Classic Jazz: A Personal View of the Music and the Musicians [Englisch] [Taschenbuch]

Floyd's book fleshes out some of the jazz history and clarifies some points. One is the story about the plaque in Touro Infirmary in New Orleans. Trumpeter Muggsy Spanier had a perforated ulcer which was operated by the famous Dr. Alton Ochsner, Tulane Professor and founder of famed Ochsner Clinic. During convalescence, Spanier composed and later recorded a tune called "Relaxin' at the Touro." Previous jazz writings had told about a plaque in Touro commemorating this event. Floyd tracked down the plaque which administration couldn't exactly locate. Because there had been renovation, the plaque was in a somewhat obscure location. Levin interviewed Muggsy about the event and they became fast friends. ( This is frequently a jazz quiz question: In the famous Muggsy Spanier tune, "Relaxin' at the Touro," what is the Touro? Now you know the answer.)

Levin writes about musicians he has known including Benny Carter, who wrote the foreword, James P. Johnson, Milt Hinton, Wild Bill Davison, Artie Shaw, Barney Bigard and many others. He also includes many West Coast musicians with whom he came in contact. There is a chapter on musicians, lesser known, who deserved greater recognition. Two of those included reedmen Pud Brown and Rick Fay.

Levin's concluding chapter covers the struggle to get an appropriate memorial for Louis Armstrong. Funds were being raised by various jazz societies and individuals for a statue of Armstrong to be erected in Armstrong's native New Orleans. He recounts how Bing Crosby donated the proceeds of a concert in San Francisco which put the fund over the top. That twice-lifesize statue of Armstrong stands in Armstrong Park in New Orleans and was unveiled on the nation's bicentennial in Jackson Square in New Orleans. Levin made the presentation, on behalf of the Louis Armstrong Statue Fund, to the city of New Orleans. Four years later, the statue was permanently erected and dedicated in Armstrong Park.

This book is not a definitive jazz history but an interesting view into the lives and careers of musicians who have been influential in shaping jazz--America's Music.

My review of this book is not without personal bias. I have known and worked with Levin on the Board of American Federation of Jazz Societies and have visited with him at various jazz festivals and in his home. Two of my photographs have been included in the book. I am pleased to have known him and congratulate him on completion of this book, his labor of love.

What makes the book a real five star celebration are the first hand naratives along with page turning drama and pictures that carries along any New Orleans, Chicago, San Francisco, et. al. jazz lover. The book is in lyric style just like the music it presents with great pictures as well.

Persosnally I savored the mid-century west coast scenes, documenting what has not prevously been so well described, about Ory and the host of his compatriots including my favorite, Buster Wilson (whom I had never found in any other publications).

For me this is the best jazz book ever -- just what I wanted.