STONE CANYONS OF THE COLORADO PLATEAU contains 81 color photographs. Each of the photos occupies from 50-80% of the page. The book is large, 10 by 11 inches.
Most of the photographs are from Vermilion Cliffs Wilderness, a little known park overlooked by most publications dealing with the American Southwest. Vermilion Cliffs encompasses Paria Canyon, Coyote Buttes, and a stone formation called "The Wave." The stone formation called The Wave seems to be in an area about a quarter the size of a city block. Vermilion Cliffs Wilderness is noted for its conical, haystack-like stone formations. The book contains plenty of photos of artistic merit.
Page 5 shows a few cones at close range and a dozen cones in the distance. Where the desert floor is made of stone, the stone is striped like a candy cane. FIVE STARS for this photograph.
Page 9 shows Bryce Canyon, with snow-covered cliffs in the distance, and dark clouds overhead. FIVE STARS for this dramatic photo.
Page 20 shows snow-covered buckwheat and a dead juniper. FOUR STARS for this depictions of the texture of the snow residing on top of the buckwheat.
Page 26 shows a hoodoo in the sun. The hoodoo consists of a dark pancake of stone supported by a an orange, funnel-shaped pedestal. Half of the photograph is in deep shadow, a sloping hill of stone.
Page 35 shows an arch with a garden of cottonwoods beyond. FIVE STARS for this rare image of pastoral beauty.
Page 45 shows a close-up of two cones at Paria Canyon. One of the cones looks like a little house.
Page 45 shows an angled stone formation in a canyon wall at Paria Canyon. The crazy angles resemble those of a Kandinsky painting.
Page 67 (also seen as the cover photo) shows a pond at The Wave. This is one of the greatest landscape photographs ever taken in the history photography. FIVE STARS.
Page 69 shows a crazy, bizarre stone formation at Paria Canyon. What we see is a pancake consisting of a cluster of thin stone sheets, where the pancake is supported by two pedestals. This is one of the most bizarre landscape photographs taken in the history of photography. FIVE STARS.
Page 70 shows an excellent arrangement of cones in the distance, with swirling stone spirals, and a dead juniper in the foreground. The juniper has a spiraling grain. FIVE STARS.
Page 99 shows a slot canyon, where there are various qualities of light--a warming bath of glowing orange, a harsh white glare, an even indirect illumination with no shadow, and deep shadow. The image is reminiscent of those depicted in Bruce Barnbaum's astonishing book, VISUAL SYMPHONY.
Page 116 shows a dozen tiny waterfalls, where water spills from knife-edge stone formations that form the streambed. This unique image is somewhat reminiscent of David Muench's depiction of Havasupai Falls, in NATURE'S AMERICA (page 125 of NATURE'S AMERICA).
One wishes for more photos of The Wave. For those interested in more of The Wave, I recommend Reiner Sahm's book, CANYONLANDS PANORAMIC PHOTOGRAPHY. Reiner Sahm's book also introduces the reader to Kasha-Katuwe Tent Rocks National Monument, and to Goblin Valley State Park, two other parks vastly underrepresented by books on the American Southwest. Also Laurent Martres has two books (two volumes) on Utah and Arizona. The second volume features a number of photos of The Wave.
The quality of the prints in Mr.Dykinga's book is quite good. With the naked eye, one cannot discern any grain in the color prints. However, with a loupe (5X magnification), the grain is readily evident. The grain does not resemble specks, but instead takes a form resembling that of woven cloth.
Fortunately, only a minority of the photographs in Mr. Dykinga's book are flower pictures. There are only eight flower pictures. Also, fortunately, none of the photos contains people, e.g., tourists, hikers, or indigenous farmers. As is the case with Ansel Adams, Bruce Barnbaum, David Muench, and a handful of other photographers, Mr. Dykinga takes extra care (and time) to wait for the lighting conditions to be perfect, before depressing the shutter.
Mr.Dykinga is an experienced photographer, as indicated by the fact that he won the Pulizer Prize. The prize, awarded to him in 1971, was for his photographs at the Lincoln and Dixon State Schools for the Retarded in Illinois, when he worked for the Chicago Sun-Times.