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Colleen Dewhurst: Her Autobiography
 
 
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Colleen Dewhurst: Her Autobiography [Englisch] [Gebundene Ausgabe]

Colleen Dewhurst , Tom Viola
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Produktinformation

  • Gebundene Ausgabe: 352 Seiten
  • Verlag: Prentice Hall & IBD (Juli 1997)
  • Sprache: Englisch
  • ISBN-10: 0684807017
  • ISBN-13: 978-0684807010
  • Größe und/oder Gewicht: 23,9 x 15,7 x 3,8 cm
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (1 Kundenrezension)
  • Amazon Bestseller-Rang: Nr. 1.061.003 in Englische Bücher (Siehe Top 100 in Englische Bücher)
  • Komplettes Inhaltsverzeichnis ansehen

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Colleen Dewhurst
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Produktbeschreibungen

Amazon.com

How could Colleen Dewhurst do this to us? Die, that is, and leave such a fascinating autobiography unfinished after more than 10 years of work? Oh well. As Dewhurst herself makes clear, consideration for others was never one of her strong points--though she had plenty of other strong points to compensate. A monumental actress who outgrew her times, Dewhurst made a few memorable film appearances (Annie Hall, among others) but mainly devoted her life and talent to the stage in landmark performances of Eugene O'Neill's and Edward Albee's most challenging works. She was so busy living her life she didn't have time to finish this memoir, so editor Tom Viola has fleshed it out with memories of Dewhurst by her friends, associates, and collaborators. None of this added material is as compelling, colorful, bitter, or hilarious as Dewhurst's own observations--leaving us with the realization that we not only lost a great actress, we may have lost a real writer as well.

From Kirkus Reviews

From the great New York stage actress (a.k.a. Murphy Brown's mother), a memoir as unconventional and captivating as she was. When Dewhurst died in 1991, she had roughed out about two-thirds of her autobiography with the assistance of Viola, who typed, edited, and organized her spoken recollections. He completed the book by interviewing friends, coworkers, and family, weaving their memories into Dewhurst's account to create a vivid portrait of her powerful personality and the warm response she prompted in others. Despite her famous sociability--her country home was virtually a commune for kids, animals, and anyone in trouble- -Dewhurst was in many ways very private; it is primarily from the comments of others that we glean details of her two stormy marriages to George C. Scott and her mother's Christian Science faith, which influenced her decision not to seek medical treatment for the cervical cancer that killed her. Her narrative focuses on her career, paying generous tribute to mentors like Harold Clurman, colleagues like Joe Papp (she acted in many of the New York Shakespeare Festival's early productions), and collaborators like director Jose Quintero and costar Jason Robards, with whom she created the magical 1974 revival of Eugene O'Neill's A Moon for the Misbegotten that made her a star at age 49. Dewhurst was the premier interpreter of O'Neill's female characters--she appeared in Desire Under the Elms, Long Day's Journey into Night, and Ah, Wilderness!--and she also worked frequently with Edward Albee; her thoughts on these two important American playwrights are illuminating, though she does not discuss her performances in much detail. She speaks appreciatively on occasion of the professionalism she found working on television shows like Murphy Brown, but the entire text glows with her love for the theater as an art and an occupation--concern for the latter made her active in the Actors' Fund and a two-term president of Actors' Equity. A moving human document as well as a fine theater autobiography. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

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A truly wonderful book! 5. Dezember 1999
Format:Gebundene Ausgabe
If you're interested in the New York theatre during the 50s and 60s (and later), this book is not to be missed. Dewhurst procrastinated for years about this book; hence it was unfinished when she died. But the additional pieces from her family and colleagues add immeasurably to the book's richness. An unforgettable memoir from a very great artist and personality - her personal warmth and her professional dedication are evident on literally every page. If you care enough to have checked this book out, you will want to have it!
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Made me wish I had known her! 13. Dezember 2000
Von Jamie Olson - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
This was a great biography to read. Not strictly an autiobiography because Colleen never finished working on it herself, but it makes up for that by including many stories & chapters written by her friends, fellow actors & family. This was the first biography I read that really made me wish I had a chance to know the person in life. I've always considered Colleen Dewhurst a respected actor but after reading this, I know that she was truly a warm & wonderful person. She will be missed.
6 von 6 Kunden fanden die folgende Rezension hilfreich
A truly wonderful book! 5. Dezember 1999
Von R. W. Holliston - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
If you're interested in the New York theatre during the 50s and 60s (and later), this book is not to be missed. Dewhurst procrastinated for years about this book; hence it was unfinished when she died. But the additional pieces from her family and colleagues add immeasurably to the book's richness. An unforgettable memoir from a very great artist and personality - her personal warmth and her professional dedication are evident on literally every page. If you care enough to have checked this book out, you will want to have it!
3 von 3 Kunden fanden die folgende Rezension hilfreich
Part Memoir, Part Memorial 12. Februar 2010
Von Graceann Macleod - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Colleen Dewhurst, the actress who made even the most banal scripts into masterpieces, died in August 1991, leaving the manuscript for her memoir only half completed. Thanks to her editor and her assistant, what grew out of the tragedy of losing Miss Dewhurst is an even more well-rounded portrait of this marvelous woman. I believe that if it had been left only to her own memory, there would have been a number of omissions - because her friends and family were asked to share their reminiscences, we have a much fuller view of what living in her world must have been like.

Colleen was endlessly generous, astoundingly profane, loving, supportive, continually strapped for cash, and outspoken. When she took on causes, tasks got completed, even as her own personal business fell to others because she was simply too disorganized to manage it. Her haven, The Farm, was a place of rest for numerous "strays," both human and animal, and often she went to sleep at night not quite sure who else was down the hall or in her living room.

For a look at what goes on back stage and in the mind of an actor preparing for a role, this is a priceless resource. For a hilarious take on the overblown egos of some directors and co-stars, this is a laugh-out-loud read. For a moving story of what it's like to lose someone who left an indelible mark on theatre and cultural life, as well as on the hearts of countless loved ones, friends and fans, this is a beautiful memorial.
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