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A Case of Exploding Mangoes [Englisch] [Taschenbuch]

Mohammed Hanif
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Produktinformation

  • Taschenbuch: 297 Seiten
  • Verlag: Random House UK (4. Juni 2009)
  • Sprache: Englisch
  • ISBN-10: 0099516748
  • ISBN-13: 978-0099516743
  • Größe und/oder Gewicht: 19,6 x 12,8 x 2 cm
  • Durchschnittliche Kundenbewertung: 4.4 von 5 Sternen  Alle Rezensionen anzeigen (7 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 6.556 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Mohammed Hanif
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Produktbeschreibungen

Amazon.com

Amazon Best of the Month, May 2008: On August 17, 1988, Pak One, the airplane carrying Pakistani dictator General Zia and several top generals, crashed, killing all on board --and despite continued investigation, a smoking gun--mechanical or conspiratorial--has yet to be found. Mohammed Hanif's outrageous debut novel, A Case of Exploding Mangoes, tracks at least two (and as many as a half-dozen) assassination vectors to their convergence in the plane crash, incorporating elements as diverse as venom-tipped sabers, poison gas, the curses of a scorned First Lady, and a crow impaired by an overindulgence of ripe mangoes. The book has been aptly compared to Catch-22 for its hilarious (though not quite as madcap) skewering of the Pakistani military and intelligence infrastructure, but it also can trace its lineage to Don DeLillo, doing for Pakistan what Libra did for JFK conspiracy theory, and Kafka's The Trial, with its paranoid-but-true take on pathological bureaucracy. Recent events pushing Pakistan into the worst kind of headlines make A Case of Exploding Mangoes a timely and entertaining read, and when a mysterious bearded man called "OBL" makes an appearance at a Fourth of July party for U.S. military brass, we're coolly reminded of the fickleness of opportunistic policy in unpredictable lands. --Jon Foro

Mohammed Hanif on his experience in the Pakistan Air Force Academy

Once upon a time, when I was eighteen, I found myself locked up in Pakistan Air Force Academy's cell along with my friend and partner-in-crime, Khalid Saifullah. We had thought we were doing charity work but the Academy officers obviously didn't share our ideals. We had been caught trying to help another classmate pass his chemistry exam, something he had failed to do twice already and this was his last chance to save himself from being expelled. The logistics of our rescue effort involved a wireless set improvised in the Sunday Hobbies Club, a microphone concealed in a crap bandage around the left elbow of our academically challenged friend, and a Sanyo FM radio receiver. We were running our operation from the roof top of a building next to the examination hall. We were caught red-handed whispering reversible chemical equation into the transistor.

We were in breach of every single standard operating procedure in the Academy rule book, and faced certain expulsion. We had just started our glorious careers and now we faced the prospect of being sent home and having to explain to our parents how, instead of training to become gentlemen-officers, we were running an exam-cheating-mafia from the rooftop of the most well-disciplined training institute in the country.

For two days, while we waited in that cell to find out about our fate, we planned our future. Khalid, always the world-wise in this outfit, immediately decided that he was going to join the merchant navy and travel the world. I tried hard to think what I would do. I came from a farming family where even the most adventurous members of our clan had only managed to branch out into planting sugarcane instead of potatoes. Education, jobs, careers were absolutely alien concepts. The Academy was supposed to be my escape from a lifetime that revolved around wildly fluctuating potato crop cycles. And here I was, already a prisoner of sorts, facing a journey back to a life I thought I had left behind.

"Maybe I’ll become a teacher," I said vaguely. The farmers in my village used to show some vague respect to teachers in the primary school I attended. "Or a mechanic." I was a member of the car-maintenance club in the hobbies club after all. It was considered an elite club since there was no car to maintain. It was basically a hobbies club for people who hated hobbies.

"You can’t even change a bloody tire," Khalid reminded me.

We managed to stave off the impending expulsion through a combination of confession and denial: we lied (we were listening to cricket commentary on the transistor radio), we grovelled (we were ashamed, ashamed, ashamed of our unofficer like behaviour) and we pleaded our undying passion for defending the borders of our motherland. They looked at our relatively clean record, our sterling academic achievements and let us off the hook and awarded us a punishment considered just short of expulsion. We were barred from entering the Academy’s TV room--and from walking. For forty-one days. During the punishment period, we had to stay in uniform from dawn till dusk and when ever we were required to go from point a to b we had to run. Khalid went on to become a fairly good marathon runner (before, years later, dying in an air crash, while trying to pull a spectacular but impossible manoeuvre in Mirage fighter plane). I discovered Academy's library. I had barely noticed that the college had a very well-stocked library. We knew it was there, we occasionally used it as a quiet corner to hatch conspiracies but I had never noticed that the long rambling hall was lined with cupboards full of books. All the cupboards were locked, but you could see pristine untouchable books behind their glass doors. The librarian, an eagle-nosed old civilian, walked around with a large bunch of jangling keys although his wares were not in any danger of being stolen. I was to find out later that he was quite a professional. The library was immaculately catalogued. You could of course go to him, fill out a form and request a book. But I never actually saw anybody fill out a form. I spent some afternoons staring at the books from behind the glass doors as my classmates watched videos in the TV room (including the fellow who had scraped through his chemistry exam and survived but would die years later in our current president's General Pervez Musharraf’s moronic military adventure in Kargil on India-Pakistan border).

How do you ask for a book when you are eighteen and have been brought up in a household where the only book was the Quran and the only reading material an occasional old newspaper left behind by a visitor from the city? "I want that book," I asked the librarian pointing tentatively towards a cupboard which contained a thick volume of something called The Great Escapes. The librarian, relieved at having found a customer, took out his bunch of keys, removed a key and asked me to go get it myself. I took my time and browsed for a long time before filling out the form and borrowing the book. So grateful was I for getting that book that I brought him a samosa and cup of tea next day. That turned out to be a very good investment as the librarian handed me the bunch of his keys as soon as I entered. I browsed randomly, recklessly, reading first paragraphs and author bios, and made naïve judgments. The Cross of Iron wasn’t a religious thriller but a war novel. Crime and Punishment had very little crime in it. Was Rushdie related to the famous pop singer Ahmed Rushdie? Mario Puzo and Mario Vargas Llosa. The strange covers of Borges. Abdullah Hussain, I had heard of. A whole shelf devoted to Gabriel Garcia Marquez. Chronicle. Was that little book about the wrecked ship really a true story? I didn’t know which one was a thriller and which one was literary. As I Lay Dying--sounds like a nice title so let’s read it. So does Valley of the Dolls. It is probably not the right way to read. Discovering books was like a discovering a second adolescence. I discovered new sensations in my body. It was even better. It was guilt-free and I could show off. Not that anyone except my librarian friend was impressed.

Outside the library, the world revolved around parade square, hockey fields and series of punishments and rewards that didn’t seem very different from each other. The vocabulary used to run the Academy life comprised of about fifty words, half of which were variations on the word 'balls.' Every order began or ended with balls, it was used as verb, adjective, qualifier or just simply a howl. Balls to you. Balls to mother, my balls, I'll cut your balls.... Every order, every threat, every compliment was a variation on the same testicular theme. Now that I look back at, it is quite obvious that this place was drowning in its own testosterone.

From outside, life could seem orderly. Uniforms were starched, rifles were oiled and sessions on the parade square hard and long. I yearned for that jangling of the keys in the library corridors. Once I was caught in my Navigation class reading Notes from the Underground hidden under a map that I was supposed to be studying. After our second year in the Academy, there were sudden attempts to turn us into good Muslims. Compulsory prayers. Quran lectures. Islamic Studies classes. In the third year we were caught stealing oranges from a neighbourhood orchard and as a punishment we were sent out to a mosque outside the Academy where Muslim cousins of Jehovah's Witnesses taught us how to knock on random doors and preach Islam.

"But they are all Muslims," I had protested.

"So are you," came the reply. "And look at yourself."

At that time I didn’t realise that we were an experiment in Islamisation of the whole society. General Zia was a distant presence. He was our commander-in-chief and the permanent president of Pakistan. He thought he was never going to die. So did we.

Years later, sitting in the officers' mess of a Karachi air base, we heard about the plane crash that killed him and several other generals. We were sad about the pilots and the crew of the plane. To drown our sorrows we pooled our meagre savings, ordered a bottle of Black Label whiskey, and instead of hiding in our bachelor quarters as we normally did, we opened the bottle in the officers' mess TV room and discussed our future. I left the air force a month later.

--Mohammed Hanif -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

Pressestimmen

"Witty, elegant, and deliciously anarchic. Hanif has a lovely eye and an even better ear."
-John le Carre
"Unputdownable and darkly hilarious . . . Mohammed Hanif is a brave, gifted writer. He has taken territory in desperate need of satire - General Zia, the military, Pakistan at the time of the Soviet-Afghan war - and made it undeniably his own."
-Mohsin Hamid, author of The Reluctant Fundamentalist
"
""A sure-footed, inventive debut that deftly undercuts its moral rage with comedy and deepens its comedy with moral rage . . . The novel has less in common with the sober literature of fact than it does with Latin American magical realism (especially novels about mythic dictators such as Gabriel Garcia Marquez's Autumn of the Patriarch) and absurdist military comedy (like Joseph Heller's Catch-22). Hanif adopts a playful, exuberant voice, as competing theories and assassination plots are ingeniously combined and overlaid."
-"Kirkus Reviews
""Pakistan's ongoing political turmoil adds a piquant edge to this fact-based farce . . . Hanif's depiction of military foibles recalls the satirical wallop of Catch-22,"" [He brings] heft to this sagely absurd depiction of his homeland's history of political conspiracies and corruption."
-"Publishers Weekly
""Entertaining and illuminating . . . Hanif has crafted a clever black comedy about military culture, love, tyranny, family, and the events that eventually brought us to September 11, 2001."
-"Booklist
"
"Insanely brilliant. . . . [Hanif] writes with great generosity and depth."
-"The Washington Post Book World"
"Funny, subversive, erotic and sad. Anyone thinking of applying for the job of unhinged, religious dictator should read it first."
-Mark Haddon, author of The Curious Incident of the Dog in the Night-time

"From the Hardcover edition."


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27 von 27 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
Dies ist wohl der beste satirische Roman der letzten 50 Jahre. Und der spannendste.

Falls Sie je "Die Haut" von Malaparte oder "Catch 22" von Joseph Heller gelesen haben, wissen Sie nach welchem Vergleichsmaßstab ich hier messe, aber der junge pakistanische Schriftsteller Mohammed Hanif hat mit seinem ersten Roman ein Meisterstück geschaffen, das beide schlägt. Es handelt zwar von dem pakistanischen Diktator Zia, an den sich außerhalb seiner Machtgrenzen kaum noch jemand erinnert. Es schildert also ziemlich fern gewordene Vergangenheit, aber es beschreibt gleichzeitig etwas total Aktuelles:

Mohammed Hanif, der heute den BBC Urdu Service von London aus leitet - ich schätze, in seiner Heimat darf er sich nach diesem Buch nicht mehr sehen lassen -, beschreibt das Handeln einer Militärdiktatur an sich. Die Geheimdienstleute zwischen persönlichem Ehrgeiz und Professionalität mit dem dazugehörigen Totalverlust an dem, was wir gemeinhin Menschlichkeit nennen; die mit der Zeitdauer seiner Herrschaft wachsende, unvermeidliche Ego-Zentrierung und damit Verdummung des Herrschers; das Leben der Soldaten in seiner Nähe zwischen Ablenkung, stupidem Drill und dem (meistens) vergeblichen Versuch sich einen Hauch von Freiheit zu bewahren. Er beschreibt den immer eigennützigen Einfluss der US-Spione auf ein Entwicklungsland, ihre Freude an Diktaturen, die zu ihren Gunsten arbeiten, ihre Macht, alle einheimischen "Freunde" um ihre Dollar reichende Finger zu wickeln.

Eine beißend witzige Kommödie über das Militär (nicht nur in einer Diktatur) - das ist die eine Seite dieses aufregenden Buches. Die andere liefert Hanif mit einer sehr zarten homosexuellen Liebesgeschichte zwischen dem Ich-Erzähler und einem anderen jungen Offizier, die General Zia beseitigen wollen und es zum Schluß auch durch einen "Karton explodierender Mangos" plus die Verfluchung einer blinden Frau plus eine voll gefressene Krähe plus eine kleine Schwertwunde plus Schlangengift schaffen.

Dazu kommen wunderbar plastische Beschreibungen Pakistans, in dem sich auch lange nach Zias Tod islamische Gläubigkeit mit dem Vertrauen in altüberlieferte Hexenriten mischen, Clanverpflichtungen mit Staatstreue, Rauschgift- plus Sexlust mit Prüderie. Sie alle sind, so glaube ich, eins zu eins auf das Afghanistan von heute zu übertragen, auf Irak und Iran und all die halbmodernen, von Ganz-oder Fastdiktatoren beherrschten Staaten zwischen Kaukasus und den chinesischen Westgrenzen.

Das Ergebnis? Ein Buch, dass 1. jeden Möchtegern-Schriftsteller abschreckt, weil er beim Lesen begreift: So gut wie Mohammed Hanif kriege ich das nie hin. Schon gar nicht als Erstlingsroman. Es ist 2. ein echter Thriller, weil Hanif es schafft, die Spannung immer wieder zu steigern (weit besser als Joseph Heller in "Catch-22", das beim Wiederlesen ziemlich "länglich" wirkt). Es ist 3. die wohl bösartigste und gleichzeitig komischste Satire, die seit langem über Männer im allgemeinen und ihren Gebrauch der Macht im besonderen geschrieben wurde. Und es ist deshalb 4. ein rundrum empfehlenswertes Buch. Weil es klüger macht. Und Spaß!
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6 von 6 Kunden fanden die folgende Rezension hilfreich
A terrific political satire 26. Dezember 2009
Von CR
Format:Taschenbuch
Hanif is a terrific writer. This satirical first novel is set in Pakistan in the late eighties against the backdrop of the withdrawal of the Russians from Afganistan and the death/assassination of Pakistan's dictator Zia ul Haq. The events leading to the dictator's death in a plane crash form the plot of this novel. It is told from the point of view of junior officer Ali Shigri, a cadet of Pakistan's air force academy. Hanif populates his novel with memorable characters. Pakistan's military, its corrupt rulers, the ISI, the American ambassador, the CIA, islamists, and the Saudis all are targets of his dark humor.
This book is a special treat for all lovers of political satire.
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7 von 8 Kunden fanden die folgende Rezension hilfreich
Von M. Tayler
Format:Audio CD
Politsatire - humorvolle Kritik an den Zuständen in Pakistan, scharf beobachtet und und sprachlich wundervoll beschrieben - absolut spannend zu lesen bzw. zu hören.
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