which alludes to the deaths of her father and a onetime suitor, illustrates her talent:
My life closed twice before its close;
It yet remains to see
If Immortality unveil
A third event to me,
So huge, so hopeless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.
The musicality of her punctuation and the outright elegance of her style--akin to Christina Rossetti's hymns, although not nearly so religious--rescue the poems from their occasional abstruseness. The Complete Poems is especially refreshing because Dickinson didn't write for publication; only 11 of her verses appeared in magazines during her lifetime, and she had long-resigned herself to anonymity, or a "Barefoot-Rank," as she phrased it. This is the perfect volume for readers wishing to explore the works of one of America's first poets.
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4 von 4 Kunden fanden die folgende Rezension hilfreich:
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I've had this book for 10 years now...,
Von miss fortune (Seattle, WA) - Alle meine Rezensionen ansehen
Rezension bezieht sich auf: The Complete Poems of Emily Dickinson (Taschenbuch)
And I still turn to it all the time. It is well-worn and well-read. There are newer editions of Dickinson's poetry, but this relatively compact book feels like an old friend. The use of language and phrasing is divine - so to speak. *smile* I cannot recommend this work enough.Meeting by Accident, We hovered by design - As often as a Century An error so divine Is ratified by Destiny, But Destiny is old And economical of Bliss As Midas is of Gold - Helfen Sie anderen Kunden bei der Suche nach den hilfreichsten Rezensionen
3 von 3 Kunden fanden die folgende Rezension hilfreich:
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Brilliant..,
Von
Rezension bezieht sich auf: The Complete Poems of Emily Dickinson (Taschenbuch)
As a few have stated already, a lot of Emily Dickinson's poems appear simple on the surface. Don't let the simplicity or brevity fool you, boiling underneath the metaphors of Dickinson's poems are some of the most beautiful visions I've ever read. Intelligent, thoughtful..haunting are all words I'd use to describe her poems. She has quickly vaulted to the top of the list of my favorite poets along with William Blake and Edgar Allan Poe.And speaking of her poems, there are plenty. All of them in fact, in chronological order allowing the reader to see the progession in her poems. This is a great book at a great price to be able to own all she has written. Since her poems have no titles, there are two invaluable features included at the back to help aid the search for the desired poem. One is an alphabetical subject index, with words and lines linked to poems with which they belong. The other index includes the first lines of all 1775 poems. An excellent all around souce for all your Emily Dickinson needs. Enjoy. Helfen Sie anderen Kunden bei der Suche nach den hilfreichsten Rezensionen
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One of the few poets who ever perfected a method.,
Rezension bezieht sich auf: The Complete Poems of Emily Dickinson (Taschenbuch)
I have 1000 words to tell what Dickinson means to me, an impossible task I gladly take up. I'd like to respond to others on this page. I once called Dickinson the "patron saint of lonely people everywhere," so I can identify with what one person said about teenage shut-ins. And I don't blame the person who snubbed her for not leaving a name--I'd be embarrassed to as well. Emily egotistical? The poet who wrote, "I'm nobody"? Wow. I love Dickinson's work so much because her vision of life is so fully her own, so at odds with the views of those around her. Can you imagine knowing you are the most brilliant lyric poet of your time (Whitman was more an epic or narrative poet), and knowing no one understood you? It's like trying to communicate in a foreign language that only you know. In fact, that is exactly what she did--she explodes the syntax, vocabulary, and syllabication of English and transforms it into her own private means of communication. She demands that we meet her on her ground. True, reading her work is not "fun"--there's too much pain and burning beauty in it to be an easy ride. She is not for everyone--only for those who see that life's disappointments both destroy and liberate us at the same time: comparing human hurts to trees destroyed by nature's forces, she says (in poem 314), "We--who have the Souls-- / Die oftener--Not so vitally--." Those may be the finest lines any poet ever wrote in English.
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