To judge from the amount of space devoted to Eliot in the latest collections of C20 American Poetry, Eliot doesn't seem to be popular any more. I guess he's regarded as too highbrow and too Catholic. Anyone who tends to believe this must read "Prufrock" and enjoy its vigour, its irony and its sheer cleverness. I always loved the tremendous amount of aggression in those early Eliot poems, very often directed at the speaker himself. Once you've come to like the young Mr Eliot, you might give the later stuff a try as well. Far from being "junk", the Quartets do not just have a fascinating musical structure, but also embody a view of life, history and religion which is not so daft after all...