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Boyer's method is to examine evidence of public thought and conversations during these five years, from "letters to the editor" of newspapers, to intellectual journals of thought, to cartoonists, to the literary world of William Faulkner and Gertrude Stein, to religious organizational bulletins. He makes skillful use of primary sources, demonstrating that while majority opinions could be clearly demonstrated to have existed, undercurrents of contention and dissention remained at each step. Boyer also makes it understandable that as Americans' expectations of another war increased (59% in October 1945 to 77% in late 1947, page 335) Americans sought not to curtail the development of nuclear energy, but rather trust in technological superiority and civil defense to survive the "inevitable " war, a concomitant response to civil defense campaigns, visions of technological utopia, and simply atomic fatigue---even a subject like nuclear war could only generate a certain sustained interest over a period of time if not directly confronting daily life in the U.S. However, Boyer also suggests that a drop-off in interest in nuclear issues may have been due to deep-seated horror rather than complacency (as noted by Elaine Tyler May) This may belong to the more speculate aspects of his study, given that in the late 40's and 50's open counternarratives to nuclear utopia were building, such as in the literary and poetic work of the Beats. But in general I find "By The Bomb's Early Light" an excellent, accessible account of the major movements in a fascinating period of cultural history, one clearly marked by ideological conflicts and disagreement rather than consensus.
Despite Boyer's professed pacifism and his personal views regarding the ultimately menacing nature of the atomic bomb, the various events, opinions, and artifacts cited are evenly presented. This objectivity, however, makes for rather dry reading, especially when Boyer's connective tissue is compared with the lofty literary attempts to come to terms with the inconceivable he quotes throughout. This work might be more effective if it gave itself over completely to the format it seems to yearn for: an assemblage of excerpts and passages from the original works with Boyer's commentary confined to sidebars and brief introductory essays. Of course, Boyer's goal was to produce a comprehensive volume of reference material drawing from a myriad of venues and disciplines, not a coffee table book about atomic kitsch of the 1940's. While not as entertaining as the latter and by no means a cover-to-cover page-turner, By The Bomb's Early Light serves as an excellent resource and starting point for further research.
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