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[CATCH A WAVE: THE RISE, FALL, AND REDEMPTION OF THE BEACH BOYS' BRIAN WILSON ]by(Carlin, Peter James )[Paperback] (Englisch) Taschenbuch – 26. Juni 2007

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Possession A terrifying novel of a young man who is willing to defy even death Full description


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Die hilfreichsten Kundenrezensionen auf (beta) 55 Rezensionen
40 von 43 Kunden fanden die folgende Rezension hilfreich
Catch A Perfect Book 2. August 2006
Von SUMMER - Veröffentlicht auf
Format: Gebundene Ausgabe Verifizierter Kauf
This is a beautifully written book about a highly gifted artist. When I had to put "Catch A Wave" down to get some work done, I'd put on whatever Beach Boy song I had been reading about while I worked, including "Pet Sounds Sessions." I also felt complelled to listened to my old Three Dog Night Album not knowing why until I read page 130. Along with the insight into Brian's life, this book stirred up a lot of memories, creative juices and deep intuition. Thank you Peter Ames Carlin for a great read on my favorite musician and for the energy of Catch A Wave.
36 von 40 Kunden fanden die folgende Rezension hilfreich
Less than expected 9. Januar 2007
Von Jeffrey A. Sherman - Veröffentlicht auf
Format: Gebundene Ausgabe
I am a big fan of the music of Brian Wilson and the Beach Boys. I had listened to Peter Carlin discuss the book with Bob Edwards on XMPR radio and thought it sounded really interesting (particularly his discussion of his meetings with The Wondermints and the creation of the Smile CD two years ago) despite the fact that so much has already been written about Brian.

On the pro side, I thought this was a very well-written book that carries the reader along quickly and enjoyably. Carlin has taken a clear-headed approach and avoids getting mired in the grotesque stories of Murray Wilson's alleged abuse (though he doesn't stray from discussions of Murray either). Further, although I suspect Mike Love might disagree, I think he gives the reader a fair amount of insight in to the frustrations that the other members of the band may have experienced in dealing with Brian after he stopped touring (and especially from Pet Sounds on) and how that impacted their relationships.

However, on the con side: I think the book really doesn't spend nearly enough time detailing the "Fall, and Redemption" of Brian. Though he mentions some incidents on airplanes in the early/mid 1960s, the bizarre behavior in the decades thereafter, and some of the behavior of "Dr." Landy, I don't feel like it was detailed enough for me to get much insight into what caused the breakdowns and fall (and what the fall really entailed) and whether the redemption was truly a redemption (his descriptions of a waxy Brian performing make me question whether he has returned to health).

Further, although I appreciate Carlin's skeptical eye regarding past Beach Boys biographies, interviews and other writings, I feel like the book is somewhat too reliant on them and that there are too few new revelations in the reporting.

I recognize that it is difficult to encapsulate an approximately 45 year career and 60 year life into 300 pages, but I feel like the net result was less meaty than I had hoped.
23 von 26 Kunden fanden die folgende Rezension hilfreich
Don't sue me! 12. November 2006
Von P. Bryant - Veröffentlicht auf
Format: Gebundene Ausgabe
Beach Boys fans read this excellent book at their peril. There are a very few good vibrations in the story of Brian Wilson and his group, but there's no shortage of extremely bad vibrations. By the end of the book you may feel you're heartily sick of each and every drug-addled, money-obsessed, talentless washed-out Beach Boy with the exception of Brian himself. These days they're a living, breathing embarrassment. They sue each other perpetually, and Al Jardine and Mike Love now tour America with rival bands claiming to be the Beach Boys.

Pity rich pop star Brian Wilson. First he was bullied and humiliated by his father, the repulsive Murray Wilson. Later he was bullied and harrassed by Mike Love. Years after that he was taken prisoner by a deranged psychiatrist who bullied him 24 hours a day. What all these people wanted was - more hit songs! More! Another million seller! Now!

The exhilaration of making hit record after hit record quickly became a relentless treadmill. Brian was the sole creative force in the group. By the age of 22 he was composer, lead singer, bass player, arranger and producer. After two years of that he had his first breakdown and quit touring. The wave crested in 1965 when everything was working out - they'd fired Murray as manager, Brian stayed home and wrote more hits and the group toured. But then he began to change. Within three years there was "Pet Sounds", the still astonishing single "Good Vibrations", and then the disaster of "Smile", Brian's increasing psychological problems, and by 1968 the Beach Boys were pulling crowds of 200, hopelessly out of fashion. The 1960s was a very fast decade.

During the next 20 years (!) Brian was not a functioning human being. His colossal intake of drugs and food was in inverse proportion to his tiny output of songs. The whole sorry saga makes for gruesome reading. "As Carnie remembers, her father began most of his days with a dozen eggs and an entire loaf of bread" and for dinner "he'd eat his entire steak in two bites". From the late 60s to the mid-80s the other Beach Boys were perpetually dancing around trying to get Brian to lay more golden eggs for them. They tried anything they could think of, including tough love (pretending to fire him from the group). They ended up hiring a 24-hour-a-day showbiz psychiatrist to rescue him, Dr Eugene Landy. And before you could say "medical ethics" Brian had started writing songs again but they were credited to "Wilson/Landy". So the Beach Boys sued the psychiatrist.

The grim story does have a kind of happy ending though - after trudging through this (always well-written and readable) catalogue of unhappiness we arrive at the year 2001 when Brian, now married to Melinda Ledbetter (who sounds like one of the few really nice people in the whole book), finally - 34 years later! - finishes "Smile" and even performs it live on stage to universal acclaim. As you finish the book you think "Enough - I don't ever want to read another word about these horrible people or about poor tormented Brian - I just want to listen to their beautiful music". And in some ways I'm sorry I did read this book. It's strange to admire the Beach Boys' great mass of brilliant music so much but to dislike them all as human beings, except Brian of course. You don't dislike him, but you do pity him. I don't believe the author intended to perform hatchet jobs on all these people, he just let the awful facts speak for themselves. And now I'm hoping the remaining Beach Boys won't sue me for this review.
18 von 20 Kunden fanden die folgende Rezension hilfreich
The Rise, Fall, Redemption and Death of the Beach Boys 13. August 2006
Von Michael J. Peterson - Veröffentlicht auf
Format: Gebundene Ausgabe
If you are reading this review, you have probably already read Tim White, Brian, Priore, Paul Williams, Tobler, Granata, and anything else you can get your hands on about our hero, Brian Wilson, and are wondering if anything new could help you get inside his life and times. Well, don't hesitate, buy this book. Not only do you get new details on the final redemption story climaxing in Smile, Carlin's interviews with scores of participants fill in lots of white space in the old familiar tales. More importantly he provides a unique perspective on the music and all of the major turning points in the Beach Boys' career, allowing you to understand why Brian has triumphed, while Mike and AL are bitter old farts who think they got screwed. The new standard in Beach Boys history.
30 von 37 Kunden fanden die folgende Rezension hilfreich
Personal Traumas and Triumphs 29. Juli 2006
Von Robert M. Burlingame - Veröffentlicht auf
Format: Gebundene Ausgabe Verifizierter Kauf
Brian Wilson remains one of the most gifted and innovative American writers and producers. He paid the price. David Leaf's masterwork The Beach Boys and The California Myth (1977) gave us a glimpse of the tortured artist. Wilson's own autobiography Wouldn't it Be Nice (My own story-1991)was tainted with Eugene Landy's own summarizations. Tim Whites 1996 Biopic The Nearest Farthest Away Place was also fresh and revealing.

The Book does not offer any new material to ponder, but a rather the repaved thoroughfare of the Brian Wilson looking glass. Everything is researched thoroughly and correctly, but bares nothing that a bonofide Brain Wilson fan wouldn't have already known.

I think there is plenty of existing literature available now or otherwise. Brian Wilson Biopics are always a good reads, however one tends to wanna quench his or her need to search each subsequent bookwork for saucier detailing on Wilson's personal traumas in lieu of his personal triumphs.
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