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The Church of Dead Girls [Englisch] [Taschenbuch]

Stephen Dobyns
3.9 von 5 Sternen  Alle Rezensionen anzeigen (113 Kundenrezensionen)

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Taschenbuch --  
Taschenbuch, 29. Oktober 1998 --  

Produktinformation

  • Taschenbuch: 448 Seiten
  • Verlag: Penguin UK; Auflage: New edition (29. Oktober 1998)
  • Sprache: Englisch
  • ISBN-10: 0140273913
  • ISBN-13: 978-0140273915
  • Größe und/oder Gewicht: 17,6 x 11 x 3,4 cm
  • Durchschnittliche Kundenbewertung: 3.9 von 5 Sternen  Alle Rezensionen anzeigen (113 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 545.123 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Stephen Dobyns
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Produktbeschreibungen

Amazon.co.uk

A literary chameleon, Stephen Dobyns is as well known for his poetry as he his for his taut and chilling mysteries. The two disciplines collide in The Church of Dead Girls, a lyrical novel that inspired Stephen King to comment, "If ever there was a tale for a moonless night, a high wind and a creaking floor, this is it ... I don't expect to read a more frightening novel this year."

Aurelius is a drowsy bedroom community in upstate New York that is rocked by a vicious, seemingly random killing. A woman is found murdered in her bed, her left hand missing. Just when the grisly details begin to fade, a young girl vanishes. The only clue: a bag with the girl's washed and folded clothes and a mannequin's left hand. Soon two more girls disappear, and when clues remain elusive, conjecture and rumour take over. The town awakens to a nightmare of suspicion and vigilantism. As the killer spirals in to kill again, the town spins out of control, and The Church of Dead Girls heads to a jolting conclusion. It'll give you goosebumps even if you read it at the beach.

Amazon.com

Despite its superficial resemblance to a whodunit, The Church of Dead Girls is not a conventional thriller. Don't expect it to be suspenseful. This is a literary horror tale--slow paced, contemplative, meticulous in its descriptions--about a formerly sleepy small town in which the crucial distinction between public and private life is dissolving as suspicion spreads like a toxin. The reader's guide to this process of corruption is a high school biology teacher--reserved, somewhat snotty, but a thoughtful man, and reliable in spite of his cynicism. He says, "It is dreadful not to be allowed to have secrets. Years ago I happened to uncover a nest of baby moles in the backyard and I watched them writhe miserably in the sunlight. We were like that." Ultimately you realize that the killer's identity, even the deaths of three girls, are small matters compared to the collapse of the town's very soul. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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Kundenrezensionen

Die hilfreichsten Kundenrezensionen
1 von 1 Kunden fanden die folgende Rezension hilfreich
RIVETING AND GRIPPING... 16. Januar 2003
Von Lawyeraau
Format:Taschenbuch
This is an exquisitely written book. So beautifully is it written that, at times, its lyricism is almost poetic. The richness of the writing is immediately apparent in the prologue. It is the prologue that draws the reader in, so rich is it in its descriptiveness. It is there that the reader first comes upon "The Church of Dead Girls."

The book itself is not so much about the murder of young girls, as it is about the reactions of the people in the small town in which the murders occur. It is their reactions to the murders that are central to this book and conveyed to the reader through a brilliantly nuanced, first person narrative by the town's high school biology teacher.

The people in the town of Aurelius in upstate New York are like those found in many small towns, insular and inherently suspicious of anything different from that which they are used to. Aurelius is representative of a lot of small towns across America. There is really nothing special about this moribund, complacent little town, until young, teenage girls begin disappearing, one by one.

Through the contrivance of first person narration, the author explores the deepest recesses of human nature, as suspicions and accusations unfold and finger pointing begins. No one in town is exempt from the poison of suspicion. The finger is first pointed to the most likely target, a foreign-born college professor whose ideas run counter to that of mainstream Middle America. He is a newcomer to the town and is as different from the majority of the townspeople as can be. This hapless individual becomes demonized in the frenzy of suspicion, petty hatreds, and fear with draconian results. Unfortunately, he is only the first.

As the townspeople rally to find the killer amongst them, they devolve, letting impulse, suspicion, and fear grow and dictate their actions. It is as if the murders were the catalyst for the rise in vigilantism, the re-opening of old wounds, and the targeting of innocents in the desperate quest to find the killer. One can see the growth of mob mentality evolve on the pages of this book. It is this phenomenon that the author explores through the book's narrative discourse, beautifully, lyrically, powerfully. It is a narrative that will grip the reader from beginning to end.

While the actual ending of the book is somewhat anti-climactic, it should be emphasized that this book was never really about who committed the murders. It is more about the boogeyman of fear that lives deep inside each and everyone of us and about what can happen when that boogeyman is released. It is that, which is truly frightening, as the boogeyman lives in Everyman in Everytown.

War diese Rezension für Sie hilfreich?
langweilig 6. November 2011
Von Nicay
Format:Taschenbuch|Von Amazon bestätigter Kauf
Ich hatte keine große Freude an diesem Buch. Obwohl es vom Thema und von den psychologischen Aspekten her eigentlich ein spannender Roman hätte sein können. Obwohl der Autor sich sehr eingehend mit der Vergangenheit der Protagonisten beschäftigt, bleiben sie mir doch fremd. Obwohl es permanent um seelische Kontrolle und Gewalt geht, bleibe ich als Leser irgendwie unberührt.
Was mir sonst eigentlich nie passiert: ich habe es nach zwei Dritteln zur Seite gelegt und werde es wohl auch nicht mehr weiterlesen.
War diese Rezension für Sie hilfreich?
RIVETING AND GRIPPING... 1. Januar 2005
Von Lawyeraau
Format:Taschenbuch
This is an exquisitely written book. So beautifully is it written that, at times, its lyricism is almost poetic. The richness of the writing is immediately apparent in the prologue. It is the prologue that draws the reader in, so rich is it in its descriptiveness. It is there that the reader first comes upon "The Church of Dead Girls."

The book itself is not so much about the murder of young girls, as it is about the reactions of the people in the small town in which the murders occur. It is their reactions to the murders that are central to this book and conveyed to the reader through a brilliantly nuanced, first person narrative by the town's high school biology teacher.

The people in the town of Aurelius in upstate New York are like those found in many small towns, insular and inherently suspicious of anything different from that which they are used to. Aurelius is representative of a lot of small towns across America. There is really nothing special about this moribund, complacent little town, until young, teenage girls begin disappearing, one by one.

Through the contrivance of first person narration, the author explores the deepest recesses of human nature, as suspicions and accusations unfold and finger pointing begins. No one in town is exempt from the poison of suspicion. The finger is first pointed to the most likely target, a foreign-born college professor whose ideas run counter to that of mainstream Middle America. He is a newcomer to the town and is as different from the majority of the townspeople as can be. This hapless individual becomes demonized in the frenzy of suspicion, petty hatreds, and fear with draconian results. Unfortunately, he is only the first.

As the townspeople rally to find the killer amongst them, they devolve, letting impulse, suspicion, and fear grow and dictate their actions. It is as if the murders were the catalyst for the rise in vigilantism, the re-opening of old wounds, and the targeting of innocents in the desperate quest to find the killer. One can see the growth of mob mentality evolve on the pages of this book. It is this phenomenon that the author explores through the book's narrative discourse, beautifully, lyrically, powerfully. It is a narrative that will grip the reader from beginning to end.

While the actual ending of the book is somewhat anti-climactic, it should be emphasized that this book was never really about who committed the murders. It is more about the boogeyman of fear that lives deep inside each and everyone of us and about what can happen when that boogeyman is released. It is that, which is truly frightening, as the boogeyman lives in Everyman in Everytown.

War diese Rezension für Sie hilfreich?
Die neuesten Kundenrezensionen
Slow moving disappointing novel.
This book is slow in the telling. Being a first person account, the book gives so much detail, most unnecessarily, that it slows any momentum. Lesen Sie weiter...
Veröffentlicht am 2. August 2000 von P. Legerski
The Pastor is Dobyns
Stephen Dobyns blinded sided me from no where with his poem the Bleeder many years ago. After falling in love with his poetry, I ventured into reading his complete list of... Lesen Sie weiter...
Veröffentlicht am 31. Juli 2000 von Chris von Albrecht
An Excellent Thriller!
From the first five pages, where Dobyns describes finding the bodies of the girls, I was hooked. Even when I had figured out why the girls had been kidnapped and killed, I had no... Lesen Sie weiter...
Veröffentlicht am 10. Juni 2000 von Lauryn Angel-cann
CHILLING! AND TOTALLY SATISFYING!
I read this book last summer while sitting beside a swimming pool on a hot, humid August day in the middle of the sweltering urban swamp of Washington, D.C. Lesen Sie weiter...
Veröffentlicht am 8. Juni 2000 von David D. Warner
Obvious, predictable ending
I really enjoyed this book until toward the end of the story. I knew who the killer was almost immediately. It was too obvious. Lesen Sie weiter...
Am 4. Juni 2000 veröffentlicht
A masterpiece of a chiller!
This book is amazing. You need to give it time. It doesn't start with a bang and rumble along like a typical thriller. Lesen Sie weiter...
Veröffentlicht am 4. Mai 2000 von Gary Jonas
A social commentary told in a hushed whisper...
The novel opens with a prologue that vividly details the discovery of the corpses of three missing girls and as disconcerting the opening is, the novel moves in an almost hushed... Lesen Sie weiter...
Veröffentlicht am 3. Mai 2000 von Debbie Tam
blah
hackneyed, overdrawn, and without juice, basically hopeless. proof that those who can't do, teach. king at least was honest.
Veröffentlicht am 26. Februar 2000 von the buyer
Dark, psychological horror
Dobyns has created a masterpiece of psychological horror. A small upstate New York town descends into suspicion and fear as, one by one, three girls vanish without a trace. Lesen Sie weiter...
Veröffentlicht am 18. Februar 2000 von Eric L. Hoheisel
more of a chore than a thrill
As a reader who, for better or worse, is driven to finish any book I start, "The Church of Dead Girls" was an absolute nightmare for me. Lesen Sie weiter...
Veröffentlicht am 2. Februar 2000 von sam handel
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