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Catcher in the Rye Cassette and Book Package [Audiobook] [Englisch] [Hörkassette]

J. D. Salinger
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Produktinformation

  • Hörkassette
  • Verlag: Cram Cassette (April 1989)
  • Sprache: Englisch
  • ISBN-10: 1556511272
  • ISBN-13: 978-1556511271
  • Durchschnittliche Kundenbewertung: 4.3 von 5 Sternen  Alle Rezensionen anzeigen (1.188 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 2.551.757 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Jerome D. Salinger
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Produktbeschreibungen

Amazon.com

Since his debut in 1951 as The Catcher in the Rye, Holden Caulfield has been synonymous with "cynical adolescent." Holden narrates the story of a couple of days in his sixteen-year-old life, just after he's been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins,

"If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them."

His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation. -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch .

Amazon.co.uk Review

Since his debut in 1951 as The Catcher in the Rye, Holden Caulfield has been synonymous with "cynical adolescent". Holden narrates the story of a couple of days in his 16-year-old life, just after he's been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins:
If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two haemorrhages apiece if I told anything pretty personal about them.
His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive), capture the essence of the eternal teenage experience of alienation. --Amazon.com -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch .

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19 von 19 Kunden fanden die folgende Rezension hilfreich
Von Ein Kunde
Format:Taschenbuch
In J.D. Salinger's brilliant coming-of-age novel, Holden Caulfield, a seventeen year old prep school adolescent relates his lonely, life-changing twenty-four hour stay in New York City as he experiences the phoniness of the adult world while attempting to deal with the death of his younger brother, an overwhelming compulsion to lie and troubling sexual experiences.

Salinger, whose characters are among the best and most developed in all of literature has captured the eternal angst of growing into adulthood in the person of Holden Caulfield. Anyone who has reached the age of sixteen will be able to identify with this unique and yet universal character, for Holden contains bits and pieces of all of us. It is for this very reason that The Catcher in the Rye has become one of the most beloved and enduring works in world literature.

As always, Salinger's writing is so brilliant, his characters so real, that he need not employ artifice of any kind. This is a study of the complex problems haunting all adolescents as they mature into adulthood and Salinger wisely chooses to keep his narrative and prose straightforward and simple.

This is not to say that The Catcher in the Rye is a straightforward and simple book. It is anything but. In it we are privy to Salinger's genius and originality in portraying universal problems in a unique manner. The Catcher in the Rye is a book that can be loved and understood on many different levels of comprehension and each reader who experiences it will come away with a fresh view of the world in which they live.

A work of true genius, images of a catcher in the rye are abundantly apparent throughout this book.

While analyzing the city raging about him, Holden's attention is captured by a child walking in the street "singing and humming." Realizing that the child is singing the familiar refrain, "If a body meet a body, comin' through the rye," Holden, himself, says that he feels "not so depressed."

The title's words, however, are more than just a pretty ditty that Holden happens to like. In the stroke of pure genius that is Salinger, himself, he wisely sums up the book's theme in its title.

When Holden, whose past has been traumatic, to say the least, is questioned by his younger sister, Phoebe, regarding what he would like to do when he gets older, Holden replies, "Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around--nobody big, I mean--except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff--I mean if they're running and they don't look where they're going. I have to come out from somewhere and catch them. That's all I'd do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be."

In this short bit of dialogue Salinger brilliantly exposes Holden's deepest desire and expounds the book's theme. Holden wishes to preserve something of childhood innocence that gets hopelessly lost as we grow into the crazy and phony world of adulthood.

The theme of lost innocence is deftly explored by Salinger throughout the book. Holden is appalled when he encounters profanity scrawled on the walls of Phoebe's school, a school that he envisions protecting and shielding children from the evils of society.

When Holden gives his red hunting cap to Phoebe to wear, he gives it to her as a shield, an emblem of the eternal love and protectiveness he feels for her.

Near the beginning of the book, Holden remembers a girl he once knew, Jane Gallagher, with whom he played checkers. Jane, he remembers, "wouldn't move any of her kings," and action Holden realizes to be a metaphor of her naivete. When Holden hears that his sexually experienced prep school roommate had a date with Jane, he immediately starts a fight with him, symbolically protecting Jane's innocence.

More sophisticated readers might question the reasons behind Holden's plight. While Holden's feelings are universal, this character does seem to be a rather extreme example. The catalyst for Holden's desires is no doubt the death of his younger brother, Allie, a bright and loving boy who died of leukemia at the age of thirteen. Holden still feels the sting of Allie's death acutely, as well as his own, albeit undeserved, guilt, in being able to do nothing to prevent Allie's suffering.

The only reminder Holden has of Allie's shining but all-too-short life, is Allie's baseball mitt which is covered with poems Allie read while standing in the outfield. In a particularly poignant moment, Holden tells us that this is the glove he would want to use to catch children when they fall from the cliff of innocence.

In an interesting, but trademark, Salinger twist, Holden distorts the Robert Burns poem that provides the book's title. Originally, it read, "If a body meet a body, comin' through the rye." Holden distorts the word "meet" into "catch." This is certainly not the first time Holden is guilty of distortion; indeed he is a master at it.

This distortion, however, shows us how much Allie's death has affected Holden and also how much he fears his own fall from innocence, the theme that threads its way throughout the whole of the book.

By this amazing book's end, we must reach the conclusion that there are times when we all need a "catcher in the rye." We are, indeed, blessed if we have one.

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Von Michael Dienstbier TOP 500 REZENSENT
Format:Taschenbuch
Als Marc Chapman 1981 John Lennon erschoss, hatte er zwei Dinge bei sich: einen Revolver und eine Ausgabe von J.D. Salingers "The Catcher in the Rye". So sehr habe er sich mit Holden Caulfield, dem Protagonisten und Erzähler des Romans, identifizieren können, so Chapman. Seitdem wurde oftmals der Roman für den Tod Lennons verantwortlich gemacht. Das ist natürlich völliger Blödsinn. "The Catcher in the Rye" ist einer der wenigen ganz großen Romane des 20. Jahrhunderts.

Der 16-jährige Holden Caulfield ist mal wieder von einem Internat geflogen. Der hoch intelligente, aber melancholische und ziellose, Teenager steht seiner Zukunft mit völliger Gleichgültigkeit gegenüber und fällt in allen Fächern, bis auf Englisch, in der Schule durch. In vier Tagen werden seine Eltern die Entscheidung per Brief mitgeteilt bekommen. Diese Zeit nutzt Holden zu einem Ausflug nach New York, so dass er genug Zeit hat über sein Leben zu grübeln und der Leser so einiges an Tragischem aus seinem Leben erfährt.

Im Verlauf des Romans schleicht er sich in die elterliche Wohnung, um seine geliebte jüngere Schwester Phoebe zu treffen. Diese fordert ihn auf, sich endlich darüber klar zu werden, was er in seinem Leben erreichen will. Holdens Antwort ist legendär und fasziniert seit Jahrzehnten Leser übe all auf der Welt:

"I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some ivory cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be. I know it's crazy" (chapter 22).

Fazit: Beeindruckender Blick in die Seele eines Teenagers. Ein Buch über das, was im Leben wirklich zählt. Schade, dass Mr. Chapman das nicht erkannt hat.
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Von Ein Kunde
Format:Taschenbuch
I have not read all the reviews listed here, and so my comments may be redundant, but I feel that most of the customer reviewers have missed the mark. This book is a brilliant study (probably quasi-autobiographical from what I know of J.D. Salinger's life) of a teenage boy who suffers from severe depression, and barely hangs on through his odyssey from the time he leaves school until he is rescued by his younger sister. There are clear parallels between this book and The Bell Jar by Sylvia Plath, except that she found nothing to anchor her to life. As he travels along, Holden tempts fate on a number of occasions, any one of which could have resulted in his death or serious injury- a vulnerable teenage boy staying in a flophouse of a hotel, engaging a prostitute and taking on her pimp, walking through Central Park after dark, and generally roaming around a usually unforgiving city. His salvation is his sister, who is the only one who can cut through his cynicism, and self-destructiveness. She is truly the "catcher in the rye," standing at the edge of the cliff, guardian and protector, keeping all the children from falling off the edge. In this case, she keeps her brother from the abyss, as he finally agrees to go home, and to not follow his fantasy to go out west, which I think is a metaphor for the great unknown, and probably his own ultimate destruction. Why he honors her so is not entirely clear, but it could be because she is truly pre-egoic; innocent, caring, displaying unconditional love and concern for Holden, and no facade that he can disparage with his cynicism and wit. The "epilogue" final chapter shows Holden acknowledging that he is in some institution, probably as a psychiatric inpatient, who is letting a psychotherapist into his world. He seems to have lost his severe cynical edge, and one gets the hint that he is going to make it, to recover from an illness which almost destroyed him. The novel leaves us on a hopeful note, although, interestingly enough, I dont get the impression that the author ever similarly extricated himself from the reclusive life which he has lived. All in all, I think that we bear witness to a brilliantly-crafted case study of adolescent depression, with all of the contrasting anguish and humorous cynicism expected in such a pathetic figure. The irony here, of course, is that the world and its inhabitants are indeed phony, and to cure Holden is to allow him to become everything he so incisively rails against. Do we do him- and any other beings who see the world for what it really is- a true service by trying to change them??
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empfehlenswerte Lekture
Ich kaufte das Buch um der Beschenkten einige Übung in ihrer Sprachenkenntnis zu vermitteln. Das Geschenk wurde gerne angenommen - habe aber keine weiteren Bewertunmgen... Lesen Sie weiter...
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