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Can't Buy Me Love: The Beatles, Britain, and America [Englisch] [Gebundene Ausgabe]

Jonathan Gould


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Gebundene Ausgabe --  
Gebundene Ausgabe, 2. Oktober 2007 --  
Taschenbuch EUR 13,99  

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Jonathan Gould
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Produktbeschreibungen

From Booklist

*Starred Review* Gould's combination group biography, cultural history, and musical criticism artfully places the Beatles in their time and social context while examining with great skill how they became an international phenomenon comparable only to themselves. He examines cultural and historical moments on both sides of the Atlantic—the impact of John Osborne's epoch-making play Look Back in Anger, the arrival of Elvis Presley and the rise of rock and roll, the assassination of John F. Kennedy, the Summer of Love, Woodstock—while limning Liverpool, the working-class port city in England's industrial north from which the Beatles hailed, and the individual Beatles' strong senses of regional solidarity and fierce local patriotism. To understand the Beatles, Gould implies, you must understand where they came from. He follows them through their roller-coaster career: Hamburg, early days at Liverpool's Cavern Club, their "conquest" of America, the hysteria that came to be called Beatlemania, Sgt. Pepper's, and the eventual breakup. All bases are covered, but setting Gould's book apart are his careful dissection of cultural history and his astute critical eye (his masterful critiques of "Eleanor Rigby," "Penny Lane," "Strawberry Fields Forever," and "A Day in the Life," in particular, are miracles of economy). Long on history, short on gossip, he gives nuanced assessments of the world's most admired rock band and of its era. Sawyers, June

Pressestimmen

‘Gould has written a scrupulous, witty and, at times, appropriately skeptical study… As a clever person once said… “Writing about music is like dancing about architecture.” Gould, it turns out, is an astute and sensitive choreographer... If I had the space I’d cite dozens more examples of Gould’s graceful unfolding of various Beatle tunes. At his best, he lets you hear with keener ears the way a great novelist lets you feel with keener emotions. He even made me want to listen to “Eleanor Rigby” again. I can’t think of higher praise.’
—Bruce Handy, New York Times Book Review

"Gould, a former musician, has written an engrossing book, both fluid and economical (aside from one overlong section on the concept of charisma). Page after page, you can hear the music; Gould's deft hand makes the book sing. This is music writing at its best."
Publishers Weekly, starred, signature review

"What separates writer and musician Gould's first book from the multitudinous others is his threefold focus; Gould deftly mixes biography with social commentary and musical and lyrical analysis, illustrating how the band crafted its groundbreaking songs and how its achievements impacted, and were impacted by, the tumultuous 1960s. Highly recommended for all academic, public, and music libraries."
Library Journal

"Gould's combination group biography, cultural history, and musical criticism artfully places the Beatles in their time and social context while examining with great skill how they became an international phenomenon comparable only to themselves. ... Setting Gould's book apart are his careful dissection of cultural history and his astute critical eye. ... Long on history, short on gossip, he gives nuanced assessments of the world's most admired rock band and of its era."
Booklist, starred review

"Every so often – every rare once in a while – it is good and cleansing and necessary to have one compact volume that sums everything up, hitting the heights and depths and sticking with the facts all the way to the bitter end. Jonathan Gould’s Beatles biography 'Can’t Buy Me Love' is that book – and, aware as it is of the fact that even titling the book 'Can’t Buy Me Love' is something so completely simple and banal, it tells the sprawling, complicated Beatles story in a refreshingly straight-forward manner. ... Gould succeeds in not only expertly telling that tale, but infusing it with a voice that’s all his own."
Santa Barbara News-Press

"Gould excels at depicting the complexities involved in creating songs destined to become classics…He juxtaposes their personal history, the genius, the outrageous statements, the women, the drugs—with the arc of world events then. If you loved the Beatles, you'll love this book."
Dayton Daily News

“It’s been said that not only did the world want the Beatles in the 1960s, it needed them. Gould, for the first time, really explains why….Gould has written a book that both fans and rock historians will enjoy.”
—DailyVault.com

Can't Buy Me Love provides a thrilling account of how four nowhere kids from Liverpool translated their love of American rock and blues into a body of popular music unmatched in the nearly forty years since they ended their careers as Beatles. Writing with a scholar's attention to history and a musician's interest in songcraft, Gould meticulously charts the group's evolution from three-chord sprints like "She Loves You" to multi-partite, symphonic masterpieces like ‘A Day in the Life.’ If you've ever wanted to know why the Beatles' music is great and how better to appreciate it, look no further than this brilliant book.”
People magazine

“Essential….his narrative literally sings itself off of the pages.”
The Boston Globe

“Excellent and engrossing….Gould has the two gifts essential to a critic–passionate expertise plus a bulletproof sense of humor–and his descriptions of the music are hilariously on target….Yet Gould also possesses that third essential gift: the capacity for awe.”
—James Marcus, The Los Angeles Times

“Excels by providing what’s been missing from many biographies: context.”
USA Today

“Volumes have been written on the Beatles….Now comes one of the best, Jonathan Gould’s Can't Buy Me Love, a smashing group biography that doubles as a masterful cultural history.”
Play-Taste

“Offers a fresh vision that, like the Beatles, brims with entergy, wit and charm.”
—Glenn Frankel, Washington Post Book World

Can’t Buy Me Love the book is not just a book, it is an experience and if I had to name must-read/must-own books on the subjects covered, it would be in the Top Ten of all my lists. Don’t miss one of the best music history books ever written!”
—Fulvuedrive-in.com

“If what follows in this book review reeks of juvenile gushing, I won’t even attempt to apologize for it. ... Gould has created in this, his ... first publication, what can only fairly be described as the ultimate musician’s guide to song writing and producing. ... I’m about to re-read and re-savor this writer’s work, this time in an effort to shake-off self-doubt, and siphon off some of that determination and talent.”
—Antimusic

“In Can’t Buy Me Love: The Beatles, Britain and America, author Jonathan Gould presents perhaps the most comprehensive, enjoyable read concerning the Fab Four ever written. More importantly, Gould’s book illustrates how events influence our thought processes, and how we turn to idols to make sense of it all. This isn’t just a good book–it should be required reading for anybody interested in the influence of the sixties, and how we perceive ourselves now.”
—Ray Ellis, Culture Salad Online

“In Can't Buy Me Love, freelance writer Jonathan Gould has produced the best book ever written about the Beatles. An elegant and economical stylist, Gould is a brilliant narrative historian, with an archaeologist's ability to re-create the world inhabited by his subjects. Can't Buy Me Love is a magical mystery tour that must not be missed.”
—Glenn C. Altschuler, American studies professor at Cornell University

Can’t Buy Me Love joins the late Ian MacDonald’s Revolution in the Head (released last year in a third edition by Chicago’s A Cappella Books) on the very short shelf of essential Beatles reads… Prickly, smart, loving without being blind to its protagonists’ follies, and comprehensive without resorting to mounds of pointless minutiae, Can’t Buy Me Love is an involving, wildly intelligent book that allows us to experience anew the band’s great moment in all its glorious, world-shaking velocity. A better title may have been Re-Meet the Beatles.”
—Los Angeles City Beat

"A nearly 20-year labor of love by a first-time writer, it's a fascinating, witty, and highly original take on Beatles music and mystique, and a worthy addition to 'Beatle lit.'...Gould delivers a multifaceted gem of a book that should delight and surprise even the most oversaturated fan."
—Christian Science Monitor







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67 von 69 Kunden fanden die folgende Rezension hilfreich
let's talk about their music 8. Oktober 2007
Von Richard Cumming - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Hundreds of books have been written about the Beatles. Jonathan Gould read a lot of them and he wasn't satisfied. They talked about almost every aspect of the Beatles except they seemed to flash right past one of the most important things, the thing we remember most, the music.

Gould, a musician, started this project 20 years ago. He looked at the Beatles from back at the very beginning-their roots. How did they become songwriters? How did Lennon and McCartney become such a wonderful songwriting team? Who were there major influences?

He doesn't rely on the memories of those who were there 50 years ago. Instead, he looks to the original sources, the music writers and fans of that time, in the words they wrote then.

He follows the Beatles course during their short but prolific time together. He looks at many of the songs and the stories behind them-the ideas that were formed in the studio and elsewhere, influences like India, drugs, women, philosophy, etc. Little tricks and accidents changed so many songs from what they might have been to something even better.

Throughout he plugs readers into what was happening in the world as the Beatles were making their indelible mark upon it.

'T is a thing of beauty. These things needed to be said.
35 von 37 Kunden fanden die folgende Rezension hilfreich
Intellectual, musicological, yet entertaining 6. Dezember 2007
Von John L Murphy - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Gould, a jazz player, spent two decades on this investigation. He combines the biographical range of an author like Bob Spitz with a deeper cultural insight that parallels if not intersects with Steven Stark, and he offers, as did Ian Mac Donald, a sophisticated analysis of many of their songs from a technically adept and closely observed musicologist's understanding.

Gould not only recites the familiar details, but explains their significance. For instance, Woolton is a suburb of Liverpool where Lennon was raised, but Gould places the locale in its suburban context vs. the supposedly working-class upbringing the maturing John was afforded. Instead of saying he dressed like a Teddy Boy, he goes on the place that movement within its psuedo-Edwardian origins in a war-straitened tailoring innovation that failed to catch on among the dandies so much as the sartorial rebels after the Second War. Such detail for many may be more than the reader may have bargained for, and as with the excursus upon Max Weber's theories, has surprised critics expecting another dutiful slog through accounts of Lennon wearing a toilet seat around his neck in Hamburg. Gould, to his credit, avoids the tiresome repetition.

When he discusses the Maharishi and his Transcendental Meditation, he opines how the guru proved a clever salesman who did not exactly tell the Beatles that the noun was much easier to attain than the adjective, so to speak! He handles the Eastman-Klein-NEMS negotiations in the same numbing detail that Spitz had, but adds to the discussion of these necessary facts an understanding of the reasons Lennon and McCartney may have desired such legal and managerial changes, why they picked who they did, and what blunders were made by all sides. He strives for fairness, but you also realize, as with the treatment of Pete Best earlier and Alistair Taylor later, how selfish the four musicians could be as they continued, despite their own bickering as the band began to disintegrate, to remain loyal only to each other.

His cultural range is vast. Isherwood, Huxley, Gertrude Stein, Lewis Carroll, Edward Lear all gain attention, and the subtitle of the book while it appears too limited, does place the band's impact solidly within their studio innovation, their send-up of show biz conventions (a particular strength of Gould's project), and their British appeal to an American audience in the post-JFK slump. You learn much about the chords, the contributions of George Martin and his team, and how songs express the tensions and joys that the Beatles were experiencing as they made their music.

Compared to Spitz, as Gould tends to range over much of the same terrain inevitably, there is less about the band in their private life, and about the same attention to their public life. Less on the Apple's store and monetary problems, more on the influence of LSD on the band. Less on the goings on of the Maharishi, more about George Harrison's increasing fluency on the guitar in the band's final years. Less on their calculated witticisms (he notes well that estimations of their press conference wit tended to lean heavily on their first year of fame, as they tired quickly of such effort) and more on their reworkings of Dylan and their influences and competitors (he cites a liner note from Donovan's "A Gift From a Flower to a Garden" to devastating effect to show flower children at their most insipid).

A valuable combination of contextual situating of the band within their times and an argument how the band managed to transcend their origins and represent a liberating spirit that shaped not only the Sixties but every decade since, Gould's book may be more for the scholar than the casual fan. Yet, such ambition is appropriate as enough time has passed that the Beatles now can begin to be placed within their century as a crucial intellectual as well as entertainment force. Gould's study proves this.
29 von 31 Kunden fanden die folgende Rezension hilfreich
Not just another Beatles book 3. November 2007
Von R. Riis - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
After having read maybe a thousand books on the Beatles, what a treat to find a new one that is not only well-written and intelligent, but actually includes material I had not read or heard before. Everyone will have their favorite era and favorite part, but I especially enjoyed learning more about the very early days (1960-1961) when the band were acquiring their instrumental chops and soaking up lessons in songwriting and showmanship. A great book.

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